Imperial Japan

The Imperial Japanese Navy (IJN) was the third most powerful navy in the world at the start of World War II and came to dominate the Pacific in the early months of the war. This was a remarkable turnaround for a navy that only began to modernize in 1868. The Imperial Japanese Navy in the Pacific War details the Japanese ships which fought in the Pacific and examines the principles on which they were designed, how they were armed, when and where they were deployed, and how effective they were in battle.

Japan's Holocaust combines research conducted in over eighteen research facilities in five nations to explore Imperial Japan's atrocities from 1927 to 1945 during its military expansions and reckless campaigns throughout Asia and the Pacific. This book brings together the most recent scholarship and new primary research to ascertain that Japan claimed a minimum of thirty million lives, slaughtering more than Hitler's Nazi Germany. Japan's Holocaust shows that Emperor Hirohito not only knew about the atrocities his legions committed, but actually ordered them.

In the early hours of July 5, 1943, the destroyer USS Strong was hit by a Japanese torpedo. The powerful weapon broke the destroyer's back, flooded her engine room, killed dozens of sailors, and sparked raging fires. While accompanying ships were able to rescue most of Strong's surviving crewmen, scores were submerged in the ocean as the shattered warship sank beneath the waves - and a young officer's harrowing story of survival began.

With their two swords, top-knot haircut, and legendary code of honor, the samurai were the absolute, unquestioned rulers of the country. That all began to change rapidly when the “black ships” of US Commodore Matthew Perry arrived in Tokyo Bay in 1853.

The monumental struggle fought against Imperial Japan in the Asia/Pacific theater during World War II is primarily viewed as an American affair. While the United States did play a dominant role, the British and Commonwealth forces also made major contributions. It was a difficult and often desperate conflict fought against a skilled and ruthless enemy that initially saw the British suffer the worst series of defeats ever to befall their armed forces.

October 1941. Twenty-one-year-old Alan Mart is posted to India and taken under the wing of the overbearing Acting-Captain Sam Holl. Following the Japanese advance on Singapore, the men are deployed to Malaya. What follows is a quietly shattering and searingly authentic depiction of the claustrophobia of jungle warfare and the indiscriminate nature of conflict. Based on David Piper's own wartime experience in South East Asia, this new edition of a 1959 classic includes a contextual introduction from IWM which sheds new light on the dramatic true events that so influenced its author.

Completing the Meiji Restoration that heralded the dawn of a new era for both Japan and Asia, the island nation found itself thrust into the modern world, a world of industry and conquest. Flexing its new muscles, the burgeoning power soon came to blows with the regional power that for centuries dominated the area politically and culturally: China. Also seeking to modernize in the wake of Western exploitation, China struggled to adapt to the changing times, doing everything it could to maintain a balance between modernity and tradition. Japan found that balance.

Before the Second World War, military conflicts were fought under orthodox conditions, usually termed “conventional warfare”, but several innovations had significantly changed combat, leading inextricably to the race for a nuclear weapon in the 1930s and 1940s. Conflicts had been fought by armies on horseback with guns of varying sophistication since the 16th century, but mechanized warfare and machine guns changed this calculus and set the stage for future combat by the end of World War I.

Tokyo, 1938. An amateur quartet, led by the compassionate Yu, gathers to practice. Suddenly, their rehearsal is brutally interrupted by military police. In the ensuing skirmish, Yu’s violin is smashed while his son, Rei, witnesses his father’s arrest. He will never see him again. Salvaging his father’s instrument, Rei escapes thanks to a mysterious lieutenant. Paris, 2003. Raised in France, Rei–now Jacques–has dedicated his life to the broken violin’s repair: studying music, becoming an apprentice, and, eventually, a luthier.

The Emperor and some of his relatives, the imperial family, are referred to as the imperial household.