Mediaeval Horror

Hugh and his men are faced with fighting creatures only thought to live in legend but which have been brought to Earth by evil bent on annihilating all the realms. That is Hugh's life - and he loves it. At least he did until he found himself staring into the angelic, innocent face of Lady Mina of Stone Crest. In all the time he has led the Shields Hugh has trusted his instinct to keep his men alive, yet now he doesn't know what to believe. Everything points to Mina as the evil summoning the creatures, but she proclaims her innocence. He should be able to see through her lies, if she is indeed lying, but his attraction to her blinds him to even that.

Set in 12th-century Jerusalem, Pilgrim follows the treacherous journey of a German knight and his companions as they return home after seven arduous years battling for God in the Holy Land. Within this sprawling tale lies a tapestry of medieval horror, intertwining history and folklore, encompassing both a metaphysical and literal odyssey.

One winter, in the dark days of King Richard II, a tailor was riding home on the road from Gilling to Ampleforth. It was dank, wet and gloomy; he couldn't wait to get home and sit in front of a blazing fire. Then, out of nowhere, the tailor is knocked off his horse by a raven, who then transforms into a hideous dog, his mouth writhing with its own innards. The dog issues the tailor with a warning: he must go to a priest and ask for absolution and return to the road, or else there will be consequences.

Dead things have been found in the fields of Enfaire, a God-fearing town north of Reams. Not just dead things, but twisted forms…unholy shapes. And there are rumors of a blasphemous union and of fell creatures that haunt the night. Yet even as plague and witch pyres blacken the sky, the town remains untouched by the malady that has already claimed thousands and will claim thousands more. It is here, in Enfaire, that an old Franciscan friar and his ward take shelter from a storm. It is here, in a little town on the edge of civilization, that they will have their faith truly tested.

Uncover the secret annals of untold history in these eighteen medieval manuscripts. Each tortured scribe will bring you face to face with ancient horrors lurking in cursed castles, wild woodlands, haunted hamlets, and mysterious monasteries. Including a lineup of authors both established and emerging, HOWL Society Press presents the first-ever anthology of historical horror from the medieval period, fittingly introduced by the writer who arguably started it all: Christopher Buehlman, author of the medieval horror epic Between Two Fires.

Before Twilight and True Blood, only one vampire commanded “the children of the night". In this bloodthirsty tale of unholy terror, Count Dracula slips into Victorian London with a cargo of his native Transylvanian soil - so he can rest between victims. The city seems helpless against his frightful power, and only one man, Dr. Van Helsing, can stop the carnage. But to do this, he must uncover the vampire’s lair and pierce his heart with a wooden stake.

The Devil Take You is an anthology of medieval horror comprising 14 tales set in the world Rome left behind. Join us in the plague-infested streets of London and the howling expanse of the Carpathian Steppes. Explore the once-hallowed halls of fortified monasteries and bear witness to the sacrilegious Vikings who would plunder them. From the macabre corpse collectors of Al-Waset to vicious highwaymen and their blasphemous secrets, The Devil Take You offers a delicious glimpse into the hellish world of the Middle Ages. In this audio, life is fleeting, but death is never slow.

The parish of Manningtree and Mistley has a dark history. In 1644, Cromwell's Witchfinder General tortured scores of women there, including Liza the herbalist, whose cottage still stands. Some say the spirits of his victims still haunt the old shop on the High Street. Emma Dickson gave up her high-flying career to live in Liza’s cottage, but as Halloween approaches, visions of a terrible past are driving her to madness. In despair, Emma turns to the local rector for help, but he, too, is in the grip of something inexplicably dangerous.

France, 1673. Desperate to save herself and her only surviving son from an outbreak of plague, the widow Charlotte Picot flees her village. But her son is kidnapped by slavers, and she fears the boy has been taken to Paris, the terrible City of Crows. And so she resorts to witchcraft and summons assistance in the shape of a malevolent man. Meanwhile, a notorious criminal, Lesage, is unexpectedly released from the prison galleys where he has served a brutal sentence for sacrilege....

