Showing results by author "Terry Pratchett" in All Categories

In the beginning, there was nothing but endless flatness. Then came the Carpet.... That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples and there's a new story in the making. The story of Fray, sweeping a trail of destruction across the Carpet, and two brothers, who set out on an adventure to end all adventures.

Roundworld is in trouble again, and this time it looks fatal. Having created it in the first place, the wizards of Unseen University feel vaguely responsible for its safety. They know the creatures who lived there escaped the impending Big Freeze by inventing the space elevator - they even intervened to rid the planet of a plague of elves, who attempted to divert humanity onto a different time track. But now it's all gone wrong - Victorian England has stagnated and the pace of progress would embarrass a limping snail.

Death has been fired by the Auditors of Reality for the heinous crime of developing…a personality. Sent to live like everyone else, Death takes a new name and begins working as a farmhand. He's got the scythe already, after all. And for humanity, Death is just…gone. Which leads to the kind of chaos you always get when an important public service is withdrawn. If Death doesn't come for you, then what are you supposed to do in the meantime? You can't have the undead wandering about like lost souls—there's no telling what might happen.

In the beginning, there was nothing but endless flatness. Then came the Carpet.... That's the old story everyone knows and loves (even if they don't really believe it). But now the Carpet is home to many different tribes and peoples, and there's a new story in the making: the story of Fray, sweeping a trail of destruction across the Carpet. The story of power-hungry mouls - and of two Munrung brothers, who set out on an adventure to end all adventures when their village is flattened.

Deep in the Chalk, something is stirring. The owls and the foxes can sense it, and Tiffany Aching feels it in her boots. An old enemy is gathering strength. This is a time of endings and beginnings, old friends and new, a blurring of edges and a shifting of power. Now Tiffany stands between the light and the dark, the good and the bad. As the fairy horde prepares for invasion, Tiffany must summon all the witches to stand with her. To protect the land. Her land. There will be a reckoning.

Somewhere on the frontier between thought and reality exists the Discworld, a parallel time and place that might sound and smell very much like our own, but that looks completely different. It plays by different rules. Certainly it refuses to succumb to the quaint notion that universes are ruled by pure logic and the harmony of numbers. But just because the Disc is different doesn't mean that some things don't stay the same.

'Look after the dead,' said the priests, 'and the dead will look after you.' Wise words in all probability, but a tall order when, like Teppic, you have just become the pharaoh of a small and penniless country rather earlier than expected, and your treasury is unlikely to stretch to the building of a monumental pyramid to honour your dead father. He'd had the best education money could buy of course, but unfortunately the syllabus at the Assassin's Guild in Ankh-Morpork did not cover running a kingdom and basic financial acumen....

Moist von Lipwig is a con artist and a fraud and a man faced with a life choice: be hanged, or put the ailing postal service of Ankh-Morpork back on its feet. It's a tough decision. The post is a creaking old institution, overshadowed by new technology. But there are people who still believe in it and Moist must become one of them if he's going to see that the mail gets through, come rain, hail, sleet, dogs, the Post Office Workers Friendly and Benevolent Society, an evil chairman...and a midnight killer. Getting a date with Adora Bell Dearheart would be nice, too.

The witches Granny Weatherwax, Nanny Ogg and Magrat Garlick are travelling to far-distant Genua to stop a wedding and save a kingdom. But how do you fight a happy-ever-after, especially when it comes with glass slippers and a power-hungry Fairy Godmother who has made Destiny an offer it can't refuse? It's hard to resist a good story, even when the fate of the kingdom depends on it....

Maurice, a streetwise tomcat, has the perfect money-making scam. Everyone knows the stories about rats and pipers, and Maurice has a stupid-looking kid with a pipe, and his very own plague of rats—strangely educated rats. But in Bad Blintz, the little con suddenly goes down the drain. For someone there is playing a different tune and now the rats must learn a new word. EVIL. It's not a game any more. It's a rat-eat-rat world. And that might only be the start.

It's 2045-2059. After the cataclysmic upheavals of Step Day and the Yellowstone eruption humanity is spreading farther into the Long Earth, and society, on a battered Datum Earth and beyond, continues to evolve. Now an elderly and cantankerous AI, Lobsang, lives in disguise with Agnes in an exotic, far-distant world. He’s convinced they’re leading a normal life in New Springfield - they even adopt a child - but it seems they have been guided there for a reason.

Koom Valley, the ancient battle where the trolls ambushed the dwarfs, or the dwarfs ambushed the trolls, was a long time ago. But if he doesn't solve the murder of just one dwarf, Commander Sam Vimes of Ankh-Morpork City Watch is going to see it fought again, right outside his office. With his beloved Watch crumbling around him and war-drums sounding, he must unravel every clue, outwit every assassin and brave any darkness to find the solution. And darkness is following him.

An exclusive collection of twenty early short stories by one of the world's best loved authors, these are rediscovered tales that Pratchett wrote under a pseudonym for newspapers during the 1970s and 1980s. Whilst none of the stories are set in the Discworld, they hint towards the world he would go on to create in his award-winning and globally bestselling series, containing all of his trademark wit, satirical wisdom and fantastic imagination. These are tales which entertain, enlighten and, most importantly, make you laugh.

Somewhere in a place so far up that there is no down, a ship is waiting to take the nomes home, back to wherever they came from. And one nome, Masklin, knows that they've got to try and contact the ship.

Finding himself alone on a desert island when everything and everyone he knows and loved has been washed away in a huge storm, Mau is the last surviving member of his nation. He's also completely alone - or so he thinks until he finds the ghost girl. She has no toes, wears strange lacy trousers like the grandfather bird and gives him a stick which can make fire. Daphne, sole survivor of the wreck of the Sweet Judy, almost immediately regrets trying to shoot the native boy.

Death comes to us all. When he came to Mort, he offered him a job. Death is the Grim Reaper of the Discworld, a black-robed skeleton with a scythe who ushers souls into the next world. He is also fond of cats and endlessly baffled by humanity. Soon Death is yearning to experience what humanity really has to offer, but to do that, he'll need to hire some help. It's an offer Mort can't refuse. As Death's apprentice he'll have free board, use of the company horse—and being dead isn't compulsory. It's a dream job—until Mort falls in love with Death's daughter, Ysabell.

The Opera House in Ankh-Morpork is home to music, theatrics and a harmless masked Ghost who lurks behind the scenes. But now a set of mysterious backstage murders may just stop the show. Agnes Nitt has left her rural home of Lancre in the hopes of launching a successful singing career in the big city. The only problem is, she doesn't quite look the part. And there are two witches who would much rather she return home to join their coven.

This isn't real life. This isn't even cheese mongering. It's opera - where the music matters, and where an opera house is being terrorised by a man in evening dress with a white mask, lurking in the shadows, occasionally killing people, and, most worryingly, sending little notes, writing maniacal laughter with five exclamation marks. Opera can do that to a man. In such circumstances, life has obviously reached that desperate point where the wrong thing to do has to be the right thing to do.

A bright new dawn is just around the corner for thousands of tiny nomes when they move into the ruined buildings of an abandoned quarry. Or is it?

The years 2040 - 2045: After the cataclysmic Yellowstone eruption, there is massive economic dislocation as populations flee Datum Earth to myriad Long Earth worlds. Sally, Joshua, and Lobsang are all involved in this perilous work when, out of the blue, Sally is contacted by her long-vanished father and inventor of the original Stepper device, Willis Linsay. He tells her he is planning a fantastic voyage across the Long Mars and wants her to accompany him. But Sally soon learns that Willis has ulterior motives....