Horror Town

As the blizzard finally subsides, the town faces a new catastrophe: a devastating earthquake that splits the earth surrounding the town and brings with it a wave of nightmares and hallucinations. With tensions already at a boiling point, the town is on the brink of anarchy. The true terror, however, lies beyond their shattered streets. As the snow recedes, a hidden city emerges in the distance, an ominous specter signaling an inevitable conflict.

Andrew Larimer has left his past behind. Rising up the ranks in a New York law firm, and with a heavily pregnant wife, he is settling into a new life far from Kingsport, the town in which he grew up. But when he receives a late-night phone call from an old friend, he has no choice but to return home.

Newlyweds Lisa and John's summer drive through the Oregonian wilderness takes a chilling turn when an unexpected blizzard traps their car. Desperate for refuge, they find hope in a sign: WELCOME TO__. Bundling up, they trek through the storm and find that, within the town, the blizzard ceases, though it rages just beyond the town's limits. The streets are eerily quiet, lined with lifelike ice statues. Lisa and John soon realize they are being watched by the wary townsfolk, who reveal a haunting truth: this town is a prison, and the storm is a trap.

Cotton Crossing was a dead end, but not for Ginny Mills. She's just marking time, getting experience in the county library system, before moving back to a decent urban environment. Then the phones stop working. Lee Quartine knows there's no way the pretty girl at the library will even look at him. Especially since he can't open his mouth. He knows he's a hick, but when the power starts going out and the woods are full of strange creatures, it's good to have someone around who can build a fire. And kill.

A man falls from the sky. He has no memory. He has no sense of self. What lies ahead are a series of tests, each more brutal than the last, and if he gets through them all, he might just reach a town called Discovery.

It is 1953, and Melbourne society is looking forward to coronation season, the grand balls and celebrations for the young queen-to-be. Tilly Dunnage is, however, working for a pittance in a second-rate Collins Street salon. Her talents go unappreciated, and the madame is a bully and a cheat, but Tilly has a past she is desperate to escape and good reason to prefer anonymity.

It's autumn in Harrow, but something is changing in the town besides the season. Because in that town there is an orchard, and in that orchard grows a new sort of apple: strange and beautiful, with skin so red it's nearly black. Take a bite of one of these apples and you will you will become stronger. More vital. More yourself, you will believe. But soon your appetite for the apples and their peculiar gifts will keep growing - and become darker.

Once upon a time, a man who believed in fairy tales married a beautiful, mysterious woman named Indigo Maxwell-Casteñada. He was a scholar of myths. She was heiress to a fortune. They exchanged gifts and stories and believed they would live happily ever after—and in exchange for her love, Indigo extracted a promise: that her bridegroom would never pry into her past. But when Indigo learns that her estranged aunt is dying and the couple is forced to return to her childhood home, the House of Dreams, the bridegroom soon finds himself unable to resist.

Four years after her tumultuous senior year, Jade Daniels is released from prison right before Christmas when her conviction is overturned. But life beyond bars takes a dangerous turn as soon as she returns to Proofrock. Convicted Serial Killer, Dark Mill South, seeking revenge for thirty-eight Dakota men hanged in 1862, escapes from his prison transfer due to a blizzard, just outside of Proofrock, Idaho.

Dean is a best-selling writer who struggles with writer's block ever since the scandal. Between the accident and the public scandal, no publisher wants to work with him anymore—until his agent calls him one day to tell him he managed to sign a deal with a small publisher. Dean isn't thrilled, but his lack of excitement turns into frustration when he learns that his deadline to come up with an idea for a book is 30 days.

Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed “The Lost Village”, since she was a little girl. In 1959, her grandmother’s entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left - a woman stoned to death in the town center and an abandoned newborn - have plagued her. She’s gathered a small crew of friends in the remote village to make a film about what really happened.

Emery Blackwood's life was forever changed on the eve of her high school graduation, when the love of her life, August Salt, was accused of murdering her best friend, Lily. She'd once dreamt of running away with August, eager to escape the misty, remote shores of Saoirse Island and chase new dreams together. Now, she is doing what her teenage self swore she never would: living a quiet existence among this tight-knit community steeped in folklore and tradition, ruled by the seasons and ancient superstitions.

Failed academic Frank Nichols and his wife, Eudora, have arrived in the sleepy Georgia town of Whitbrow, where Frank hopes to write a history of his family's old estate - the Savoyard Plantation - and the horrors that occurred there. At first, the quaint, rural ways of their new neighbors seem to be everything they wanted. But there is an unspoken dread that the townsfolk have lived with for generations. A presence that demands sacrifice.

It started in the Middle East. A flu-like plague that infected thousands and killed roughly 10 percent of its victims. Those who died awoke once again, but they were no longer among the living - they came back as soulless, carnivorous corpses who desired only one thing: to feed on living human flesh. The citizens of Single Tree, California, want the stenches and those fleeing them to ignore the town long enough for it to be transformed.... But time is not on their side.

When Gregory Tomasov moves into an abandoned farm on the edge of McGuane, Arizona, he discovers a terrible secret buried in the walls of the old building.

Still devastated after the loss of his wife, Tom Kennedy and his young son, Jake, move to the sleepy village of Featherbank, looking for a fresh start. But Featherbank has a dark past. Fifteen years ago a twisted serial killer abducted and murdered five young boys. Until he was finally caught, the killer was known as 'The Whisper Man'. Of course, an old crime need not trouble Tom and Jake as they try to settle in to their new home. Except that now another young boy has gone missing, stirring up rumours that the original killer was always known to have an accomplice.

In a quest for a simpler life, Helen and Nate have abandoned the comforts of suburbia to take up residence on 44 acres of rural land where they will begin the ultimate, aspirational do-it-yourself project: building the house of their dreams. When they discover that this beautiful property has a dark and violent past, Helen, a former history teacher, becomes consumed by the local legend of Hattie Breckenridge, a woman who lived and died there a century ago.

One night, Annie went missing. Disappeared from her own bed. There were searches, appeals. Everyone thought the worst. And then, miraculously, after 48 hours, she came back. Though she couldn't, or wouldn't, say what had happened to her. But something happened to my sister. I can't explain what. I just know that when she came back, she wasn't the same. She wasn't my Annie. I didn't want to admit, even to myself, that sometimes I was scared to death of my own little sister.

One morning, the residents of Walden, Virginia, woke up to find the rest of the world gone. Just...gone. Surrounding their town was a wall of inky darkness, plummeting Walden into permanent night. Nothing can get in - not light, not people, not even electricity, radio, TV, internet, food, or water. And nothing can get out.

None of us ever agreed on the exact beginning. Was it when we started drawing the chalk figures, or when they started to appear on their own? Was it the terrible accident? Or when they found the first body?