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Award-winning travel writer Nicholas Jubber journeys across Europe exploring Europe's epic poems, from the Odyssey to Beowulf, the Song of Roland to the Nibelungenlied, and their impact on European identity in these turbulent times. These are the stories that made Europe. Journeying from Turkey to Iceland, award-winning travel writer Nicholas Jubber takes us on a fascinating adventure through our continent's most enduring epic poems to learn how they were shaped by their times and how they have since shaped us.

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination.

Dispute over land and kingdom may lie at the heart of this story of war between cousins - the Pandavas and the Kouravas - but the Mahabharata is about conflicts of dharma. These conflicts are immense and various, singular and commonplace. Throughout the epic, characters face them with no clear indications of what is right and what is wrong; there are no absolute answers. Thus every possible human emotion features in the Mahabharata, the reason the epic continues to hold sway over our imagination. 

There is something about the boy. When he is angry, clouds darken. When he cries, rivers burst their banks. And when he touches a basketball, deities want courtside seats. Half Nigerian mortal, half Grecian god: Demi is the Half-God of Rainfall. His mother, Modupe, looks on with a mixture of pride and worry. From close encounters, she knows that gods are just like men: the same fragile egos, the same subsequent fury, the same sense of entitlement to the bodies of mortals. The gods will one day tire of sports fans, their fickle allegiances and their prayers to Demi.

Dante's Inferno by Dante Alighieri. The first part of Dante's Divine Comedy , the "Inferno" (or "Hell"), begins on the night before Good Friday in the year 1300, "halfway along our life's path". Dante is thirty-five years old, half of the biblical life expectancy of 70, lost in a dark wood, assailed by beasts he cannot evade, and unable to find the straight way to salvation. Conscious that he is ruining himself and that he is falling into a deep place where the sun is silent, Dante is at last rescued by Virgil, and the two of them begin their journey to the underworld.

The protagonist Beowulf, a hero of the Geats, comes to the aid of Hrothgar, king of the Danes, whose great hall, Heorot, is plagued by the monster Grendel. Beowulf kills Grendel with his bare hands, then kills Grendel's mother with a giant's sword that he found in her lair. Later in his life, Beowulf becomes king of the Geats, and finds his realm terrorized by a dragon, some of whose treasure had been stolen from his hoard in a burial mound.

The Paradiso is a culminating aspect of a journey from Inferno to Paradiso, and it is also Dante’s vision of the variety, the paradoxes, and the wonder that human beings have any existence at all. The process of listening to Dante’s Comedy is a journey into not just literature but into the mysteries of human nature and its capacity for unhappiness and happiness, folly and wisdom, rejection and wonder over the miracles of creation and existence.

Los dos volúmenes que componen el poema épico Martín Fierro son la culminación del género gauchesco y el máximo exponente de la literatura argentina a nivel mundial. A través de la narración de las peripecias del héroe - el gaucho Fierro, uno de los personajes más vitales, brutales y contradictorios de las letras nacionales - José Hernández pone en evidencia la cruda realidad a la que se veían enfrentados los hombres del siglo XIX enviados a la frontera a luchar contra los indios y denuncia los abusos de poder por parte de un Estado corrupto y arbitrario.

Maximilian I. (1459-1519) ist „Held Theuerdank“. Die Geschichte - in frühneuhochdeutscher Sprache - handelt von einer stark allegorisierten Form menschlichen Verhaltens. Theuerdank wird von „drei Erzlastern“ in allerlei Gefahren und Hinterhalte gelockt. Die Hauptmänner „Fürwittig (Übermut), Unfallo (Vermessenheit) und Neidelhart (Neid)“, schützen die „drei Pässe“, durch die Theuerdank reisen muss, um zu Königin Ehrenreich zu gelangen.

La trama dell' Orlando Furioso è un grandioso susseguirsi di duelli e battaglie, di incontri imprevisti, di mostri e di magie, di castelli incantati e sterminati viaggi fin sulla luna. Il fascino di questo poema non risiede soltanto nel vertiginoso ritmo di avventure che vi sono narrate, ma anche dalla continua e naturale mescolanza fra realtà e sogno. Nel groviglio di storie che compongono il poema ritroviamo i temi dell'amicizia e dell'inganno, della fedeltà e della infedeltà, della lealtà e del tradimento, della prodezza e della superbia.

