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A leading light on the alternative and indie music scene for nearly 40 years, Jeff Tweedy is a master of the art in the artifice of songwriting. In this volume, Tweedy introduces listeners to the people, occasions, and frames of mind that have inspired but don’t necessarily populate the iconic songbooks of bands Wilco, Uncle Tupelo, and Tweedy.

There are few artistic acts more mysterious than writing a song. But what if a shift in perspective - and some practical guidance - could overcome that mystery? Anyone wanting to experience more creativity and mindfulness will be inspired to do just that after listening to How to Write One Song. Why one song? The difference between one song and many songs isn't a charming semantic trick - it's an important distinction that can simplify a notoriously confusing art form.

Through his pioneering work in the legendary country-punk band Uncle Tupelo, to his enduring legacy as the creative force behind the unclassifiable sound of Wilco, Jeff Tweedy has weaved his way between the underground and the mainstream - and back again. Funny, disarming and deeply honest, his memoir casts light on his unique creative process and the stories that shaped his life and career.

Following publication of Let's Go (So We Can Get Back) and How To Write One Song, both New York Times bestsellers that cemented and expanded his legacy as one of America's best-loved performers and songwriters, Jeff Tweedy is back with another disarming, beautiful, and inspiring book about why we listen to music, why we love songs, and how music can connect us to each other and to ourselves.

This is the never-before-told story of the musical revolution that happened right under the nose of the Reagan '80s - when a small but sprawling network of bands, labels, fanzines, radio stations, and other subversives reenergized American rock with punk rock's do-it-yourself credo and created music that was deeply personal, often brilliant, always challenging, and immensely influential. This sweeping chronicle of music, politics, drugs, fear, loathing, and faith has been recognized as an indie rock classic in its own right.