Showing titles in Shakespeare

The multi award-winning SmartPass study guide with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis for any student to fully understand and appreciate the play. Universally accepted as Shakespeare's finest play, we peel back the layers of Hamlet to discover how and why it deserves such a place of honour in world literature.

Chaos and confusion mount to a crescendo in a wild and fast-paced comedy of mistaken identity, one of Shakespeare's earliest plays. Young Antipholus of Syracuse is searching the world for his identical twin brother, separated from him at birth. With him is his servant Dromio, who lost his twin brother at the same time. The pair arrive in Ephesus where, unbeknownst to them, their twins are living.

Don’t be intimidated by Shakespeare. These audiobook editions make the Bard’s plays accessible and enjoyable.

Experience The Force Awakens as a Shakespeare play, complete with Elizabethan verse, Shakespearian monologues, and theatrical stage directions! As the noble Resistance clashes with the vile First Order, Rey, Finn, Poe Damaron, Kylo Ren, and BB-8 are pulled into a galaxy-wide drama - in iambic pentameter! Star Wars fans and Shakespeare enthusiasts alike will enjoy the authentic meter, reimagined movie scenes and dialogue, and hidden Easter eggs throughout.

The secret of their identities has fueled debate for hundreds of years: Who are the nameless nobleman and the dark-haired mistress? And what did they do to inspire the creation of more than 150 deeply intimate poems? Whether William Shakespeare's sonnets are pure fiction or the lingering echo of an autobiographical account, this exquisitely written collection defied traditional love poem conventions to explore the many layers of romance, the dangers of lust, and the nuances of beauty.

Here is the multi award-winning SmartPass study guide, with and without commentary options. This is a full-cast, unabridged performance with comprehensive commentary and analysis to allow any student to fully understand and appreciate the play. Meet literature's greatest villain in this tragedy, fuelled by jealous rage. Journey into the twisted mind of Iago, who freely admits, "I am not what I am", and truly get under the skin of this wondrous play.

With detailed plot summaries and an in-depth analysis of the major characters and themes, this is a brilliant, innovative exploration of the entire canon of Shakespeare plays, sonnets and poetry, from the comedies of Twelfth Night and As You Like It to the tragedies of Julius Caesar and Hamlet, plus lost plays and lesser known works of poetry. Packed with witty anecdotes and memorable quotes, The Shakespeare Book, with Roger May's narration, brings the Bard's best-loved characters and story lines to life.

Mark Antony, one of the three rulers of the Roman world, has become the thrall of the fascinating Cleopatra. Affairs of state call him to Rome, but the attractions of the queen of Egypt prove impossible to resist. From one of history's greatest love stories Shakespeare builds this magnificent tragedy of the clash between love and duty.

Julius Caesar is a marked man. Adoring commoners celebrate his battlefield victories, but those higher up the Roman political ladder worry that his ambition has grown too large. On a stormy night full of alarming sights and ominous portents, Cassius persuades Caesar's friend Brutus to help him with a momentous task: assassinate Caesar for the good of the Republic. But death doesn't stop Caesar, whose spirit haunts the destinies of his friends and enemies, threatening the republican ideal for which they murdered him.

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to believe that her brother has perished. She disguises herself as a male under the name of Cesario and makes her way to the ducal court, where Orsino employs her as a messenger, to communicate his love to the reclusive lady, Olivia—who is not willing to return his affection.

Falstaff es una mole de humanidad que se considera un caballero pero que en realidad es un sinvergüenza y un ladrón. Convencido de su propia elegancia y apostura cree que será fácil para el, cortejar a dos de las mujeres de los hombres más ricos de la ciudad, las señoras Ford y Page, para a través de ellas poder acceder a la riqueza de sus maridos. Ante las insinuaciones que por carta reciben ambas señoras, deciden darle a Falstaff una lección que no olvidará.

A classic performance of one of the Bard's classics.

Graeme Malcolm, Eric Stoltz, and other accomplished actors bring life to the words of the world's favorite poets, including William Shakespeare, Edgar Allan Poe, and Samuel Taylor Coleridge. Also available: The Best Poems of All Time, Volume 2.

How did Shakespeare sound to the audiences of his day? For the first time, this audio offers listeners the chance to hear England's greatest playwright performed by a company of actors using the pronunciation of his time. Under the guidance of Ben Crystal, actor, author of Shakespeare on Toast, and an expert in original Shakespearian pronunciation, the company performs some of Shakespeare's best-known poems, solo speeches, and scenes from the plays.

The Tragedy of Hamlet, Prince of Denmark, often shortened to Hamlet, is a tragedy written by William Shakespeare sometime between 1599 and 1602. Set in Denmark, the play depicts Prince Hamlet and his revenge against his uncle, Claudius, who has murdered Hamlet's father in order to seize his throne and marry Hamlet's mother.

Rome is a city divided, nobility and common-people locked in mutual suspicion. The patrician Caius Marcius, later called Coriolanus, is Rome's greatest soldier, but his proud refusal to accommodate himself to the demands of the plebeians leads to banishment and death. A Roman history as well as tragedy, Coriolanus is a complex and subtle exploration of the themes of absolution and compromise, both in the political world and in the life of the individual.

King John of England is pitted against the united powers of France, Brittany, Austria, and the Papacy. Will England be destroyed by his fatal indecision? As alliances are made, broken, and remade, the paranoid and erratic John reveals his weakness and reliance on those around him - including his powerful mother, Queen Elinor, and Faulconbridge, the cynical and witty bastard son of the dead King Richard I.

Duke Vincentino, the ruler of Vienna, fears that under his mild sovereignty, the people may have become lazy and lax. He decides to “go over cover” in the disguise of a monk and appoint his deputy, Angelo, who is a reputed paragon of virtue, as temporary ruler. On assuming power, Angelo inaugurates draconian provisions regarding sexual propriety. One of the first victims of this new regime is young Claudio, who has impregnated his lover Juliet, and is accordingly sentenced to death.

Bianca is beautiful and demure, with a plethora of would-be suitors, but marriage is forbidden until her older sister, Katherina, finds a suitable match. The hitch? Fiery Katherina has sworn to deny the hand or demands of any would-be suitor. That is, until she meets her match in the wily Petrucio. As Katherina’s own sharp tongue is met by Petrucio’s feigned cruelty, the ‘shrew’ apparently capitulates. Or does she?

By the time Shakespeare came to write Macbeth - almost certainly in 1605/1606 - he had already completed three of the great tragedies with which modern audiences are so familiar: Hamlet (1601), Othello (1603), and King Lear (1605). Each of those plays gives us an eponymous hero who is in some significant way flawed, but for whom we also inevitably feel deep sympathy, whatever his errors or crimes. But in MacBeth, Shakespeare has chosen for his tragic hero a man guilty of the most terrible crime imaginable to a Jacobean audience, that of regicide - the murder of a king.