Showing results by author "The Beards" in All Categories

In 1982, at the age of just 23 and halfway through her architecture studies, Elspeth Beard left her family and friends in London and set off on a 35,000-mile solo adventure around the world on her 1974 BMW R60/6. Reeling from a recent breakup and with only limited savings from her pub job, a tent, a few clothes, and some tools, all packed on the back of her bike, she was determined to prove herself. She had ridden bikes since her teens and was well-traveled. But nothing could prepare her for what lay ahead.

The ruins of Pompeii, buried by an explosion of Vesuvius in 79 CE, offer the best evidence we have of everyday life in the Roman empire. This remarkable book rises to the challenge of making sense of those remains, as well as exploding many myths: the very date of the eruption, probably a few months later than usually thought, or the hygiene of the baths that must have been hotbeds of germs, or the legendary number of brothels, most likely only one, or the massive death count, maybe less than 10 per cent of the population.

Ancient Rome matters. Its history of empire, conquest, cruelty and excess is something against which we still judge ourselves. Its myths and stories - from Romulus and Remus to the Rape of Lucretia - still strike a chord with us. And its debates about citizenship, security and the rights of the individual still influence our own debates on civil liberty today. SPQR is a new look at Roman history from one of the world's foremost classicists.

Emperor of Rome is not your usual chronological account of Roman rulers, one after another: the mad Caligula, the monster Nero, the philosopher Marcus Aurelius. Beard asks bigger questions: What power did emperors actually have? Was the Roman palace really so bloodstained? Emperor of Rome goes directly to the heart of Roman (and our own) fantasies about what it was to be Roman, offering an account of Roman history as it has never been presented before.

What does the face of power look like? Who gets commemorated in art and why? And how do we react to statues of politicians we deplore? In this book - against a background of today’s “sculpture wars” - Mary Beard tells the story of how for more than two millennia portraits of the rich, powerful, and famous in the Western world have been shaped by the image of Roman emperors, especially the “Twelve Caesars”, from the ruthless Julius Caesar to the fly-torturing Domitian.

Ahmed and Hadi get together every week to talk about things like video games, movies, and the like. Stick around and enjoy, you might like it here. And yes we both have beards.

What made the Romans laugh? Was ancient Rome a carnival, filled with practical jokes and hearty chuckles? Or was it a carefully regulated culture in which the uncontrollable excess of laughter was a force to fear-a world of wit, irony, and knowing smiles? How did Romans make sense of laughter? What role did it play in the world of the law courts, the imperial palace, or the spectacles of the arena?

The Colosseum was Imperial Rome's monument to warfare. Like a cathedral of death it towered over the city and invited its citizens, 50,000 at a time, to watch murderous gladiatorial games. It is now visited by two million visitors a year (Hitler was among them). Award-winning classicist Mary Beard, with Keith Hopkins, tells the story of Rome's greatest arena: how it was built; the gladiatorial and other games that were held there; the training of the gladiators; the audiences who revelled in the games, the emperors who staged them and the critics.

Britain's best known classicist, Mary Beard, is also a committed and vocal feminist. In Women & Power she revisits the gender agenda and shows how history has treated powerful women, using examples ranging from the classical world to the modern day. Beard explores the cultural underpinnings of misogyny, considering the public voice of women, our cultural assumptions about women's relationship with power and how powerful women resist being packaged into a male template.

The Nysis is unlike any other river. Mysteries unfold with each port of call. Not many can navigate these channels; not many know of its whirlpools and sandbanks, of the ravenous creatures that lurk beneath the surface. Cady used to have the necessary knowledge and the powers of spectral navigation, but her glory days are well behind her now. This might well be her final journey.

Como culminación de cincuenta años de estudio e investigación sobre la antigua Roma, Mary Beard, profesora de la Universidad de Cambridge, nos ofrece una magistral visión de conjunto de su historia: una historia que, nos dice, «al cabo de dos mil años, sigue siendo la base de nuestra cultura y nuestra política, de cómo vemos el mundo y nuestro lugar en él».

The Age of Movement is a look at the role that movement has played throughout all of life on Earth. Dr. Beard takes an in-depth look as to how movement, or the lack thereof, is contributing to our modern-day health crisis. He discusses what steps can be taken to restore not only our personal, but possibly our world's health, by changing the way we move.

It followed every major military victory in ancient Rome: the successful general drove through the streets to the temple of Jupiter on the Capitoline Hill; behind him streamed his raucous soldiers; in front were his prisoners, as well as the booty he'd captured, from enemy ships and precious statues to plants and animals from the conquered territory. Occasionally there was so much on display that the show lasted two or three days. A radical reexamination of this most extraordinary of ancient ceremonies, this book explores the magnificence of the Roman triumph, but also its darker side.

Luluda tells the story of a journey through a strange modern city whose power is sourced from the ghost of a dragon. Ludwich may no longer be at war with its great political rival overseas, but veteran sailor Cady Meade, survivor of many battles, suspects that the hard-won peace is about to break. She promises to deliver a preternatural ten-year old girl to a coming-of-age festival in the heart of Ludwich. But she has been warned by the prophets that dangers lie ahead.

The ruined silhouette of the Parthenon on its hill above Athens is one of the world's most famous images. Its 'looted' Elgin Marbles are a global cause celebre. But what actually are they? In a revised and updated edition, Mary Beard, award winning writer, reviewer and leading Cambridge classicist, tells the history and explains the significance of the Parthenon, the temple of the virgin goddess Athena, the divine patroness of ancient Athens.

The idea of 'civilisation' has always been debated, even fought over. At the heart of those debates lies the big question of how people - from prehistory to the present day - have depicted themselves and others, both human and divine. Distinguished historian Mary Beard explores how art has shaped, and been shaped by, the people who created it. How have we looked at these images? Why have they sometimes been so contentious?

In those days a private boys' boarding school education was largely the same experience as it had been for generations: a training for the challenges of Empire. He didn't enjoy it. But the first and most important lesson was to not let that show. Being separated from the people who love you is traumatic. How did that feel at the time, and what sort of adult does it mould? This is a story about England, and a portrait of a type of boy, trained to lead, who becomes a certain type of man.

In November 1944, 18-year-old June Walker boards an unmarked bus, destined for a city that doesn't officially exist. Oak Ridge, Tennessee has sprung up in a matter of months - a town of trailers and segregated houses, 24-hour cafeterias, and constant security checks. There, June joins hundreds of other young girls operating massive machines whose purpose is never explained. They know they are helping to win the war, but must ask no questions and reveal nothing to outsiders.

We are all classicists - we come into touch with the classics on a daily basis: in our culture, politics, medicine, architecture, language, and literature. What are the true roots of these influences, however, and how do our interpretations of these aspects of the classics differ from their original reality?

David was just a normal person living a normal life until he encountered Helen, an advanced sentient spaceship with technologies millions of years ahead of humanity. Helen selects David to become her human companion to help her learn more about the human race. But when David accepts, he becomes enthralled by the limitless power now available to him through Helen, and begins to change the world in ways unimaginable.