Showing results for "Scott Adams" in Anthologies & Short Stories

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. THE APOCALYPSE TRIPTYCH will tell their stories. Edited by acclaimed anthologist John Joseph Adams and bestselling author Hugh Howey, THE APOCALYPSE TRIPTYCH is a series of three anthologies of apocalyptic fiction. THE END IS NIGH focuses on life before the apocalypse. THE END IS NOW turns its attention to life during the apocalypse. And THE END HAS COME focuses on life after the apocalypse.

Forty-eight of H.P. Lovecraft’s most important stories are brought together in this collection–available only from Audible–selected and with introductions by the award-winning, best-selling Lovecraft editor Leslie S. Klinger. Howard Philips Lovecraft was the early 20th-century genius who, almost singlehandedly, pioneered horror and scientific fiction, only to die in near-obscurity. Rediscovered by critics and scholars in the 1970s, Lovecraft’s work has influenced—by their own admission—every major horror or science-fiction writer of today.

On May 25, 1983, Star Wars cemented its legacy as the greatest movie franchise of all time with the release of Return of the Jedi. In honor of the fortieth anniversary, forty storytellers re-create an iconic scene from Return of the Jedi through the eyes of a supporting character, from heroes and villains, to droids and creatures. From a Certain Point of View features contributions by bestselling authors and trendsetting artists.

America has fallen to a catastrophic stealth attack and a ground invasion of the continental United States has begun. Sacramento teenager, Jack Monaghan, has just buried his parents and needs to work out what to do. Trouble is, his older sister has locked herself in her room and won't eat, drink or talk to him—let alone sit down and plan what they'll do to survive.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the End of the World. In science fiction, the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm. But before any catastrophe, there are people who see it coming. During, there are heroes who fight against it. And after, there are the survivors who persevere and try to rebuild. "The Apocalypse Triptych" will tell their stories.

Lacking health insurance when he was diagnosed with cancer, Shawn Speakman asked friends in the science fiction and fantasy writing community to donate short stories he could use to counter mounting medical debt. The result was Unfettered, an anthology offering tales from some of the best authors working today. Now, in Unfettered III, Speakman continues to pay forward the aid he received, raising money to combat medical debt for SF&F artists and authors.

A landmark short story collection that put the more character-based New Wave science fiction on the map, Dangerous Visions won several prestigious awards and was nominated for many others. This now-classic anthology includes thirty-three stories by thirty-two award-winning authors, over half of whom have won multiple Hugo and Nebula Awards.

It was a killer year for horror fiction of the harder kind. Authors, editors, and publishers presented readers with some startling works of horrific imagination, stories graphic in the extreme yet with subtleties suggesting larger meanings, tales that explore humanity by plumbing depths of soulless inhumanity and, in some cases, outright depravity. The stories here represent the best of them, disturbing tales that dig deep and take you into the dark heart of horror itself, unrelenting and unapologetic.

Famine. Death. War. Pestilence. These are the harbingers of the biblical apocalypse, of the end of the world. In science fiction the end is triggered by less figurative means: nuclear holocaust, biological warfare/pandemic, ecological disaster, or cosmological cataclysm.

Here are tales of star-faring adventure, peril, and drama. Here are journeys into the mind-bending landscapes of virtual worlds and alternate realities. Here you'll also find stories of humanity's astounding future on Earth, on Mars, and in the solar system beyond - stories that always get the science right. And Bova's gathering of deeply realized, totally human characters are the heroic, brave, tricky, sometimes dastardly engineers, astronauts, corporate magnates, politicians, and scientists who will make these futures possible.

Nick Antosca's The Girlfriend Game is a tumble through the looking glass into a vortex of violence and desire. The 12 stories in the newest collection by the Shirley Jackson Award-winning author are brutal, urgent and unforgettable. In "Predator Bait", a decoy in a sex-sting news show questions her job and the man who shares her bed. An undependable son watches his mother become a creature he hardly recognizes in "Amphibian". A young man plots the death of his girlfriend's killer in "Winter Was Hard".

My favorite line in my favorite song about Dallas goes like this: Dallas is a rich man with a death wish in his eyes / A steel and concrete soul in a warm heart and love disguise... The narrator of Jimmie Dale Gilmore's perfect tune Dallas" is coming to town as a broke dreamer with the bright lights of the big city on his mind. He's just seen the Dallas cityscape through the window of his seat on a DC-9 at night. Is he just beginning his quest?

"Readers of Brooklyn Noir will recall that its contents were labeled by neighborhood - Bay Ridge, Canarsie, Greenpoint, etc. We have chosen the same principle here, and the book's contents do a good job of covering the island, from C.J. Sullivan's Inwood and Charles Ardai's Upper East Side, to Justin Scott's Chelsea and Carol Lea Benjamin's Greenwich Village."

Step into Indian Country. Enter the dark welter of troubled history throughout the Americas, where the heritage of violence meets the ferocity of intent. Features brand-new stories by: Mistina Bates, Jean Rae Baxter, Lawrence Block, Joseph Bruchac, David Cole, Reed Farrel Coleman, O'Neil De Noux, A.A. Hedge Coke, Gerard Houarner, Liz Martnez, R. Narvaez, Kimberly Roppolo, Leonard Schonberg, and Melissa Yi.

In the stories of Havana Noir, current and former residents of the city - some international sensations such as Leonardo Padura, others exciting new voices like Yohamna Despestre - uncover crimes of violence and loveless sex, of mental cruelty and greed, of self-preservation and collective hysteria.

The holiday season isn’t all fun and games. From dark and disturbing to morbid humor or guts and gore, these stories have it all.

Reginald T. Fox is the town's resident gravedigger. He's their only gravedigger. But when he gets into an altercation with the Sheriff, he decides to head for the grander location of San Francisco. Reginald is given a job on the cemetery maintenance team which is a big city phrase for gravedigger, by the person in charge of such things - Samuel Seacroft. He is even given his own room in a building designated for city workers.

The first issue in the second century of Weird Tales features a new HELLBOY story by Mike Mignola and Christopher Golden. Editor Jonathan Maberry has built a collection of cosmic horror that will destabilize your worldview.

From the introduction by David L. Ulin: "For me, Cape Cod is a repository of memory: forty summers in the same house will do that to you. But it is also a landscape of hidden tensions, which rise up when we least anticipate. In part, this has to do with social aspiration, which is one of the things that brought my family, like many others, to the Cape. In part, it has to do with social division, which has been a factor since at least the end of the nineteenth century, when then summer trade began."

Since the zombie invasion, the island of Manhattan has been turned into a wintery wasteland. The Zombie King has arrived in search of a mythical Opener. A human who can create a bridge to the land of the dead and unleash all its horrors on earth. But, who is the mysterious Giant, and why can no one get onto the island of Manhattan? Then we take a trip to the carnival and learn the origins of the Dead-Killer and why he wants the Zombie King dead forever. And finally, where does the Vamp get her tattoos? And why are they so important?