Shakespeare Criticism

In this witty, iconoclastic book, the bestselling author Fintan O’Toole examines four of Shakespeare’s most enduring tragedies: Hamlet, Macbeth, Othello and King Lear. He shows how their tragic heroes have been over-simplified and moulded to fit restrictive, conservative values, and restores the true heart and spirit of the classics.

The theory that Shakespeare may not have written the works that bear his name is the most horrible, unspeakable subject in the history of English literature. Scholars admit that the Bard’s biography is a “black hole,” yet to publicly question the identity of the god of English literature is unacceptable, even (some say) “immoral.” In Shakespeare Was a Woman and Other Heresies, journalist and literary critic Elizabeth Winkler sets out to probe the origins of this literary taboo.

Unique insights into Shakespeare, from one of the world’s most revered theatre directors. Who was the man who wrote Shakespeare’s plays? Why does Shakespeare never go out of date? How should actors approach Shakespeare’s verse? In this short but immensely wise book, visionary theatre director Peter Brook debates the questions that are central to our understanding of Shakespeare, and revisits the plays he has directed with notable brilliance, including King Lear, Titus Andronicus, and, of course, A Midsummer Night’s Dream.

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.

Cleopatra is one of the most famous women in history - and thanks to Shakespeare, one of the most intriguing personalities in literature. Award-winning writer and beloved professor Harold Bloom delivers exhilarating clarity and invites us to look at this character as a flawed human who might be living in our world. He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime.

While exploring Shakespeare's plays with her students, Paula Marantz Cohen discovered that teaching and discussing his plays unlocked a surprising sense of compassion in the classroom. In this short and illuminating book, she shows how Shakespeare's genius lay with his ability to arouse empathy, even when his characters exist in alien contexts and behave in reprehensible ways.

1601 am Globe Theatre in London uraufgeführt, gehört Shakespeares Drama Hamlet zu den bekanntesten und meistdiskutierten Tragödien der Weltliteratur. Bereits in der Entstehungszeit war das Stück populär und genießt bis heute eine beeindruckende Bühnenpräsenz; Aussprüche wie "Sein oder Nichtsein" haben Eingang gefunden in unsere Alltagssprache. Prinz Hamlet von Dänemark strebt danach, den Tod seines Vaters zu rächen. Um den Mörder zu finden, macht Hamlet eine Wahrheitsprobe in Form einer Inszenierung und führt ein Stück im Theaterstück auf.

Falstaff is both a comic and tragic central protagonist in Shakespeare's three Henry plays. He is companion to Prince Hal (the future Henry V), who loves him, goads him, teases him, indulges his vast appetites, and commits all sorts of mischief with him. Award-winning author and esteemed professor Harold Bloom examines Falstaff with the deepest compassion and sympathy and also with unerring wisdom. He uses the relationship between Falstaff and Hal to explore the devastation of severed bonds and the heartbreak of betrayal.

"There is a disease that can twist men’s hearts and make them mad, and the name of that disease is jealousy." So begins this engaging retelling of one of William Shakespeare’s last plays - a fascinating and unique combination of intensity and whimsy. When King Leontes unfairly accuses his wife of infidelity, he sets off a terrible chain of events. But this is not one of Shakespeare’s tragedies. It’s a romance, and one with a healthy dose of fancy and surprise.

Here are the stories of 10 key Shakespeare plays: Romeo and Juliet, Hamlet, Twelfth Night, King Lear, King Richard III, Othello, Macbeth, The Tempest, Henry V, and A Midsummer Night's Dream.

Here are 154 poems performed by by the wonderful Sir John Gielgud in this Shakepseare collection of the Sonnets.

Shakespeare's sonnets deal with such themes as the passage of time, love, beauty, and mortality. All but two of the poems were first published in a 1609 quarto entitled Shake-Speares Sonnets: Never before imprinted.

For almost two centuries after his death, Shakespeare had no biography. The makings of one were not available. No chronology had been devised by which to coordinate the events in his life with the writing of his works. Nor was there an archive of primary materials on which to base a life. And the only work by Shakespeare written in the first person, the Sonnets, had yet to be critically edited and incorporated into the canon. Without a biography, how could Shakespeare have been valued and understood?

In all of literature, few antagonists have displayed the ruthless cunning and unscrupulous deceit of Iago, the antagonist to Othello. Often described as Machiavellian, Iago is a fascinating psychological specimen: at once a shrewd expert of the human mind and yet, himself a deeply troubled man.

Ya seas un entusiasta de Shakespeare, un estudiante de literatura o alguien simplemente cautivado por el poder del lenguaje, “Shakespeare en Metáforas” ofrece una nueva perspectiva sobre cómo la maestría metafórica de Shakespeare moldea su legado. Sumérgete y redescubre al Bardo bajo una luz que nunca antes habías visto.

David Sterling Brown offers nothing less here than a wholesale deconstruction of whiteness in Shakespeare's plays, arguing that the 'white other' was a racialized category already in formation during the Elizabethan era—and also one to which Shakespeare was himself a crucial contributor.

Hey nonny, nonny - the Bard’s "greatest hits" are all here! Performed with a lively full musical cast ,interspersed with engaging and informative introductory narrative, this imaginative recording uses song and sonnet from Shakespeare’s comedies and tragedies to highlight his works, in his own words. Whether listeners are long-time Shakespearean aficionados or new students of the Englishman’s genius, this educational and entertaining new recording is certain to delight!

At twenty-three, Michelle Ephraim was failing at everything. The only child of reclusive Holocaust-survivor parents who were dismayed by her literary studies, she found herself dumped by her boyfriend and bombing out of graduate school. Then, one night, she crashed a Shakespeare recitation party. Loopy from vodka and never having read a single line of Shakespeare, she was transfixed. Shakespeare, she decided, was the lifeline she needed.

Explore the witty and thought-provoking world of Mark Twain with "Is Shakespeare Dead?" In this audiobook, Twain embarks on a delightful literary investigation, challenging the authenticity of Shakespeare's authorship. With his trademark humor and incisive wit, Twain raises questions about the identity of the Bard and presents a humorous yet compelling case against the traditional attribution of Shakespeare's works.

Eight more plays introduced for younger audiences, including Much Ado About Nothing, Antony and Cleopatra, The Winter's Tale, Measure for Measure, and All's Well That Ends Well.

The first volume of David Timson's series retelling of the stories from Shakespeare's plays was widely praised by newspaper and educators alike. Here is volume 2, with more key plays. Including Julius Caesar, The Merchant of Venice, and Henry IV, all texts which regularly appear on the exam syllabus. As before, the stories are illustrated by numerous examples from the plays themselves. They are read by two leading Shakespearean actors, Juliet Stevenson and Alex Jennings.