Showing titles in Family Life

Set in Ireland in the 1990s, Colm Tóibín's The Blackwater Lightship tells the story of the Devereux family. Dora Devereux, her daughter Lily and her granddaughter Helen have come together after years of strife and reached an uneasy truce. Helen’s adored brother, Declan, is dying. Two friends join him and the women in a crumbling old house by the sea, where the six of them, from different generations and with different beliefs, must listen to and come to terms with one another.

Thirty years have passed since Greta left Marchmont Hall, a grand and beautiful house nestled in the hills of rural Monmouthshire. But when she returns to the Hall for Christmas she has no recollection of her past association with it – the result of a tragic accident that has blanked out more than two decades of her life. Then, during a walk through the wintry landscape, she stumbles across a grave in the woods and the weathered inscription on the headstone tells her that a little boy is buried here.

At forty, Peter, an asylum lawyer in New York City, is overworked and isolated. He spends his days immersed in the struggles of immigrants only to return to an empty apartment and occasional hook-ups with a man who wants more than Peter can give. But when the asylum case of a young gay man pierces Peter's numbness, the event that he has avoided for twenty years returns to haunt him. Ann, his mother, who runs a women's retreat centre she founded after leaving his father, is wounded by the estrangement from Peter but cherishes the world she has built.

The Vignes twin sisters will always be identical. But after growing up together in a small, Southern black community and running away at age 16, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same Southern town she once tried to escape. The other secretly passes for white and her white husband knows nothing of her past.

Lei Ling Wen is lonely. Bored of her demanding after-school schedule of tuition, study and violin lessons, she struggles to see eye to eye with her strict Chinese-Malaysian mother. When Lei Ling is befriended by elegant, worldly socialite Gigi Nu, she is enchanted by the realm of luxury and freedom that suddenly opens up to her. Gigi encourages Lei Ling to flout her routines and treats her to designer products and expensive meals, and soon Lei Ling finds herself caught between two lives, and increasingly at odds with her exasperated mother.

Patrick, or Gay Uncle Patrick (GUP for short), has always loved his niece, Maisie, and nephew, Grant. That is, he loves spending time with them…in small doses, with their parents there to handle the tears and tricky questions. So when tragedy strikes and Patrick finds himself suddenly taking on the role of primary guardian, he is, honestly, overwhelmed.

It is 1981. Glasgow is dying and good families must grift to survive. Agnes Bain has always expected more from life. She dreams of greater things: a house with its own front door and a life bought and paid for outright (like her perfect, but false, teeth). But Agnes is abandoned by her philandering husband, and soon she and her three children find themselves trapped in a decimated mining town. As she descends deeper into drink, the children try their best to save her, yet one by one they must abandon her to save themselves. It is her son Shuggie who holds out hope the longest.

In 1985, Yale Tishman, the development director for an art gallery in Chicago, is about to pull off an amazing coup: bringing an extraordinary collection of 1920s paintings as a gift to the gallery. Yet as his career begins to flourish, the carnage of the AIDs epidemic grows around him. One by one, his friends are dying, and after his friend Nico's funeral, he finds his partner is infected and that he might even have the virus himself. The only person he has left is Fiona, Nico's little sister.

You Must Remember This is an eloquent jumble of a family story, as experienced by Grace, an elderly woman with dementia trying to get her moorings in a worsening storm. It contemplates the perils of remembering and forgetting, making your own way in the world and how we seem bound to repeat the patterns of the past. Most profoundly it's about sensing what it's like to live on while your faculties dim, and about finding peace.

In 1990, Vijay and Indu leave India for Australia, seeking a better life for their family. But the move isn't easy on anyone. Not gentle Indu who becomes disconnected from her family and her life; nor the ambitious Vijay, who finds himself unmoored in a culture he doesn't understand. At the centre is Archana, their quiet daughter, for whom a growing understanding of her own queerness grates against the realities of her life.

