Showing results by author "Mary Wilkins Freeman" in All Categories

An excellent collection of creepy ghost stories from some of the most notable names of early horror fiction, including: “The Willows” by Algernon Blackwood, “The Shadows On The Wall” by Mary E. Wilkins Freeman, “The Messenger” by Robert W.Chambers, “Lazarus” by Leonid Andreyev, “The Beast With Five Fingers” by W.F. Harvey, “The Mass Of Shadows” by Anatole France, “What Was It” by Fitz-James O’brien, “The Middle Toe Of The Right Foot” by Ambrose Bierce, “The Shell Of Sense” by Olivia Howard Dunbar, and more!

Are you looking for non-religious kids' Christmas stories? If so, you will enjoy our collection: Kids' Christmas Book with Santa Claus and Non-Religious Stories: Xmas Holiday Story Books for Children. Note that these are public domain works that were originally written by the indicated authors. All of the stories have been modernized and re-written for the 21st century.

Como fiel reflejo de la sociedad en que se desarrolla, la literatura muestra los cambios y terrenos que ha ganado la mujer a lo largo de la historia. Aún queda mucho camino que recorrer pero Medea, Sherezade, Morella, Madame Bovary e, incluso, Lisbeth Salander han ayudado a defender y reivindicar los derechos de la mujer.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. Human beings are, in the main, social animals, they like to gather, to herd together, to share experiences. But some do not. Either through choice or exclusion their way forward is difficult. In this volume our authors and their characters share their stories.

In a quaint New England village, the Glynn siblings gather to mourn the unexpected death of their brother Henry. As they convene in the dimly lit family home, old tensions and secrets begin to surface, intertwining with an unsettling presence that lurks within the house. The siblings soon discover eerie shadows cast upon the walls—shadows that seem to move of their own volition, whispering untold tales of the past. As the family grapples with their own guilt and grief, the mysterious shadows grow darker, revealing a truth more sinister than any of them could have imagined.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

Ciò che rende unici i racconti di Mary E. Wilkins Freeman non sono le case infestate, i fantasmi e le misteriose presenze, che pure non mancano di tendere agguati al lettore, nascoste nell'ombra delle pagine del libro. Ciò che li rende unici nel loro genere sono le protagoniste, non fanciulle indifese in attesa di essere salvate ma donne che affrontano l'ignoto con perseveranza e determinazione.

The titles in this collection include: "The Storm" by Kate Chopin, "Life In the Iron Mills" by Rebecca Harding Davis, "A Humble Romance", "Two Old Lovers", "On the Walpole Road", "An Honest Soul" and "A Conflict Ended" all by Mary Wilkins Freeman, and "Between Two Shores" by Ellen Glasgow.

Una escalofriante colección de una de las autoras más interesantes y tristemente olvidadas del siglo XIX. Mujeres en peligro, pecados del pasado que regresan desde el Más Allá para atormentar a los descendientes de quienes los cometieron, fantasmas encerrados en las paredes, monstruos que residen en el seno de acaudaladas familias... estos cuentos de Mary E. Wilkins no dejan a nadie indiferente.

In a literary career of almost 50 years, Mary E. Wilkins Freeman (1852 - 1930) wrote 15 collections of short stories, 16 novels, one play, and eight volumes of prose and poetry for children. Her most memorable writing occurs in the genre of short fiction. The short story The Cat is about an old man and a cat who share a dwelling and keep each other company through a long cold winter. The character of the cat is anthropomorphized in an interesting way, and elicits more empathy than the human.

In this adaptation of The Christmas Masquerade, the Mayor is throwing his annual masquerade for all the children of the city when a new costumer comes to town. His costumes are truly amazing, creating whatever the kids have in mind: fairies, princes, princesses, geese-girls, and so much more. When all of the children use them to make their costumes, something magical starts to happen that affects the whole city for Christmas.

Mary Wilkins Freeman's "The Southwest Chamber" and "Shadows on the Wall", Gertrude Atherton's "The Bell in the Fog", Charlotte Gilman's "The Yellow Wallpaper", Kate Chopin's "Her Letters", and Madalene Yale Wynne's "The Little Room" comprise this eerie collection.

This ghostly, sometimes ghastly, collection includes "The Buckled Bag" by Mary Roberts Rinehart, "The Tapestried Room" or "The Lady in the Saque" by Sir Walter Scott, "The New Catacomb" by Sir Arthur Conan Doyle, and "The Lost Ghost" by Mary Wilkins Freeman.

Mary Wilkins Freeman (1852-1930) was an American writer best known for her stories reflecting the world of women fighting for dignity and independence from men. Her tales typically describe domestic settings and intimate relationships and are told with sensitivity and a poignancy which illuminates a bygone era in vivid detail. 'The Lost Ghost' is a supernatural story told by one woman to another about a child ghost who wanders around an old house in search of her mother.... The story has an extraordinary ending.

Mary Wilkins Freeman (1852-1930) was an American writer, best known for her stories reflecting the world of women fighting for dignity and independence from men. Her tales typically describe domestic settings and intimate relationships and are told with sensitivity and a poignancy which illuminates a bygone era in vivid detail. "The Revolt of Mother" tells the story of a strong and self-reliant farm wife who defies her obstinate husband by moving her household into his newly built barn.

Mary Eleanor Wilkins Freeman (October 31, 1852¿March 13, 1930) was a prominent 19th century American author. Up until recently she was known primarily as a "feminist" writer, for her classic stories like "A New England Nun" and "The Revolt of Mother". However, she also wrote many well-crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

This whimsical collection of Christmas stories is sure to delight children of all ages. Includes the holiday favorites "Santa Claus Does Not Forget", "The Doll's Christmas Party", "Little Girl's Christmas", "Jimmy Scarecrow's Christmas", "The First Christmas Tree", and "Mama's Happy Christmas".

Letitia Hopkins has always been curious about the peculiar green door in her Aunt Peggy's cheese room. But whenever she asks about it, she is always forbidden to open it or go through it. And the door is always locked. But one day, she finds a small black key on a green ribbon. And when she is left alone in the house, she cannot resist the temptation to try the door. Immediately Letitia finds herself in a strange, unfamiliar world full of wild animals, hostile natives, and a frontier life of hardship and hard work in the company of her pioneer ancesters. But how is she to find her way back to her own time?

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.