Women Film

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

Marilyn Monroe, born to deprivation and a series of foster homes, became an acting legend of the 20th century. She married famous men, Joe DiMaggio and playwright Arthur Miller, and her many lovers included President John F. Kennedy. Her death, at 36, is a mystery that remains unsolved to this day. Anthony Summers interviewed 600 people for this book, which reveals unknown truths, some funny, some very sad, about this brilliant but troubled woman. First to gain access to the files of Monroe's last psychiatrist, he throws light on Monroe's troubled psyche.

At the very end of the Ladies’ Frocks Departments, past Cocktail Frocks, there was something very special, something quite, quite wonderful; but it wasn’t for everybody: that was the point. Because there, at the very end, there was a lovely arch, on which was written in curly letters Model Gowns. Written by a superb novelist of contemporary manners, Ladies in Black is a fairytale which illuminates the extraordinariness of ordinary lives. The women in black are run off their feet, what with the Christmas rush and the summer sales that follow.

With intimate detail, author Maria Riva reveals the rich life of her mother, Marlene Dietrich, the charismatic star of stage and screen whose career spanned much of the 20th century. Opening with Dietrich's childhood in Schöneberg, Riva's biography introduces us to an energetic, disciplined, and ambitious young actress whose own mother equated show business with a world of vagabonds and thieves.

In her 20s, Emma marries her high school sweetheart, Jesse. They build a life for themselves, living life to the fullest and seizing every opportunity for adventure. On their first wedding anniversary, Jesse is on a helicopter over the Pacific when it goes missing. Just like that, Jesse is gone forever.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Her agent told her not to get on the plane. The male leads weren't even cast. The financing was shaky at best. The script had been rewritten countless times. And yet something about Wild Oats lured Shirley MacLaine to the film's location shoot in the far-off Canary Islands - and straight to the center of one of the most thrilling and paradigm-shifting adventures of her life.

Anjelica Huston's life, once she turned 15 and moved to London, is a who's who of popular culture from the Rolling Stones in late '60s London to the Chelsea Hotel in New York when she was modeling in the early '70s, to Jack Nicholson and Warren Beatty in '70s and '80s Los Angeles, to Hunter Thompson in Aspen. She is a force who has won every possible acting award, working with some of the greatest directors of her time, and a friend to many of the greatest artists, writers, actors and musicians.

Anna and Finn investigate a young girl's disappearance which seems to be connected to an art heist years ago. Beginning in a tumble-down chateau in rural France and taking the listener on a thrilling chase across Europe, Confidence is another stellar novel from one of crime writing's most accomplished authors.

A remarkably candid biography of the remarkably candid - and brilliant - Carrie Fisher. Sourced by friends, colleagues, and witnesses to all stages of Fisher’s life, Carrie Fisher: A Life on the Edge is an empathic and even-handed portrayal of a woman who - as Princess Leia, but mostly as herself - was a feminist heroine, one who died at a time when we need her blazing, healing honesty more than ever.

Back in January 1995 in Los Angeles, California, a Singaporean pornstar named Annabel Chong took cultural rebellion to an extreme, on terms that had never been negotiated before. She was filmed having sex with a long receiving line of men, servicing them 251 times over a ten-hour period to set a new world record: The World’s Biggest Gangbang.

In I'll Have What She's Having, entertainment journalist Erin Carlson tells the story of the real Nora Ephron and how she reinvented the romcom through her trio of instant classics. With a cast of famous faces including Reiner, Hanks, Ryan, and Crystal, Carlson takes listeners on a rollicking, revelatory trip to Ephron's New York City, where reality took a backseat to romance and Ephron - who always knew what she wanted and how she wanted it - ruled the set with an attention to detail that made her actors feel safe but sometimes exasperated crew members.

For 75 years, Wonder Woman has served as an inspiration to people everywhere. Wonder Woman Psychology: Lassoing the Truth examines this powerful superhero - who was created by famous psychologist William Moulton Marston - through 20 chapters, including some very special interviews and the previously unpublished memoir of Elizabeth Holloway Marston.

Her name is synonymous with elegance, style, and grace. Over the course of her extraordinary life and career, Audrey Hepburn captured hearts around the world and created a public image that stands as one of the most recognizable and beloved in recent memory. But despite her international fame and her tireless efforts on behalf of UNICEF, Audrey was also known for her intense privacy.

Lovers of old-time radio hold a special place in their heart for Agnes Moorehead. She was one of the busiest and most definitive actresses of that medium. The bottom line is that Agnes Moorehead is one of the few actresses who succeeded in every realm of show business: stage, radio, film, and television. This impressive biography proves to listeners and scholars alike that she was much more than the witch of Endor! This is the second edition of the best-selling book, with new material!

Though she has shunned the media spotlight, Academy Award-winning actress Tatum O'Neal at last goes on the record to tell her story - a tale of personal turmoil and ultimate triumph that is part Hollywood tell-all, part Greek tragedy, and part Shakespearean drama.

He appears in the darkness like a ghost, made of shadows and fear - the Midnight Man. He comes for the parents but leaves the children alive, tiny witnesses to unspeakable horror. The bedroom communities of Los Angeles are gripped with dread, and the attacks are escalating. Still reeling from her best friend's close call in a bombing six months ago, FBI behavioral analyst Caitlin Hendrix has come to Los Angeles to assist in the Midnight Man investigation and do what she does best - hunt a serial killer.

When Mia Sinclair-Kroner wakes from a coma, all she can remember are the movies she’s known and loved. Her college friends quickly assemble for a weekend party, in an effort to help her remember. But with old friends come old wounds, and it soon becomes clear that Mia’s accident might not have been an accident at all.

When cinema's hottest superhero, Matt Bane, enters Clare's store to buy some personalized notecards, it's hard not to be starstruck. But when Clare sees the police leading Matt out of The Fountain hotel in handcuffs only a few hours later, she can't believe her eyes. The affable actor is accused of killing his sister, but Clare's convinced he's wrong for that role. Now it's open call for suspects as Clare tries to reel in the killer before another victim fades to black....

Hollywood was born just over a century ago, at a time of huge forward motion for women's rights. With no rules in place to stop them, there were women who forged ahead in many areas of filmmaking. Yet, despite the work of early pioneers like Dorothy Arzner, Mabel Normand, Mary Pickford and Alice Guy-Blaché, it soon came to embody the same old sexist standards. Women found themselves fighting a system that fed on their talent, creativity and beauty but refused to pay them the same respect as their male contemporaries - until now....