New Books in Sound Studies

By: New Books Network
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  • Summary

  • Interviews with scholars of sound about their new books. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
    New Books Network
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Social Sciences
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Episodes
  • The Soundworld of Harriet Tubman

    The Soundworld of Harriet Tubman
    Feb 17 2025
    Just in time for Black History Month, we share an episode we’ve been excitedly working on for a number of months now. Ethnomusicologist Maya Cunningham brings us “The Sound World of Harriet Tubman.” Maya Cunningham is an activist and jazz singer currently completing a Ph.D. at the University of Massachusetts, Amherst, in Afro-American studies with a concentration in ethnomusicology. We first came across Maya’s work last year as part of The Harriet Tubman Bicentennial Project, an online initiative from Ms. magazine honoring the 200th anniversary of Harriet Tubman’s birth in 1822. It’s a remarkable package that adds many dimensions of understanding of the underground railroad conductor and feminist icon: Her experience of disability due to a blow to the head by a white overseer; her creation of a home for the aged; her love of the natural world; and much more. And to us, the richest of these essays was Maya’s the “Sound World of Harriet Tubman,” which used field recordings, historical research, and ethnomusicological research to explore the roles of sound and music, and voice in Tubman’s life and leadership. The piece included a Spotify playlist so you could listen as you read. Today, we’re thrilled to bring you what we hope will be an even more immersive experience: Maya Cunningham reading her essay, and thanks to the editing and mixing skills of Phantom Power producer Ravi Krishnaswami, her field recordings and playlist selections are mixed into the story. And just a quick note, you’re going to hear about the American Christian revival known as the Second Great Awakening, which stirred both Black and white people from the late 1700s to the mid-1800s. You’ll also hear about the Invisible Church, where enslaved African Americans were able to worship secretly and autonomously and through the singing of folk spirituals, which differed greatly from white religious music at the time, but would go on to influence not only gospel music but pretty much every form of popular music we know today. If you want to learn more about this history, a great place to start is a book edited by two professors Mack studied with at Indiana University, Drs. Mellonee V. Burnim and Portia K. Maultsby. It’s called African American Music: An Introduction. And today, we share our Patrons-only segment, “What’s Good,” in our main feed. Maya will recommend something good to read, listen to, and do. Today’s musical selections and soundscapes are by Maya Cunningham. The show was mixed and edited by Ravi Krishnaswami. The Harriet Tubman image was created by Maddie Haynes. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    45 mins
  • Hildegard Westerkamp: A Life in Soundscape Composition

    Hildegard Westerkamp: A Life in Soundscape Composition
    Feb 10 2025
    Today we speak to Hildegard Westerkamp, the pioneering composer, radio artist and sound ecologist. The centerpiece of all of her work is a close attention to the sonic environment and its relation to culture. We will listen to excerpts of six soundscape compositions made between 1975 and 2005, all of which reward the close listener–conceptually and aesthetically–with a deeper relationship to the sonic environment. Mack Hagood interviewed Westerkamp shortly after the death of R. Murray Schafer in late 2021. Westerkamp worked closely with Schafer in the early 1970s and she graciously agreed to talk about him despite the grief being fresh. They also discussed her own amazing career and that’s the part of the tape we are sharing in this episode. They talk about her formative years as a 20-something working with Schafer and his World Soundscape Project and then we jump into a number of her compositions, ending with the piece “Breaking News” from 2012. Incredibly, she said Mack was the first person to ever ask her about that piece, even though it is one of her favorites. And sure enough, not long after this interview she released a retrospective album on Earsay Music called Breaking News, which features that piece and a number of others created between 1988 and 2012. For our Patreon members we have the full, unedited interview for those who want to hear all her thoughts on R. Murray Schafer and her career. Join at Patreon.com/phantompower. And a quick correction: Hildegard wanted me to clarify that the sentence “When there is no sound, hearing is most alert,” which she uses in “Whisper Study,” is a quote from the Indian mystic Kirphal Singh in his book Naam (or Word). Pieces featured in this episode: “Gently Penetrating beneath the Sounding Surfaces of Another Place” (1997) “Whisper Study” (1975) “Fantasie for Horns” (1978) “A Walk through the City” (1981) “Für Dich – For You” (2005) “Breaking News” (2002) Today’s show was written and edited by Mack Hagood. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    44 mins
  • Carola Lorea and Rosalind Hackett, "Religious Sounds Beyond the Global North: Senses, Media and Power" (Amsterdam UP, 2024)

    Carola Lorea and Rosalind Hackett, "Religious Sounds Beyond the Global North: Senses, Media and Power" (Amsterdam UP, 2024)
    Feb 9 2025
    What makes sounds “religious”? How are communities shaped by the things they hear, play, or listen to? This book foregrounds connections between sounds, bodies, and media in the private and public life of communities beyond the Global North, analyzing diverse configurations of the category of sound and various sonic ontologies to usher in a more inclusive global anthro-history of religious sounds. Religious Sounds Beyond the Global North (Amsterdam University Press, 2024) implements a “sonic turn” in the study of religion by engaging with a diversity of auditory, musical, and embodied practices. Dislodging the Global North as the main point of reference for studies on religious sound, in this volume editors Carola E. Lorea and Rosalind I. J. Hackett propose an acoustemology of the post-secular with an emphasis on Asia as method. Unsettling and expanding existing discussions on senses, media, and power, the editors present religious sounds as co-creating subjectivities and collectivities that coalesce around audible aesthetic formations, demonstrating that religious sounds are not only produced by certain religious traditions but also produce communities, shaping the self and sensitivity of those who participate. Carola E. Lorea is Assistant Professor of Rethinking Global Religion at the University of Tübingen. She worked as a research fellow at NUS Asia Research Institute, International Institute for Asian Studies, Gonda Foundation, and Südasien-Institut (Heidelberg). Her first monograph is Folklore, Religion and the Songs of a Bengali Madman (2016). Rosalind I. J. Hackett is Extraordinary Professor, Desmond Tutu Centre for Religion and Social Justice, University of the Western Cape, South Africa and Chancellor’s Professor Emerita and Professor Emerita of Religious Studies, University of Tennessee. She is Past President and Honorary Life Member, International Association for the History of Religions. Khadeeja Amenda is a PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/sound-studies
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    48 mins

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