• Karl Berglund, "Reading Audio Readers: Book Consumption in the Streaming Age" (Bloomsbury, 2024)
    Mar 13 2025
    What is the future of reading? In Reading Audio Readers: Book Consumption in the Digital Age (Bloombury, 2024), Karl Berglund, Assistant Professor in Literature at Department of Literature and Rhetoric at Upsala University, examines the rise of audiobooks as a new mode of reading books. The analysis draws on digital humanities methods and a detailed industry case study to show who are the readers of audiobooks, how those readers engage and consume books, what sort of genres are most popular, and crucially how all of this us impacting on the publishing industry. The research also picks up on important themes of continuity and change represented by audiobooks, from ongoing issues of inequalities through to the new forms of writing practice and AI generated narrators. A richly detailed but easily accessible text, the book is essential reading for scholars across academia, as well as anyone interested in reading! Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    39 mins
  • John Cage: Echoes of the Anechoic
    Mar 10 2025
    Today we explore the mythology around John Cage’s visit to the anechoic chamber. The chamber was designed to completely eliminate echoes. Ironically, the tale of Cage’s experience in that space has echoed through history, affecting our understanding of silence, sound, and the self. But what do we really know about what happened there? And what could we ever know about such an event? In this audio essay, based on a piece that first appeared in the Australian Humanities Review, Mack Hagood explores the relationship between sound, self, and meaning-making. To use a term Cage loved, the truth is indeterminate. For our Patreon members we have bonus content: Mack’s “What’s Good” segment. Join at patreon.com/phantompower. Writing and media content featured in this episode: Mack’s essay “Cage’s Echoes of the Anechoic,” in AHR Issue 70 (2022). Nam June Paik’s 1973 video Global Groove John Cage’s 1959 album with David Tudor, Indeterminacy John Cage’s book Silence (Wesleyan, 1961). The video Can Silence Actually Drive you Crazy by Veritasium Terry Gross’s 2014 Fresh Air interview with Trevor Cox The album Naxi Live by Jang San and the Dayan Naxi orchestra Shani Diluka’s performance of “Glassworks: Opening” by Philip Glass Amit Pinchevsky’s book Echo (MIT, 2022) Helen Rees’ book Echoes of History: Naxi Music in Modern China (Oxford, 2011) Today’s show was written and edited by Mack Hagood. Original music and sound design by Mack Hagood. Special thanks to Monique Rooney and Australian Humanities Review Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    29 mins
  • Eric Dienstfrey, "Making Stereo Fit: The History of a Disquieting Film Technology" (U California Press, 2024)
    Mar 7 2025
    Surround sound is often mistaken as a relatively new phenomenon in cinemas, one that emerged in the 1970s with the arrival of Dolby. Making Stereo Fit: The History of a Disquieting Film Technology (University of California Press, 2024) reveals that, in fact, filmmakers have been creating stereo and surround-sound effects for nearly a century, since the advent of talking pictures, and argues that their endurance owes primarily to the longstanding battles between stereo and mono technologies. Throughout the book, Eric Dienstfrey analyzes newly discovered archival materials and myriad stereo releases, from Hell’s Angels (1930) to Get Out (2017), to show how Hollywood’s financial dependence on mono prevented filmmakers from seeing surround sound’s full aesthetic potential. Though studios initially explored stereo’s unique capabilities, Dienstfrey details how filmmakers eventually codified a conservative set of surround-sound techniques that prevail today, despite the arrival of more immersive formats. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    1 hr and 19 mins
  • Sonic AI
    Mar 3 2025
    Today we hear two scholars reading their recent work on artificial intelligence. Steph Ceraso studies the technology of “voice donation,” which provides AI-created custom voices for people with vocal disabilities. Hussein Boon contemplates the future of AI in music via some very short and thought-provoking fiction tales. And we start off the show with Mack reflecting on how hard the post-shutdown adjustment has been for many of us and how that might be feeding into the current AI hype. For our Patreon members we have “What’s Good” recommendations from Steph and Hussein on what to read, listen to, and do. Join at Patreon.com/phantompower. About our guests: Steph Ceraso is Associate Professor of Digital Writing & Rhetoric in the English Department at the University of Virginia. She’s one of Mack’s go-to folks when trying to figure out how to use audio production in the classroom as a form of student composition. Steph’s research and teaching interests include multimodal composition, sound studies, pedagogy, digital rhetoric, disability studies, sensory rhetorics, music, and pop culture. Hussein Boon is Principal Lecturer at the University of Westminster. He’s a multi-instrumentalist, session musician, composer, modular synth researcher, and AI researcher. He also has a vibrant YouTube presence with tutorials on things like Ableton Live production. Pieces featured in this episode: “Voice as Ecology: Voice Donation, Materiality, Identity” by Steph Ceraso in Sounding Out (2022). “In the Future” by Hussein Boon in Riffs (2022). Mack also mentioned in his rant: “Embodied meaning in a neural theory of language” by Jerome Feldman and Srinivas Narayanan (2003). “The Contemporary Theory of Metaphor” by George Lakoff (1992). Today’s show was produced and edited by Ravi Krishnaswami Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    38 mins
  • Tiziano Manca, "Before Sound: Re-Composing Material, Time, and Bodies in Music" (Transcript Verlag, 2023)
    Feb 28 2025
