Scenes from Provincial Life

Coetzee grew up in a new development north of Cape Town, tormented by guilt and fear. With a father he despised, and a mother he both adored and resented, he led a double life - the brilliant and well-behaved student at school, the princely despot at home, always terrified of losing his mother's love. His first encounters with literature, the awakenings of sexual desire, and a growing awareness of apartheid left him with baffling questions, and only in his love of the high veld ('farms are places of freedom, of life') could he find a sense of belonging.

The second instalment of J. M. Coetzee's fictionalized 'memoir' explores a young man's struggle to experience life to its full intensity and transform it into art. The narrator of Youthhas long been plotting an escape - from the stifling love of his overbearing mother, a father whose failures haunt him, and what he is sure is an impending revolution in his native country of South Africa. Arriving at last in London in the 1960s, however, he finds neither poetry nor romance and instead begins a dark pilgrimage into adulthood.

A young English biographer is researching a book about the late South African writer John Coetzee, focusing on Coetzee in his 30s, at a time when he was living in a rundown cottage in the Cape Town suburbs with his widowed father - a time, the biographer is convinced, when Coetzee was finding himself as a writer. Never having met the man himself, the biographer interviews five people who knew Coetzee well, including a married woman with whom he had an affair, his cousin Margot, and a Brazilian dancer whose daughter took English lessons with him.