Showing results by author "Ian Johnston" in All Categories

The three Theban plays by Sophocles - Oedipus the King, Oedipus at Colonus and Antigone - are great landmarks of Western theatre. They tell the story of Oedipus, King of Thebes, who was destined to suffer a terrible fate - to kill his father, marry his mother, and beget children of the incestuous union. He does this unknowingly but still has to suffer terrible consequences, which also tragically affect the next generation.

Euripides's play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and their remaining families taken away as slaves. It serves as an anti-war narrative as it highlights the suffering of the women left behind. The tragedy also calls attention to how women were treated as commodities in the past by showing how they were divided among the remaining men as spoils of war.

In The Oresteia, Aeschylus dramatizes the myth of the curse on the royal house of Argos. The action begins when King Agamemnon returns victorious from the Trojan War, only to be treacherously slain by his own wife. It ends with the trial of their son, Orestes, who slew his mother to avenge her treachery - a trial with the goddess Athena as judge, the god Apollo as defense attorney, and, as prosecutors, relentless avenging demons called The Furies.

The Trojan War is over, and Odysseus, the cunning King of Ithaca, sets out for home, his wife Penelope, and his son, Telemachus. It proves a long, 10-year journey, fraught with dangers.

One morning, traveling salesman Gregor Samsa wakes from an anxious dream to discover that he has inexplicably changed into a monstrous insect. Nonetheless, life goes on, and poor Gregor is left to deal not only with the existential questions of who or what he now is but also with more mundane concerns: his job (which he fears he’ll lose), his loved ones (whom he fears he disgusts), and the daily indignities of everyday life (which continue apace). Soon, even those who sympathize with his bizarre predicament begin to lose their patience....

Perhaps the greatest poem of the Western world, The Iliad tells the story of 50 critical days towards the end of the Trojan war. Achilles has quarrelled with Agamemnon and sulks in his tent, while Hector brings his Trojans to the brink of victory; but fate will have the last word.

Harmon Tomeral and his friends wanted nothing more than to go to space, and they have beaten the odds, time and again, to get there. They developed a mech and won the Top Fleet Marine competition. They brought back a battle cruiser from an unknown system and made it their own. They made allies who helped them achieve great victories, and they, ultimately, founded new colonies in what has become known as the Salvage System.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In Castle Wetterstein, that role is represented by Effie, the young daughter of a bourgeois widow, who is being courted by the man who killed her late husband in a duel.

The Trojan War is over, and Odysseus, the cunning king of Ithaca, sets out for home, his wife Penelope, and his son Telemachus. It proves a long, 10-year journey, fraught with dangers, from Polyphemus, the one-eyed Cyclops, and the seductive Sirens, to the love of Calypso on her all-too-comfortable isle.

Dog detectives Topsy and Abby are on holiday when one afternoon they wake up with a headache. But it's not because they've been out in the sun too long. Someone has kidnapped them and they are locked in an empty room. What is going on? And who is behind it? Their new friend has a guilty secret, and all too soon they find themselves mixed up with a dangerous gang of villains. It's up to Topsy and Abby to stop them and break up their operation before the gang's mastermind causes more mayhem. But the villains have other ideas.

In the heart of the English countryside lies a sprawling estate, belonging to the enigmatic Auntie Georgia. Every year, an opulent ball lights up the mansion, with guests from the world over attending. However, this year, the ball will be remembered for reasons other than its grandeur. When the Sultana's prized diamond goes missing, young Topsy and Abby, along with their friend Pip, find themselves entangled in a web of secrets, hidden passages, and age-old mysteries. As they race against time to recover the gem, the girls unravel tales of desperation, deceit, and redemption.