Showing results by narrator "Alan Weyman" in All Categories

This classic farce was first performed in 1892. Since the record-breaking initial run in London, it has been revived many times around the world in a variety of languages, and has also been adapted for a number of presentations on film. The play incorporates many of the features which have become standard in romantic comedies: a cross dressing central character, identity confusion, young lovers kept apart by parental influence and older lovers unexpectedly reunited.

Richard Dudgeon, who has become an outcast from his puritanical family due to his religious apostasy, returns home on the death of his father. Much to everyone’s surprise, it is revealed that the father changed his will shortly before his death and has left the bulk of the estate to Richard. Now that he is lord of the manor, Richard asserts himself and declares his opposition to the colonial British authorities. Later, he is arrested by the British and sentenced to death but is rescued in the nick of time by a local militia commanded by Anthony Anderson, who, ironically, is a pastor.

A man was hanged in Reading Gaol during Wilde's imprisonment there. In "The Ballad", written after his release, he tells of the horror of the event and its effect on himself and his fellow prisoners. First published 1898, under the pseudonym C.3.3 - the number by which Wilde was known in the prison, consisting of the cell block, landing number and cell number of his cell.

King Claudius, when a young man, wrote a five-act tragedy which was damned, and all reference to it forbidden under penalty of death. The King has a son - Hamlet - whose tendency to soliloquize has so alarmed his mother, Queen Gertrude, that she has sent for Rosencrantz and Guildenstern to devise some Court revels for his entertainment. Rosencrantz is a former lover of Ophelia, to whom Hamlet is betrothed, and they lay their heads together to devise a plan by which Hamlet may be put out of the way. Some Court theatricals are in preparation.

These six plays are Japanese classics from the 14th century and are presented in the order of a traditional Nō programme. Nō, the Japanese word for "skill", is a form of Japanese musical drama that originated in the eighth century, and is the oldest major theatre art that still survives today. Alongside Nō plays were kyōgen plays, which were short works typically inserted as a comedic interlude of sorts between the more classical Nō performances.

Little Stevie just wanted a friend to help make snowmen and snow angels and have fun and games with. Ever unpopular and often lonely, a lot of experiences most children his age have passed him by. A heavy winter brings the town to a standstill, and he seeks the opportunity to play in the snow, but something else is already playing in the snow, and the game it is playing is deadly enough to destroy mankind.

This play forms part of a tetralogy which focuses on one of Wedekind's obsessive themes: the destructive interplay between primal sexual urges and social convention. Each play revolves around a powerful young female character, who has the power to control and captivate men, but who in turn is destroyed by the exercise of that power. In Castle Wetterstein, that role is represented by Effie, the young daughter of a bourgeois widow, who is being courted by the man who killed her late husband in a duel.

Two British members of Parliament - one an elder conservative, the other a younger man with a liberal bent (and an eye on the older man's daughter) face a difficult choice. Some stranger has left each of them a considerable fortune on condition they give up their well-respected family names and adopt that of Wurzel-Flummery.

Just So Stories by Rudyard Kipling. Kipling's delightful collection of imaginative tales about natural history has captivated children and adults alike since its publication in 1902. Here stories are presented in dramatic format by members of The Online Stage. Stories include:"How the Whale Got His Throat", "How the Camel Got His Hump", "How the Rhinoceros Got His Skin", "How the Leopard Got His Spots", "The Elephant's Child", "The Sing-Song of Old Man Kangaroo", and more.

A scholar wracked by the prospect of a grisly civic duty contends with a wife who abhors him, a discovery that could kill him, and the unlikely spiritual heirs of a dead rebel. But the most fearsome thing of all could be a puppy - if not a still, small voice.

An anthology selected and edited by Edward J. O’Brien and John Cournos with an introduction by John Cournos and Edward O'Brien.

Cicero's Stoic Paradoxes is a brilliant and accessible summary of the six major ethical beliefs of Stoicism. The nature of moral goodness, the possession of virtue, good and bad conduct, the transcendence of wisdom, and the sources of real wealth are all discussed with the author's characteristic intensity and wit. This is the only existing modern translation of this little-known classic, as well as the most detailed study. Translator Quintus Curtius has returned to the original Latin texts to provide a modern, fresh interpretation of these forgotten classics.

A visit to the Royal Collection of Charles I at the Royal Academy, 26th March 2018. Viewing works by Rubens, van Gyck, Mantegna, and Holbein, with comments and responses of the spectators.

Samuel Butler, although an evolutionist (but not of the Darwinian kind), postulated a radical theory about God as both known and unknown, suggesting a kind of creative energy throughout the universe. His ideas are somewhat gnostic, though they don't fall into any one camp. Here is Butler's book, God Known and God Unknown in a new format, with an astute review of Butler's God that was written after Butler's death and published in 1918.

Frank Wedekind (1864-1918) was the most controversial dramatist of his age. Most of his work focuses on the ubiquity and inevitably corrupting influence of sexual attraction. His most famous plays are the two that depict the rise, fall, and eventual gruesome death of the vampish Lulu, who, in Wedekind’s presentation, became a ghastly parody of Goethe’s “Eternal Feminine”. The first of the plays is Earth Spirit, in which Lulu marries and survives three husbands, only to face prosecution for the shooting of the third.

Two very short stories from the master of the witty turn of phrase and of narrative.

If you had discovered a way to become invisible, would it bring you tremendous power? Or tremendous problems?

This beautiful collection contains five fairy tales by the celebrated British writer Oscar Wilde: "The Happy Prince", "The Nightingale and the Rose", "The Selfish Giant", "The Devoted Friend", and "The Remarkable Rocket." These timeless tales are performed by a full cast, and will delight listeners of all ages with their whimsical characters, moving situations, and touches of ironic humor. Presented by The Online Stage.

The Online Stage presents Shakespeare’s most famous and most quoted play, a revenge drama which explores the inevitable conflict between conscience and justice, between morality and obligation. The tragedy arises, not from an obvious weakness in the character of Hamlet, but rather from his inability to deal with an apparently insoluble moral dilemma.

Listeners are invited to sit back and enjoy this collection of classic Yuletide tales....