Showing results by narrator "Walter Chidlow" in All Categories

Organ donation is in its infancy, and Daisy Howard, who is giving a kidney to her aunt, is in the hands of a pioneering surgeon. After the operation, Daisy is desperate to get back to her family, yet the days go by and she remains in the hospital. Meanwhile, an old friend keeps visiting with news of home, and Daisy becomes increasingly uneasy.

It's a quiet house, sheltered, standing in a mass of tangled old trees called the Holtwood. Raymond watches it. He's been watching it, through a gap in the fence at the bottom of the garden, for weeks. Thinking about the elderly owners, Mr and Mrs Latch, who took him in one night when he was a frightened boy caught up in an emergency. Mr Latch showed him something that was kept in a wardrobe in the spare room. He can't remember what it was. He only knows how sick it made him feel. Raymond watches Holt House. He has to remember what he saw. He has to get inside.

Plunge Hill: in 1972, during the chaotic days of miners strikes and the three-day week, Bridget Brix Shipley moves to Plunge Hill to start her new job as a medical secretary. As she writes to Maurice, her younger brother, sick at home (who never replies), it becomes clear that not all is well at Plunge Hill. There are frequent power cuts, and she has to work by candlelight. While she'd hoped this might inspire some blitz spirit and solidarity between her, the other secretaries and the medical staff, she's increasingly isolated and seemingly ignored by her co-workers.

Your brother’s with the Judder. London, early 1970s. In a city plagued by football violence, Republican bombings, blackouts and virulent racism, a new urban myth is taking hold. Among the broken down estates, crumbling squats and failed projects of a dying metropolis, whispered sightings of a malevolent figure nicknamed the Judderman are spreading. A manifestation of the sick psyche of a city, or something else?