Showing results by author "Adrian McKinty" in All Categories

Slamming the door on the hellscape of 1980s Belfast, Detective Inspector Sean Duffy hopes that the 1990s are going to be better for him and the people of Northern Ireland. As a Catholic cop in the mainly Protestant RUC he still has a target on his back, and with a steady girlfriend and a child the stakes couldn’t be higher. After handling a mercurial triple agent and surviving the riots and bombings and assassination attempts, all Duffy wants to do now is live. But in his final days in charge of Carrickfergus CID, a missing persons report captures his attention.

Northern Ireland, spring 1981. Hunger strikes, riots, power cuts, a homophobic serial killer with a penchant for opera, and a young woman’s suicide that may yet turn out to be murder: on the surface, the events are unconnected, but then things—and people—aren’t always what they seem. Detective Sergeant Duffy is the man tasked with trying to get to the bottom of it all. It’s no easy job—especially when it turns out that one of the victims was involved in the IRA but was last seen discussing business with someone from the loyalist Ulster Volunteer Force.

Belfast, 1985. Amid the Troubles, Detective Sean Duffy, a Catholic cop in the Protestant Royal Ulster Constabulary, struggles with burnout as he investigates a brutal double murder and suicide. Did Michael Kelly really shoot his parents at point-blank range and then jump off a nearby cliff? A suicide note points to this conclusion, but Duffy suspects even more sinister circumstances.

Young Michael, an illegal immigrant escaping the troubles in Northern Ireland is strong and fearless and clever, just the fellow to be tapped by Darkey, a crime boss, to join a gang of Irish thugs struggling against the rising Dominican powers in Harlem and the Bronx. The time is pre-Giuliani New York, when crack rules the city, squatters live furtively in ruined buildings, and hundreds are murdered each month.

It's the early 1980s in Belfast. Sean Duffy, a conflicted Catholic cop in the Protestant RUC (Royal Ulster Constabulary), is recruited by MI5 to hunt down Dermot McCann, an IRA master bomber who has made a daring escape from the notorious Maze prison. In the course of his investigations Sean discovers a woman who may hold the key to Dermot's whereabouts; she herself wants justice for her daughter who died in mysterious circumstances in a pub locked from the inside.

A torso in a suitcase looks like an impossible case, but Sean Duffy isn’t easily deterred, especially when his floundering love life leaves him in need of a distraction. So with detective constables McCrabban and McBride, he goes to work identifying the victim. The torso turns out to be all that’s left of an American tourist who once served in the U.S. military. What was he doing in Northern Ireland in the midst of the 1982 Troubles?

Alexander Lawson is a former detective for Northern Ireland's police force. After a disastrous six-month stint in the drug squad, he became addicted to heroin and resigned in disgrace. Now 24, sickly, and on the dole, Alex learns that his high-school love, Victoria Patawasti, has been murdered in America. Victoria's wealthy family sends Alex to Colorado to investigate the case, and he seizes the opportunity for a chance at redemption.

Michael Forsythe is contacted by his former lover, Bridget, a New York Irish Mob boss, whose fiancé he killed. Bridget, calling from Dublin, says that her 11-year-old daughter has been kidnapped. Michael's choice is to fly to Dublin and help her find the girl, or be executed at the hands of Bridget's goons, who are holding him at gunpoint. He agrees to nothing, but is soon on the way to Dublin, leaving the first two of many dead bodies in his wake.

You should not have come to the island. You should not have been speeding. You should not have tried to hide the body. You should not have told your children that you could keep them safe. No one can run forever.

Belfast, 1988. A man is found dead, killed with a bolt from a crossbow in front of his house. This is no hunting accident. But uncovering who is responsible for the murder will take Detective Sean Duffy down his most dangerous road yet, a road that leads to a lonely clearing on a high bog where three masked gunmen will force Duffy to dig his own grave. Hunted by forces unknown, threatened by Internal Affairs, and with his relationship on the rocks, Duffy will need all his wits to get out of this investigation in one piece.

The only way to save your child is to kidnap another. Listen carefully. Your child has been kidnapped. You must abduct someone else's child to save your own. Disobey. Break the rules. Go to the cops. Your child will die. Your victim's parents must kidnap another child before yours is released. You are now part of the chain.

In this exciting sequel to the acclaimed Dead I Well May Be, the mercenary Michael Forsythe is forced to infiltrate an Irish terrorist cell, confronting murder, mayhem, and the prospect of his own execution.

When journalist Lily Bigelow is found dead in the courtyard of Carrickfergus castle, it looks like a suicide. Yet there are a few things that bother Duffy just enough to keep the case file open, which is how he finds out that Bigelow was working on a devastating investigation of corruption and abuse at the highest levels of power in the UK and beyond. And so Duffy has two impossible problems on his desk: Who killed Lily Bigelow? And what were they trying to hide?

Rain slicked streets, riots, murder, chaos. It’s July 1992 and the Troubles in Northern Ireland are still grinding on after twenty-five apocalyptic years. Detective Inspector Sean Duffy got his family safely over the water to Scotland, to “Shortbread Land”. Duffy’s a part-timer now, only returning to Belfast six days a month to get his pension. It’s an easy gig, if he can keep his head down.

Belfast, 1980, is the apocalypse. Bombings, riots, army on the streets, low flying helicopters, and ever-present rain. The grinding Northern Irish civil war between Protestants and Catholics has been going for a decade now. Hated by both sides are the police.

In this final and most ambitious book in a wonderfully inventive trilogy, veteran interplanetary travelers Jamie and Ramsay must protect their alien friend Wishaway, now living with them on Earth, from the scrutiny of sinister forces on their own planet. In the meantime, Wishaway’s beloved home planet of Altair seems to be hurtling toward doom.

Richard Coulter is a man who has everything. His beautiful new wife is pregnant, his upstart airline is undercutting the competition and moving from strength to strength, his diversification into the casino business in Macau has been successful, and his fabulous Art Deco house on an Irish cliff top has just been featured in Architectural Digest.

Jamie O’Neill is back on Earth, where no one but his best friend Ramsay knows he’s the hero of a great war that saved an alien nation. Now he’s back to being a kid with one arm, no girlfriend, and a band that plays bad songs about intergalactic romance. Then news breaks on the Internet: a space probe has picked up a coded message from far across the galaxy. NASA’s best scientists can’t figure out what it says. Only Jamie and Ramsay realize it’s a message from Altair. They’re needed again.

When Jamie’s mother inherits a small island and moves her little family from Harlem to Ireland, her troubled son sees a chance to start over, far away from the bullies and the pitying stares. Cancer has left Jamie without an arm or the will to speak. But Muck Island is no sanctuary, and it offers more than solitude and sea views. Jamie learns that he is heir to an ancient title—Laird of Muck, Guardian of the Passage—and certain otherworldly responsibilities.

Reflecting a city still divided, Belfast Noir serves as a record of a city transitioning to normalcy, or perhaps as a warning that underneath the fragile peace darker forces still lurk. Featuring brand-new stories by: Glenn Patterson, Eoin McNamee, Garbhan Downey, Lee Child, Alex Barclay, Brian McGilloway, Ian McDonald, Arlene Hunt, Ruth Dudley Edwards, Claire McGowan, Steve Cavanagh, Lucy Caldwell, Sam Millar, and Gerard Brennan.