Poetry Literary Criticism

With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks listeners through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind—a must-have for all poetry-lovers.

Here are the extraordinary writings of a generation who fought through a war of unprecedented destructive power, and who had to find new voices to express the horror of what they discovered. The great names - Owen, Sassoon - are fully represented, but there are also many poems by lesser-known or unexpected figures, ranging from serving soldiers like Isaac Rosenberg and Richard Aldington to women such as Edith Nesbit and Vera Brittain.

Julie Andrews and Emma Walton Hamilton share a diverse mix of their most beloved poems, songs and lullabies in this timeless audio treasury. Brought to life with James McMullan's stunning watercolor paintings included in a bonus pdf, this anthology features nine themed sections, and nearly 100 poetry selections from a wide range of talent.

Sylvia Plath is an object of enduring cultural fascination―the troubled patron saint of confessional poetry, a writer whose genius is buried under the weight of her status as the quintessential literary sad girl. Emily Van Duyne―a superfan and scholar―radically reimagines the last years of Plath’s life, confronts her suicide and the construction of her legacy.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

أثار هذا الكتاب ل"طه حسين" الكثير من الجدل فور صدوره عام 1926 وهاجمه الكثير من النقاد فقد تناول طه حسين قضية الشعر الجاهلي من منظور الشك من حيث اللغة والمواضيع والنظم.

Ghalib's poetic trajectory begins from Urdu, then moves to composing almost entirely in Persian and finally swings back to Urdu. It is nearly as complex as his poetry. However, his poetic output in Persian is far more than what he wrote in Urdu. More important is that he gave precedence to Persian over Urdu. Ghalib's voice presents us with a double bind, a linguistic paradox. Exploring his life, works and philosophy, this authoritative critical biography of Ghalib opens a window to many shades of India and the subcontinent's cultural and literary tradition.

Here are 154 poems performed by by the wonderful Sir John Gielgud in this Shakepseare collection of the Sonnets.

Shakespeare's sonnets deal with such themes as the passage of time, love, beauty, and mortality. All but two of the poems were first published in a 1609 quarto entitled Shake-Speares Sonnets: Never before imprinted.

In a series of fascinating conversations with eighteen American poets, and in dozens of poems, The Language of Life celebrates language in its "most exalted, wrenching, delighted, and concentrated form," and its unique power to recreate the human experience: falling in love, facing death, leaving home, losing faith, finding God.

Since receiving the Pulitzer Prize in 1969 for his novel House Made of Dawn, N. Scott Momaday has had one of the most remarkable careers in twentieth-century American letters. Here, in In the Bear's House, Momaday passionately explores themes of loneliness, sacredness, and aggression through his depiction of Bear, the one animal that has both inspired and haunted him throughout his lifetime.

Part lyric essay, part prose poetry, Where Things Touch grapples with the manifold meanings and possibilities of beauty. Drawing on her experiences as a physician-in-training, Orang considers clinical encounters and how they relate to the concept and very idea of beauty. Such considerations lead her to questions about intimacy, queerness, home, memory, love, and other aspects of human existence. Throughout, beauty is ultimately imagined as something inextricably tied to care: the care of lovers, of patients, of art and literature, and the various non-human worlds that surround us.

The Nun's Priest's Tale is one of The Canterbury Tales by the 14th century Middle English poet Geoffrey Chaucer. Read in Middle English by Robert Ross.

The fascinating story of England's monarchy is highlighted by extracts from the diaries and speeches of English monarchs and observations by their contemporaries. Multi-voice narration adds colour and personality to the history of England's most famous family.

When I am grown to man’s estate. I shall be very proud and great. And tell the other girls and boys. Not to meddle with my toys. Thus reads the whimsical, “Looking Forward,” of this delightful collection. From the sweetness of “Land of Nod,” to the imaginative dreams of “Pirate Story” and “Travels,” Robert Louis Stevenson’s beloved poems celebrate childhood in all its simplicity and joy.

Listen to the very best poetry from Paul Cookson. This collection contains a wonderful range of poetry, mostly very funny, but there are thoughtful pieces too. He plays beautifully with language and has included a number of different poetic forms.

A journal of my life this year as I go about my life to church, to work, to teaching, to play, and to visiting friends. The first chapter is a story of the spring. The second chapter is like a sketchbook or a glimpse into a journal. There are reflections and prayers and wishes. The ideas from church are ideas I heard from the priests. It is really paraphrased versus a direct quotation. And some of the biblical quotes I used are used in the poem I wrote. The second chapter is about the summer of 2018 and about some of the things I went through.

With the publication of her first book of poems in her sixty-third year, Amy Clampitt rose meteorically to fame, launching herself from obscurity to the upper ranks of American poetry all but overnight, and living a whirlwind eleven years, until her death in 1994. Years later, as renowned poetry scholar Willard Spiegelman wades into her papers and poems, he discovers a woman of dazzling intellect, staunch progressive politics, and an inexhaustible sense of wonder for the world and the words we’ve invented to describe it.