An epic poem is a lengthy narrative poem, usually set in a time beyond living memory in which the extraordinary ancestors, in their dealings with the gods or other superhuman forces, gave shape to the mortal universe for their descendants, the poet, and his audience in order to understand themselves as a people.

Comedia del poeta florentino "Dante Alighieri". Los sucesivos cantos son el Purgatorio y el Paraíso. Está formada por treinta y tres cantos, más uno de introducción, y cada canto está subdividida en tercetos y la rima está unida. De hecho, su estructura doctrinal hace un uso constante del número tres: los condenados son de hecho repartidos en tres categorías, cada una en unasección decreciente de la cavidad subterránea.

Ce chef-d'œuvre du théâtre populaire valut à son auteur une gloire immédiate. Le soir de la représentation générale, c'est un déluge d'applaudissements qui appellent Edmond Rostand sur scène. Ce succès ne s'est jamais démenti et Cyrano de Bergerac, héros tragique et attachant, est entré dans le patrimoine universel. Peut-être parce qu'il incarne superbement un mythe bien ancien : celui de l'amour et du bonheur impossible.

An Edenesque garden, a haunted tower, a forest shrouded in twilight wherein dwell Centaurs, Elves and a myriad of creatures fantastic and mysterious; this is the setting in which Babb’s "Lirazel" comes to life and where the tragedy of her life must unfold. Her doom is fixed, deadly, unavoidable and all the more tragic because of the choices Lirazel makes as she spurns wisdom for folly in a desperate gamble for love.

Here are the most exciting and essential parts of two historic, epic poems: the "Iliad" and the "Odyssey". The ancient words of Homer find a new home in today's world - spoken aloud, just as Homer intended. Translated by Stanley Lombardo.

Oğuz Türkleri'nin ünlü epik destanlarıdır Dedem Korkut Hikayeleri. Dede Korkut destanların ilk anlatıcısıdır. Dirse Han Oğlu Boğaç Destanı da eski bir Türk geleneği olarak Toy ile (şölen) başlamaktadır. "Bir gün Kam Gan oğlu Han Bayındır yerinden kalkmıştı. Şami otağını yer yüzüne diktirmişti Alaca gölgeliği gök yüzüne yükselmişti. Bin yerde ipek halıcığı döşenmişti. Hanlar hanı Bayındır yılda bir kerre ziyafet verip Oğuz beylerini misafir ederdi. Gene ziyafet tertip edip attan aygır, deveden erkek deve, koyundan koç kestirmişti. Bir yere ak otağ, bir yere kızıl otağ, bir yere kara otağ kurdurmuştu.."

Paradiso gives our imagination a hint of the beauty to come, by uncovering the deepest reality of the life we are living now. God is the same, eternity past to eternity future; He is the same God today. The great crescendo that is His beauty, dance, song, joy, holiness, and glory we hear but dimly, as from a distance land; but it undergirds and gives meaning to everything we know and experience.

Doris Margot Schlechta versteht ihre Gedichte als Hoffnungspost an die Seele. Sie selbst hat auf ihrem Lebensweg eine große Portion Optimismus im Gepäck, der sie durch schwierige Zeiten getragen hat. Mit ihren Texten lenkt sie den Blick auf Lyrische Momente, die in jeden Alltag Hoffnung streuen, aus der ein gutes Leben wachsen kann.

Bu destan şiir öykü, Hacı Bektaş katına buğday istemeye giden bir genç adamın öyküsü değildir yalnızca. Kaderini fark eden, şu yeryüzüne neden gönderildiğini bilip, gereğini yerine getiren bir Anadolu fidanının öyküsüdür. Ben gelmedim davi için, Benim işim sevi için, Hakk'ın evi gönüllerdir, Gönüller yapmaya geldim...

Based on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about Khosrow and Shirin shares a shelf with the most intensely romantic classic stories readers love, from Tristan and Isolde to Layla and Majnun to Romeo and Juliet to Gatsby and Daisy.