Writing Literary Fiction

Vanessa Wye was 15 years old when she first had sex with her English teacher. She is now 32 and the teacher, Jacob Strane, has just been accused of sexual abuse by another former student of his. Vanessa is horrified by this news, because she is quite certain that the relationship she had with Strane wasn’t abuse. It was love. She’s sure of that. But now, in 2017, in the midst of allegations against powerful men, she is being asked to redefine the great love story of her life - her great sexual awakening - as rape.

When Vera decides to travel to an old house in the New England countryside for a month-long escape from some devastating news about her daughter, Cassie, she has no idea her life is about to change forever. It begins innocently enough—peeling the old wallpaper from the walls as a favor to the house’s owner. What she discovers underneath—written in India ink on the very walls of the house by a woman named Beth, in 1919—is the beginning of the reader’s unsettling crossing into the unknown world underneath the paper.

As Parul grows older, she becomes increasingly unhappy and resentful with her lot in life. Mohini struggles with their relationship as well, never sure whether to treat Parul as a sister or a servant. When Parul has a passionate, secret affair with Rahim, a radical Muslim, the careful order the Sens have maintained is thrown into chaos.

With passion and wit, Mary Oliver skillfully imparts expertise from her long, celebrated career as a disguised poet. She walks listeners through exactly how a poem is built, from meter and rhyme, to form and diction, to sound and sense, drawing on poems by Robert Frost, Elizabeth Bishop, and others. This handbook is an invaluable glimpse into Oliver’s prolific mind—a must-have for all poetry-lovers.

What is the role of the writer? Prophet? High priest of art? Court jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain - or excuse! - their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted", who is doing the giving and what are the terms of the gift?

Jason Cashman has reached the goal he spent the last twenty years seeking: raising a million dollars for charity. But instead of feeling content, he now feels empty. What comes next? When he meets Alexandra Lopez—a determined ten-year-old girl facing deportation and uncertainty—he is inspired by his old friend, Murray McBride, to help her fulfill five wishes before she must leave.

Aleister Crowley left behind a literary legacy of hundreds of examples of his authorship, in diverse categories of writing. Collected here is a sampling of those writings.

In this compelling and beautifully-patterned novel, Han Kang tells the interwoven stories of a Greek instructor who is losing his sight and a woman who refuses to speak. Uniquely involving, and thoughtful, it explores the depths and limits of human connection.

Australia's novels lie at the heart of the country. Books that Made Us looks at the history of Australian culture through the books we have read and the stories we have told. Capturing everyday lives and exceptional dreams, Australian novels have held up a mirror to the nation, reflecting the good and the bad.

There's more to writing a successful fantasy story than building a unique world or inventing a new type of magic. From the writing of strong, action-packed scenes to the creation of dynamic, multi-dimensional characters, fantasy author Deborah Chester guides novices and intermediate writers through a step-by-step process of story construction. Whether offering tips on how to test a plot premise or survive what she calls the dark dismal middle, Chester shares the techniques she uses in writing her own novels.

The first book in The Art Of series of books on the craft of writing, fiction writer and essayist Charles Baxter's The Art of Subtext discusses and illustrates the hidden subtextual overtones and undertones in fictional works haunted by the unspoken, the suppressed, and the secreted.

Anne is a former patient from a women's asylum trying to carve out a new life for herself in a world that doesn't understand her. Newcomer Lawrence is desperate to develop his talent as a photographer and escape the restrictions of his puritanical upbringing. Ellis, an army surgeon, has lived through the trauma of one civil war and will do anything to avoid another bloodbath. Each keeps company with the restless beasts of Paris' Menagerie, where they meet, fight their demons, lose their hearts, and rebel in a city under siege.

It’s been over a decade since renowned author Beckett Ryan set foot in her bleak childhood hometown on the southern coast of England. When her estranged parents die within a week of each other, she reluctantly returns to bury them, only to find herself as reviled in the community as they were revered. Of course, the locals didn’t really know her parents. Nobody did. Then a warm welcome emerges from the sea of cold faces: Leanne. Beckett’s best friend when they were younger, and now a super-fan. Only… Beckett is pretty sure she’s never met her before in her life.

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast. 1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’. Rural Hours tells the story of three very different women, each of whom moved to the country and were forever changed by it.

"We are all travelers in the 'wilderness of the world' - travelers with a donkey." So Robert Louis Stevenson wrote to a friend on completing this enchanting account of a journey in rural France in 1878. Alone with his pack-donkey Modestine, and showing total disregard for discomfort, Stevenson relishes to the full his walking tour of the Cevennes.

Alexander Chee, an essayist of “virtuosity and power” (Washington Post), selects twenty essays out of thousands that represent the best examples of the form published the previous year.

Dorothy Parker's quips and light verse have embedded themselves in the American literary landscape, but it was her prose that proved her star and demonstrated her talent as extending far beyond her time. In her fiction, she not only brought to life the urban milieu that was her bailiwick, but lay bare the uncertainties of ordinary people living ordinary lives, all told in her unflinching and deeply personal voice. In these selected stories, read for you by Elaine Stritch, we have the chance to draw upon her insight into the social and emotional realities of human nature.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

Award-winning environmentalist, author, and journalist Bill McKibben selects twenty science and nature essays that represent the best examples of the form published in the previous year. ” The selections in The Best American Science and Nature Writing 2024 reveal a trying year for our planet—from the Lahaina wildfire tragedy to the lush Amazon jungle slowly turning to savanna—while also celebrating the earth’s beautiful and mysterious ways—from the largest beaver dam on earth to the heroic innovation to prevent birds from crashing into Chicago’s expanse of glass buildings.

Available to listeners for the first time, Sucker’s Portfolio showcases a collection of seven never-before-published works from Kurt Vonnegut, one of the greatest writers of the 20th century. Short, sardonic, and dark, these six brief fiction stories and one non-fiction piece are consummate Vonnegut with piercing satire and an eye for life’s obscene inanity. Also available for the first time is an unfinished science-fiction short story, included in the appendix.