Showing results by narrator "John Marshall" in All Categories

Reagan's trip down to the underworld was never going to remain a mystery. And now Lucifer is actively looking for the woman and her vampire cohort that raised hell in his domain. When a band of demons come to the surface with a note asking after Lucifer's heir, the truth of Reagan's true lineage can no longer be hidden. The problem is, the elves remember Lucifer's past heir, and how he nearly took down the Realm. This time, they do not intend to stand by while Lucifer finds his heir and raises her to power. This time, they'll cut the problem out at the root.

It has a dark past—one in which a number of humans were killed. A past that caused it to christen itself “Murderbot”. But it has only vague memories of the massacre that spawned that title, and it wants to know more. Teaming up with a Research Transport vessel named ART (you don’t want to know what the “A” stands for), Murderbot heads to the mining facility where it went rogue. What it discovers will forever change the way it thinks.

After a life of hiding and laying low so as not to end up trapped in the Underworld, that's exactly where Reagan finds herself. It could be worse, though. She could've had a hostile father as her jailor instead of a man eager to teach her magic. She might've been trapped with someone other than the steadfast Druid. She could've gone her whole life without riding a dragon! When push comes to shove, maybe the Underworld isn't so bad. Or maybe Lucifer is doing what he does best—deceiving her to get what he wants.

With Lucifer wanting revenge and the elves desperate to hold onto their power, a battle is inevitable. The question is, which side will Reagan choose? The elves have treated her and her friends badly. Lucifer held her captive. Will she claim revenge…or will she seek to help balance the worlds? Is that even possible? Regardless, she’s not one to back away from trouble. As the worlds heat up and fates are realized, Regan’s future is anything but decided.

Charity hasn't had it easy. Growing up in a bad part of Chicago, left by her mother at sixteen, she's a survivor. So when she gets a scholarship to a good college out in California, she thinks all her dreams have come true. Instead, she falls head-first into a nightmare. At a posh party she doesn't belong, she gets the shock of her life: vampires and shifters are real! Magic is real. And she is anything but a mundane poor kid just trying to make it. Warrior runs in her blood. If only she knew how to use it.

One thing has become perfectly clear: The Mages’ Guild won’t stop coming for me until I am either under their control, or dead. So rather than wait to be cornered…I’m going to take the fight to them. But Emery and I can’t do it alone. We have to assemble enough power in the magical world to rip the Guild off of their high horse. And to do that, we’ll need the shifters as well as the vampires. Except, shifters and vampires would rather kill each other than work together. And after a surprise run-in with a strangely powerful goblin, my world is slapped sideways.

This riveting story takes place during the Battle of the Hundred in the Hand, otherwise known as the Fetterman Massacre of 1866. The story is told alternately through the eyes of Cloud, a dedicated Lakota warrior who fights alongside a young Crazy Horse, and Max Hornsby, a white pioneer who mistakes Cloud's redheaded wife for a captive.

Lucas Carr went to Glenbury Hall, an old country manor house turned hotel. He signed in at reception, took his key, and went upstairs to his room. But he never got there. Somehow he vanished along the way, with not a single clue to suggest what might have happened to him. Lucas belonged to the same mysterious organization that employs Ishmael and Penny, so they are sent in to solve the mystery. But when they arrive at grim and isolated Glenbury Hall, they discover it has a reputation as one of the most haunted old houses in England.

One of the three great tragic playwrights of ancient Greece, Sophocles wrote over 120 plays during his 60-year career, though only seven survive today. The most famous of these are the Theban Plays, all three of which are included in this collection alongside adaptations of Electra and Philoctetes, brought to life by celebrated writers, poets, and playwrights.

Nostalgia radio had incredible comedy, mystery, detective, western, sci-fi, musical, and drama shows that kept Americans glued to their radio sets. Families gathered around their living room radios to hear their favorite Hollywood stars in fully-dramatized broadcasts that entertained millions.

The eighth dramatized audiobook of this dark urban fantasy series follows necromancer Eric Carter through a world of vengeful gods and goddesses, mysterious murders, and restless ghosts.

In Free Is Bad, digital marketing entrepreneur John Marshall explores the web industry's early history and its search for viable business models. It's an investigation of how an evolutionary accident in the design of the web resulted in the ad-tech industry, enabling "free" as the default model for technology products like search and email, and for media products like news and entertainment.

A story of a man's reflections as he looks back about upon a life he had as a successful rock musician, and the lessons learned from those adventures. If you were ever in a band or loved someone who was, I think you will enjoy the community and shared experience.

After ten years, Peter leaves Gillian for Laura. Distraught, Gillian goes round to Peter's parents to be consoled. They take her in - then things go a little weird. This rousing audio dramatisation stars Diane Morgan, Colin Hoult, Janine Duvitski, John Henshaw, Zoe Gardner, Zahra Barri, John Biddle, Tony Marshall, Christine Hall, and Sean Grundy. It was directed by Alison Crawford.

An alien consciousness arrives in a human body, and sets events in motion that disrupt the young lives of Venessa and Dan, cousins who never got along and were just beginning to navigate the adult world beyond their traumatized homes. As they investigate the source of their problems, they discover unexpected connections to their family, and to more epic cataclysms in the past and future of both humanity and the planet Earth. This story is narrated by an ensemble of actors portraying different characters and narrative voices.