Women Horror

Late one moonlit night, Walter Hartright encounters a solitary and terrified woman dressed all in white. He saves her from capture by her pursuers and determines to solve the mystery of her distress and terror. Inspired by an actual criminal case, this gripping tale of murder, intrigue, madness and mistaken identity has never been out of print since its publication and brought Collins great fame and success.

Eel Marsh house stands alone, surveying the windswept salt marshes beyond Nine Lives Causeway. Mrs Alice Drablow lived here as a recluse. Now Arthur Kipps, a junior solicitor with a London firm, is summoned to attend her funeral, unaware of the tragic and terrible secrets which lie behind the house's shuttered windows.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Newly divorced Alison Kerby wants a second chance for herself and her nine-year-old daughter. She's returned to her hometown on the Jersey Shore to transform a Victorian fixer-upper into a charming-and profitable guest house. One small problem: the house is haunted, and the two ghosts insist Alison must find out who killed them.

Alison and her resident gumshoe ghost are on their next case when the deceased Scott MacFarlane floats in worried that he accidentally killed a prominent local woman. Turns out she's still alive...that is, of course, until she's murdered - in Alison's house. Now, between the demands of her guests and the arrival of a reality television crew, Alison must find the killer before she sees reality from the other side.

The ghosts haunting Alison Kerby's Jersey Shore guesthouse are sad. Maxie wants to know who murdered her ex-husband, and Paul pines for his still-living almost-fiancee. The only one who isn't missing her ex is Alison-because The Swine just arrived on her doorstep...

Alison Kerby’s guesthouse is haunted all year round. Surviving the dead of winter, though? That’s a spooky proposition. Even with a blizzard bearing down on New Jersey, Alison can count on at least two guests—Paul and Maxie, the stubborn ghosts who share her shore town inn.

Guesthouse owner, single mother, and reluctant ghost whisperer Alison Kerby is about to sit down to movie night with her family and friends when she's struck speechless. Floating before her is the ghost of her musical idol, 1960s English rock star Vance McTiernan. He's in desperate need of help from Alison and her resident ghostly gumshoe, Paul Harrison.

Just when she thought she'd seen everything... Detective Lieutenant Anita McElone is one of Harbor Haven's finest. She's also a hard-boiled ghost skeptic. So when she shows up on the doorstep of Alison Kerby's Haunted Guesthouse to ask for supernatural help in solving the murder of her former partner, it's hard to tell which woman is more flabbergasted. But McElone is dead serious, so Alison promises to help in any way she can - even asking her resident ghosts, Paul and Maxie, for help with the case.

Rita Todacheene is a forensic photographer working for the Albuquerque police force. Her excellent photography skills have cracked many cases—she is almost supernaturally good at capturing details. In fact, Rita has been hiding a secret: she sees the ghosts of crime victims who point her toward the clues that other investigators overlook. As a lone portal back to the living for traumatized spirits, Rita is terrorized by nagging ghosts who won’t let her sleep and who sabotage her personal life.

Alison Kerby's guesthouse is already crowded with spirits. The last thing she needs is a whole new batch of haunts settling in. As Alison's reputation as "the ghost lady" grows, so does her business - and not always in a way she'd like. Tourists may be flocking to her guesthouse for a chance to glimpse her resident spirits, but her special abilities are also bringing unwanted private investigation cases to her door.

In an all-new novella in E.J. Copperman’s “funny, charming, and thoroughly enjoyable” ( Spinetingler Magazine) series, the storm of the century bears down on the haunted guesthouse, and stirs up a gale of memories for a troubled ghost. Haunted guesthouse owner Alison Kerby may have only recently discovered her ability to communicate with ghosts, but for her mother Loretta, it’s been a lifelong gift.

Only a woman with an iron backbone could succeed as an undertaker in Victorian England, but Violet Morgan takes great pride in her trade. While her husband, Graham, is preoccupied with elevating their station in society, Violet is cultivating a sterling reputation for Morgan Undertaking.

Ripley Todd just wants to live a quiet, peaceful kind of life. Her job as a sheriff's deputy keeps her busy and happy, and she has no trouble finding men when she wants them - which, lately, isn't all that often. She's perfectly content, except for one thing: she has special powers that both frighten and confuse her - and though she tries hard to hide them, she can't get them under control.

Miri thinks she has got her wife back when Leah finally returns after a deep sea mission that ended in catastrophe. It soon becomes clear, though, that Leah may have come back wrong. Whatever happened in that vessel, whatever it was they were supposed to be studying before they were stranded on the ocean floor, Leah has carried part of it with her, onto dry land and into their home. To have the woman she loves back should mean a return to normal life, but Miri can feel Leah slipping from her grasp.

Adelaide Henry carries an enormous steamer trunk with her wherever she goes. It’s locked at all times. Because when the trunk opens, people around Adelaide start to disappear. The year is 1915, and Adelaide is in trouble. Her secret sin killed her parents, forcing her to flee California in a hellfire rush and make her way to Montana as a homesteader.

Each girl survived an unthinkable horror. Now someone wants them dead.... They were the victims of separate massacres. Grouped together by the press and dubbed the 'Final Girls', they are treated like something fresh out of a slasher movie. When something terrible happens to Lisa, put-together Quincy and volatile Sam finally meet. Each one influences the other. Each one has dark secrets. And after the bloodstained fingers of the past reach into the present, each one will never be the same.

From the screenwriter of the Lionsgate horror film “The Inhabitant” comes a terrifying tale of survival. Sally and her dog, Maureen Bojangles, MoBo for short, make the slog from Brooklyn to the family cabin upstate. It’s a 2-hour drive from the city, but it might as well be another planet. Twenty-four pharmacies and bass-thumping clubs, are replaced by tiny hamlets and shoddy cell phone service. But the remoteness is what Sally needs to write her memoir and reconnect with the painful memories of her abusive father.

Patricia Campbell's life has never felt smaller. Her ambitious husband is too busy to give her a goodbye kiss in the morning, her kids have their own lives, her senile mother-in-law needs constant care, and she's always a step behind on thank-you notes and her endless list of chores. The one thing she has to look forward to is her book club, a close-knit group of Charleston women united by their love of true crime and paperback fiction. At these meetings they're as likely to talk about the Manson family as they are marriage, motherhood, and neighborhood gossip.

Lydia is hungry. She's always wanted to try sashimi, ramen, onigiri with sour plum stuffed inside—the food her Japanese father liked to eat. And then there is bubble tea and the vegetables grown by the other young artists at the London studio space she is secretly squatting in. But Lydia can't eat any of this. The only thing she can digest is blood, and it turns out that sourcing fresh pigs' blood in London—where she is living away from her vampire mother for the first time—is much more difficult than she'd anticipated.