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With her characteristic brilliance, grace, and radical audacity, Angela Y. Davis has put the case for the latest abolition movement in American life: the abolition of the prison. As she quite correctly notes, American life is replete with abolition movements, and when they were engaged in these struggles, their chances of success seemed almost unthinkable. In Are Prisons Obsolete?, Professor Davis seeks to illustrate that the time for the prison is approaching an end. She argues forthrightly for "decarceration," and argues for the transformation of the society as a whole.

In these newly collected essays, interviews, and speeches, world-renowned activist and scholar Angela Y. Davis illuminates the connections between struggles against state violence and oppression throughout history and around the world. Reflecting on the importance of Black feminism, intersectionality, and prison abolitionism for today's struggles, Davis discusses the legacies of previous liberation struggles - from the Black freedom movement to the South African antiapartheid movement.

Ranging from the age of slavery to contemporary injustices, this groundbreaking history of race, gender and class inequality by the radical political activist Angela Davis offers an alternative view of female struggles for liberation. Tracing the intertwined histories of the abolitionist and women's suffrage movements, Davis examines the racism and class prejudice inherent in so much of white feminism, and in doing so brings to light new pioneering heroines, from field slaves to mill workers, who fought back and refused to accept the lives into which they were born.

Revelations about U.S. policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Ghraib prison story in April 2004. Since then, a debate has raged regarding what is and what is not acceptable behavior for the world's leading democracy. Within this context, Angela Davis, one of America's most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics, and prison. Throughout, Davis returns to her critique of a democracy compromised by its racist origins and institutions.

Edited by Toni Morrison and first published in 1974, An Autobiography is a classic of the Black Liberation era which resonates just as powerfully today. Long hard to find, it is reissued now with a new introduction by Davis, for a new audience inspired and galvanised by her ongoing activism and her extraordinary example. In the book, she describes her journey from a childhood on Dynamite Hill in Birmingham, Alabama, to one of the most significant political trials of the century.

An icon of revolutionary politics, Angela Y. Davis has been at the forefront of collective movements for prison abolition for over fifty years. Abolition: Politics, Practices, Promises, the first of two important new volumes, brings together an essential collection of Davis’s essays, conversations, and interviews over the years, showing how her thinking has sharpened and evolved even as she has remained uncompromising in her commitment to collective liberation.

Angela Davis Speaks! Get inspired by the words of this fighter for human rights.

Invisible No More is a timely examination of how Black women, Indigenous women, and women of color experience racial profiling, police brutality, and immigration enforcement. By placing the individual stories of Sandra Bland, Rekia Boyd, Dajerria Becton, Monica Jones, and Mya Hall in the broader context of the twin epidemics of police violence and mass incarceration, Andrea Ritchie documents the evolution of movements centered around women’s experiences of policing.

At the age of 32, divorced and alone, I suddenly found myself in a deep depression. Never having experienced this before, I didn't know how to cope. Seeing my car keys, I was going to drive off a cliff. The next morning I awoke and was scared by what I had felt. At that point I begged God for something to change. Suddenly I heard, ever so quietly, a whisper without sound, but with words that formed clear, transcendent impressions expressing an impulse urging me to write.