Science Fiction Literary Criticism

The tales of The Silmarillion are set in an age when Morgoth, the first Dark Lord, dwelt in Middle-earth, and the High Elves made war upon him for the recovery of the Silmarils, the jewels containing the pure light of Valinor. Included on the recording are several shorter works. The Ainulindalë is a myth of the Creation and in the Valaquenta the nature and powers of each of the gods is described. The Akallabêth recounts the downfall of the great island kingdom of Númenor at the end of the Second Age, and Of the Rings of Power tells of the great events at the end of the Third Age.

This is a historical journey like no other - unlike every other book on the subject, Goddess with a Thousand Faces transcends geographical boundaries and breaks down cultural barriers. From Rangda in Bali, to Freyja in Iceland and more recognisable faces such as the Greek goddess Artemis, it is a work of true inclusion - listeners are invited to consider these dazzling goddesses as part of a cultural cannon of human femininity; regardless of race, sex, or gender. Goddess with a Thousand Faces asks us to interrogate our past through a fresh new lens.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

An astonishing work of cultural criticism, this book is widely recognized as a brilliant and devastating challenge to conventional views of literature, anthropology, religion, and psychoanalysis. In its scope and interest it can be compared with Freud's Totem and Taboo, the subtext Girard refutes with polemic daring, vast erudition, and a persuasiveness that leaves the listener compelled to respond, one way or another. This is the single fullest summation of Girard's ideas to date, the book by which they will stand or fall.

Poststructuralism changes the way we understand the relations between human beings, their culture, and the world. Following a brief account of the historical relationship between structuralism and poststructuralism, this Very Short Introduction traces the key arguments that have led poststructuralists to challenge traditional theories of language and culture.

Le Guin’s sharp and witty voice is on full display in this collection of twenty-four essays, revised by the author a decade after its initial publication in 1979. The collection covers a wide range of topics and Le Guin’s origins as a writer, her advocacy for science fiction and fantasy as mediums for true literary exploration, the writing of her own major works such as A Wizard of Earthsea and The Left Hand of Darkness, and her role as a public intellectual and educator.

In Bodyminds Reimagined Sami Schalk traces how Black women's speculative fiction complicates the understanding of bodyminds - the intertwinement of the mental and the physical - in the context of race, gender, and (dis)ability. Bridging Black feminist theory with disability studies, Schalk demonstrates that this genre's political potential lies in the authors' creation of bodyminds that transcend reality's limitations.

As any fan of Jo Walton's Among Others might guess, Walton is both an inveterate reader of SF and fantasy, and a chronic rereader of books. In 2008, then-new science fiction mega-site Tor.com asked Walton to blog regularly about her rereading—about all kinds of older fantasy and SF, ranging from acknowledged classics, to guilty pleasures, to forgotten oddities and gems. These posts have consistently been among the most popular features of Tor. Now this volume presents a selection of the best of them, ranging from short essays to long reassessments of some of the field's most ambitious series.

1917. Virginia Woolf arrives at Asheham, on the Sussex Downs, immobilized by nervous exhaustion and creative block. 1930. Feeling jittery about her writing career, Sylvia Townsend Warner spots a modest workman’s cottage for sale on the Dorset coast. 1941. Rosamond Lehmann settles in a Berkshire village, seeking a lovers’ retreat, a refuge from war, and a means of becoming ‘a writer again’. Rural Hours tells the story of three very different women, each of whom moved to the country and were forever changed by it.

One treat a day! A 23-volume series of 365 treats: stories, facts, questions and answers, and science experiments for young listeners.

In a magisterial work, Jaan Puhvel unravels the prehistoric Indo-European origins of the traditions of India and Iran, Greece and Rome, of the Celts, Germans, Balts, and Slavs. Utilizing the methodologies of historical linguistics and archaeology, he reconstructs a shared religious, mythological, and cultural heritage. Separate chapters on individual traditions as well as on recurrent themes—god and warrior, king and virgin, fire and water—give life to Comparative Mythology as both a general introduction and a detailed reference.

There's more to writing a successful fantasy story than building a unique world or inventing a new type of magic. From the writing of strong, action-packed scenes to the creation of dynamic, multi-dimensional characters, fantasy author Deborah Chester guides novices and intermediate writers through a step-by-step process of story construction. Whether offering tips on how to test a plot premise or survive what she calls the dark dismal middle, Chester shares the techniques she uses in writing her own novels.

More than two centuries after his birth, Ralph Waldo Emerson remains one of the presiding spirits in American culture. Yet his reputation as the starry-eyed prophet of self-reliance has obscured a much more complicated figure who spent a lifetime wrestling with injustice, philosophy, art, desire, and suffering. James Marcus introduces listeners to this Emerson, a writer of self-interrogating genius whose visionary flights are always grounded in Yankee shrewdness.

Although humankind today can peer far deeper into the universe than ever before, we still find ourselves surrounded by the unknown and perhaps the unknowable. All great science fiction has used the human imagination to explore that realm beyond the known, just as theistic religions have done since long before the genre existed. As Hugo Award-winning author Robert Charles Wilson argues, the genre’s freewheeling speculation and systematic world-building make it a unique lens for understanding, examining, and assessing the truth claims of religions in general and Christianity in particular.

In The Truth and Beauty, Andrew Klavan explored how the work of great poets helps illuminate the truth of the gospels. Now, the award-winning screenwriter and crime novelist turns his attention to the dark side of human nature to discover how we might find joy and beauty in the world while still being clear-eyed about the evil found in it. The Kingdom of Cain looks at three murders in history—including the first murder, Cain's killing of his brother, Abel—and at the art created from imaginative engagement with those horrific events by artists ranging from Fyodor Dostoevsky to Alfred Hitchcock.

At the age of 48, film critic David Denby returned to his alma mater, Columbia University, to re-experience the core humanities courses he had taken as a freshman 30 years before. Facing the question of what he really knows, Denby re-examines the besieged Western classics, ranging from Homer, Sappho, and Sophocles to Dante, Nietzsche, and Woolf. What relevance do the writers and thinkers of the past have to our current life? The answer surprised Denby and will surprise and enlighten his listeners.

Rüdiger Safranski beschreibt die Epoche der Romantik und ihre Zeitgenossen, die für die Entfesselung des Genies stehen, für den Aufbruch und die Lust am Experiment...

الكتب كالبشر لها ملامح وحياة وصفات وأسماء، لكن بعض الكتب تختلف كونها تولد ولا تموت..كلما مرت السنوات ازدادت شباباً و تألقاً.

في هذا الكتاب نعيش معاً بين صفحات كتب كانت سطورها مصابيح حضارة وحروفها مفاتيح استنارة.

Moby-Dick as Philosophy is at base a chapter-by-chapter commentary on Herman Melville’s Moby-Dick. The commentary form of the audiobook subserves a higher end, the presentation of an ideal of the type "philosopher". Superimposing portraits of Plato, Melville, and Nietzsche - the thinkers themselves, their ideas, and their lives - it generates a composite image from the overlaying and interblending of figures. At a higher level still, the audiobook is a meditation on the nature of philosophy and its relation to wisdom and the relation of creative artistry to both.

Sie ist die Frau, der man nachsagt, dass sie kein Glück in der Liebe hat. Diejenige, die ihr Leben allein regelt: Die Frau ohne Begleitung. Als die Autorin feststellt, dass auch sie so eine geworden ist - ein weiblicher Langzeit-Single - ist die Erkenntnis ein Schock. Dann eine Befreiung. Und ein Ansporn, nicht nur für eine schonungslose Selbsterkundung, sondern auch für eine überfällige Spurensuche.