On Earth We're Briefly Gorgeous is a letter from a son to a mother who cannot read. Written when the speaker, Little Dog, is in his late 20s, the letter unearths a family's history that began before he was born - a history whose epicentre is rooted in Vietnam - and serves as a doorway into parts of his life his mother has never known, all of it leading to an unforgettable revelation. At once a witness to the fraught yet undeniable love between a single mother and her son, it is also a brutally honest exploration of race, class and masculinity.

Polly Manaia is living in Sydney's notorious Kings Cross, working as an exotic dancer. She's desperate to bring her young daughter to live with her, but beneath her brash confidence lie dark secrets which threaten to drag her under. Gina is excited to live with her mum again. She's mature for an eleven-year-old, but can this young girl cope with Polly's demons? Rhoda and Star, transgender performers and Polly's flatmates, bring stability to Polly and Gina's lives. Yet this unlikely little family will find themselves threatened in more ways than one.

Vivaan, a teenager in India’s silicon plateau, has discovered love on his smartphone. Intoxicating, boundary-breaking love. His parents know he is gay, and their support is something Vivaan can count on, but they don’t know what exactly their son gets up to in the online world. For his uncle, born thirty years earlier, things were very different. Mambro’s life changed forever when he fell for a male classmate at a time, and in a country, where the persecution of gay people was rife under a colonial-era law criminalising homosexuality.

An estranged father. An abused and abusive mother. An army of relatives. A tapestry of violence, woven across generations and geographies, from Turkey to Lebanon to Western Sydney. This is the legacy left to Jamal Smith, a young queer Muslim trying to escape a past in which memory and rumour trace ugly shapes in the dark. When every thread in life constricts instead of connects, how do you find a way to breathe? Torn between faith and fear, gossip and gospel, family and friendship, Jamal must find and test the limits of love.

Joey is young, indifferent. He’s drifting around Western Sydney, unaware of how his passivity might lead him even further adrift, off the rails, into a violent crime. Meanwhile his grandmother, Elaine—a proud Lebanese woman—tries to save face and hold herself together in the wake of Joey's actions. In her family, history repeats itself, vices come and go and uncovering long-buried secrets isn't always cathartic.

It is the evening of 16-year-old Melody's coming of age ceremony in her grandparents' brownstone. Watched lovingly by her relatives and friends, making her entrance to the music of Prince, she wears a special custom-made dress - the very same dress that was sewn for a different wearer, Melody's mother, for a celebration that ultimately never took place. Unfurling the history of Melody's parents and grandparents - from the 1921 Tulsa massacre to post-9/11 New York....

One winter's afternoon on Hampstead Heath in 1980, Elise Morceau meets Constance Holden and quickly falls under her spell. Connie is bold and alluring, a successful writer whose novel is being turned into a major Hollywood film. Elise follows Connie to LA, a city of strange dreams and swimming pools and late-night gatherings of glamorous people. But whilst Connie thrives on the heat and electricity of this new world where everyone is reaching for the stars and no one is telling the truth, Elise finds herself floundering.

Caught between his well-meaning yet misapprehending family, his boisterous friends, and his self-assured partner Ben, Elom struggles to fit in. All he ever wants is to feel understood – but what does it mean to live authentically when the only thing changing faster than the world around you is the world within? Moving between Accra, Glasgow, London, and the islands of the outer Hebrides, Selali Fiamanya’s extraordinary debut asks what it means to love and be loved in return. Before We Hit the Ground is an intimate portrait of a family, and one man’s struggle to find his place.

The trip was supposed to be fun. When Kit's best friend gets dumped by his boyfriend, he begs her to ditch her family responsibilities for a quick, idyllic weekend in the Montana mountains. They'll soak in hot springs, then sneak a vape into the local dive bar like old times. But it's soon clear that this getaway only gets Kit closer to something dire and unfathomable that's been building inside her for years, ever since her sister Julie died.

When his father falls ill, Andrés, a professor of public health, returns to his suburban hometown to tend to his father's recovery. Reevaluating his rocky marriage in the wake of his husband’s infidelity and with little else to do, he decides to attend his 20-year high school reunion, where he runs into the long-lost characters of his youth.