Showing results by narrator "Stuart McQuarrie" in All Categories

Cantankerous and dishevelled, Chief Inspector Dover is no one's idea of a model detective - but he does have an uncanny knack for solving crimes. In these radio dramas, set in the 1960s and '70s, he and his long-suffering sergeant, Charlie McGregor, investigate sinister cases of kidnap and murder. The first four are adapted from Joyce Porter's novels, while the latter two are original stories based on her characters.

A brand-new BBC Radio 4 full-cast dramatisation of the classic novel by Robert Louis Stevenson. At its heart is an enigma: what is the strange connection between the apparently unrelated Dr Henry Jekyll and Mr Edward Hyde? A battle between good and evil is played out in Victorian London, and its origins are stranger than anyone could imagine.

Robert Louis Stevenson was a novelist, essayist, poet and travel writer, and created some of the most famous and influential characters in modern literature. From Long John Silver and David Balfour to Dr Jekyll and Mr Hyde, his figures swiftly became the shorthand for piracy, monstrous medicine, and the slave trade in America. A master of atmosphere and an enthusiast of foreign travel, Stevenson wrote countless stories which have been enjoyed in film, television and theatre adaptations throughout the years.

Caroline, Fiona and Ruth are lifelong friends, who've grown up together, laughed and cried together, and stood by each other through thick and thin. They may not always see eye to eye, and they might drive each other crazy, but they can't do without each other. But life's got a lot more complicated since they were 22, when the only things they carried around were handbags. Now, in midlife, they've got more baggage than the average airport carousel.

Cunning. Corrupt. Charismatic. The degenerate characters in this collection shun conventional morality, and will stop at nothing to get what they want... These five sensational dramas, set in locations ranging from 16th century Venice to Victorian England, revolve around their unscrupulous actions – and the devastating consequences of the choices they make.

Adapted from Thomas Keneally’s novel The Playmaker, Our Country’s Good tells the true story of the convicts and marines sent to Australia as part of the first penal colony. An eloquent argument for the redemptive power of theatre, Wertenbaker’s classic drama celebrates the beauty of language – in the slang of the criminal classes and the poetry of the play – and at the same time examines how it is used as an instrument of power.