Seventeen-year-old Aderyn ("Ryn") only cares about two things: her family and her family's graveyard. And right now, both are in dire straits. Since the death of their parents, Ryn and her siblings have been scraping together a meager existence as gravediggers in the remote village of Colbren, which sits at the foot of a harsh and deadly mountain range that was once home to the fae. The problem with being a gravedigger in Colbren, though, is that the dead don't always stay dead.

1589. Scottish housemaid Geillis and Danish courtier Margareta lead opposite lives, but they both know one thing: when a man cries “witch”, no woman is safe. Yet when the marriage of King James VI and Princess Anna of Denmark brings Geillis and Margareta together, everything they supposed about good, evil, men, and women, is cast in a strange and brilliant new light. For the first time in history, could black magic – or rumours of it – be a very real tool for women’s political gain?

A mysterious woman pleads for the help of Inspectors Frey and 'Nine-Nails' McGray. Her son, illegitimate scion of the Koloman family, has received an anonymous death threat - right after learning he is to inherit the best part of a vast wine-producing estate. In exchange for their protection, she offers McGray the ultimate cure for his sister, who has been locked in an insane asylum after brutally murdering their parents: the miraculous waters that spring in a small island in the remote Loch Maree.

Genevieve Buchanan inherited a castle—and a ghost to go along with it. But Kendrick de Piaget was no typical ghost. He was a handsome and infuriatingly arrogant 13th-century knight. At first, he wanted to frighten Genevieve, though she was more charmed than scared by his ghostly tricks. But when his thoughts turned to wooing her instead, Genevieve had to face her greatest fear: falling in love.

Anglo-Saxon England, AD 997. Brother Galen is anxious about leaving the haven of his abbey. Suddenly reconciled with his father after being disowned, he fears he will never again fit in with his estranged family. But when he’s commissioned to produce a manuscript for the king, the shy scribe has the chance to visit his relatives after three years of banishment.

Experience one of Poe’s classics with crisp, clear audio. Orange Island Book Shop is proud to present Edgar Allan Poe’s classic tales like you’ve never heard them before.

The view from this tall tree is kind of pretty. I can see salmon jumping on the river. Colorful birds are making their nests while they sing. The sky is clear this morning after a night of heavy rain. My name is Emma and I am a 16-year-old orphan with long brown hair that I braid every other day. My eyes are hazel like my mom's. My blue maiden dress is the only one I own. I am in charge of four siblings. Our parents died trying to protect us from a dragon attack and were killed instantly by the monster's lethal fire. I was not successful at hunting last night because I could not see anything with the rain.

Ivanhoe è considerato come il primo vero esempio di genere storico, e in esso, oltre alla figura di Ivanhoe, vengono presentate figure leggendarie come Robin Hood, frate Tuck, e Riccardo Cuor di Leone. All'inizio della vicenda, Scott dice che essa si colloca "verso la fine del regno di Riccardo I"; poiché Riccardo stesso compare nel romanzo, di ritorno in Inghilterra dalla Terza Crociata dopo la prigionia passata dal duce d'Austria; pertanto i fatti si collocano attorno al 1194. Le tematiche trattate sono molteplici e complesse.

Stylish gentlemen and ladies await their carriages in the Victorian London night. But lurking in the shadows is one of the creatures of the night, one who brings chilling fear to those he encounters, a man who cannot die yet must prey upon the blood of others to prolong his doomed existence...the vampire Dracula.

Among the ancient artifacts concealed in a London Victorian mansion lies an ornate human-sized sarcophagus which houses the body of an ancient Egyptian sorceress dead for centuries...or is she?

There's a legend in this valley about a ghostly horseman that rides by night. There are many such legends and for schoolteacher Ichabod Crane the darkness of night holds a special fascination...and fear. For often there is truth in stories, especially ghost stories. And one fated night, Ichabod Crane will discover that the horseman of the legend is indeed... headless!