    In Before Sound: Re-Composing Material, Time, and Bodies in Music (Transcript Verlag, 2023), composer Tiziano Manca investigates the premises for and consequences of a major change in his compositional practice: this change emphasizes the temporality of sound and, more recently, the relationship between sounding body and musician. It calls into question the traditional conception of composition and its relation to sound material. Accordingly, Manca examines the theoretical and aesthetic reasons for this shift by interweaving aesthetic reflection on his work with historical research on the notion of musical material and the theory of sound production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    23 mins
  • Words and Silences: The Thomas Merton Hermitage Tapes
    Feb 24 2025
    Brian Harnetty’s recent record, Words and Silences, takes voice recordings made by the famed American Trappist monk Thomas Merton and sets them within Harnetty’s musical compositions. The meditative and revealing result has been lauded by critics in The Wire, MOJO, and Aquarium Drunkard. In this episode, we share a Phantom Power exclusive: a brand new narrative piece that Brian created about the making of his record. “Words and Silences: The Thomas Merton Hermitage Tapes” is much more than a behind-the-scenes look at Brian’s process. Harnetty’s audio diary is its own moving meditation on Merton, solitude, sound, media, and the self. This is the second piece that Brian has shared with Phantom Power–you may remember his Forest Listening Rooms episode. Like that episode, this is something special. We highly recommend taking a walk in the woods or finding a quiet space to listen to this beautiful meditation. And after we listen, Mack talks to Brian about what we’ve heard. (And, of course, we’ll have a longer version of the interview and our What’s Good segment for our Patrons.) Who was Thomas Merton? Thomas Merton was an author, mystic, poet, and comparative religion scholar who lived from 1915 to 1968. It’s hard to imagine a spiritual superstar quite like Merton appearing in America today. His first book, 1948’s “The Seven Storey Mountain,” became a best-seller and led to a flood of young men applying to join Catholic monasteries. Merton had a major influence on spaces such as the progressive Catholic church Mack grew up going to. He was outward facing, committed to leftist causes, and fascinated by other religions, but at the same time, he retreated from his fame into his hermitage in KY. In The New Yorker, Alan Jacobs called him “perhaps the proper patron saint of our information-saturated age, of we who live and move and have our being in social media, and then, desperate for peace and rest, withdraw into privacy and silence, only to return.” Brian Harnetty Brian Harnetty is an interdisciplinary sound artist who uses listening to foster social change. He is known for his recording projects with archives, socially engaged sound works, sound and video installations, live performances, and writings. His interdisciplinary approach has been compared to “working like a novelist…breathing new life into old chunks of sound by radically recontextualizing them” (Clive Bell, The Wire). Brian is currently a Faculty Fellow at Ohio State University’s Global Arts and Humanities Discovery Theme (2022-23), Harnetty is a two-time recipient of the MAP Fund Grant (2021, 2020), and received the A Blade of Grass Fellowship for Socially Engaged Art in Contemplative Practices (2018) and the Creative Capital Performing Arts Award (2016). He has also twice received MOJO Magazine’s “Underground Album of the Year” (2019, 2013). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    49 mins
  • The Soundworld of Harriet Tubman
    Feb 17 2025
    Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. We first came across Maya’s work last year as part of The Harriet Tubman Bicentennial Project, an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a Spotify playlist so you could listen as you read. Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer Ravi Krishnaswami, her field recordings and playlist selections are mixed into the story. And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called African American Music: An Introduction. And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. Today’s musical selections and soundscapes are by Maya Cunningham. The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    45 mins
  • Hildegard Westerkamp: A Life in Soundscape Composition
    Feb 10 2025
    Today we speak to Hildegard Westerkamp, the pioneering composer, radio artist and sound ecologist. The centerpiece of all of her work is a close attention to the sonic environment and its relation to culture. We will listen to excerpts of six soundscape compositions made between 1975 and 2005, all of which reward the close listener–conceptually and aesthetically–with a deeper relationship to the sonic environment. Mack Hagood interviewed Westerkamp shortly after the death of R. Murray Schafer in late 2021. Westerkamp worked closely with Schafer in the early 1970s and she graciously agreed to talk about him despite the grief being fresh. They also discussed her own amazing career and that’s the part of the tape we are sharing in this episode. They talk about her formative years as a 20-something working with Schafer and his World Soundscape Project and then we jump into a number of her compositions, ending with the piece “Breaking News” from 2012. Incredibly, she said Mack was the first person to ever ask her about that piece, even though it is one of her favorites. And sure enough, not long after this interview she released a retrospective album on Earsay Music called Breaking News, which features that piece and a number of others created between 1988 and 2012. For our Patreon members we have the full, unedited interview for those who want to hear all her thoughts on R. Murray Schafer and her career. Join at Patreon.com/phantompower. And a quick correction: Hildegard wanted me to clarify that the sentence “When there is no sound, hearing is most alert,” which she uses in “Whisper Study,” is a quote from the Indian mystic Kirphal Singh in his book Naam (or Word). Pieces featured in this episode: “Gently Penetrating beneath the Sounding Surfaces of Another Place” (1997) “Whisper Study” (1975) “Fantasie for Horns” (1978) “A Walk through the City” (1981) “Für Dich – For You” (2005) “Breaking News” (2002) Today’s show was written and edited by Mack Hagood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    Show More Show Less
    44 mins