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Ulysses is regarded by many as the single most important novel of the 20th century. It tells the story of one day in Dublin, June 16th 1904, largely through the eyes of Stephen Dedalus (Joyce's alter ego from Portrait of the Artist as a Young Man) and Leopold Bloom, an advertising salesman. Both begin a normal day, and both set off on a journey around the streets of Dublin, which eventually brings them into contact with one another.

Finnegans Wake is the greatest challenge in 20th-century literature. Who is Humphrey Chimpden Earwicker? And what did he get up to in Phoenix Park? And what did Anna Livia Plurabelle have to say about it? In the rich nighttime and the language of dreams, here are history, anecdote, myth, folk tale and, above all, a wondrous sense of humor, colored by a clear sense of humanity. In this exceptional reading by the Irish actor Barry McGovern, with Marcella Riordan, the world of the Wake is more accessible than ever before.

Finnegans Wake, the greatest avant-garde novel of all time, was first published 70 years ago - and people are still trying to work out what it is about. There is Humphrey Chimpden Earwicker - aka HCE (Here Comes Everyone) - and Anna Livia Plurabelle, but also Finnegan the hod carrier (or was he a giant?), whose wake is the subject of the book. This is a masterly reading of the abridged version, with copious notes aiding comprehension.

Ulysses is regarded by many as the single most important novel of the 20th century. It tells the story of one day in Dublin, 16 June 1904, largely through the eyes of Stephen Dedalus (Joyce's alter ego from Portrait of the Artist as a Young Man) and Leopold Bloom, an advertising salesman. Both begin a normal day, and both set off on a journey around the streets of Dublin, which eventually brings them into contact with one another.

Real people Real StoriesFiguring out the Latter years of Life

Jack, standing among the war graves, sees a face he recognises. Suddenly, it’s 1914 again and he’s a young lad back in the trenches. Visions of killing and misery come to him with horrible clarity. But then Jack remembers, too, the incredible moment when the guns fell silent for a short time, and fighting gave way to football on the frozen ground of No-Man’s-Land. This amazing story shows that even in times of conflict and extreme sadness, there is always hope.

Though Ulysses is widely regarded as a "difficult" novel, this fresh and lively reading shows its comic genius as well as its great moments of poignance, making it more accessible than ever before.

Ulysses is regarded by many as the single most important novel of the 20th century. It tells the story of one day in Dublin, 16 June 1904, largely through the eyes of Stephen Dedalus (Joyce's alter ego from Portrait of the Artist as a Young Man) and Leopold Bloom, an advertising salesman. Both begin a normal day, and both set off on a journey around the streets of Dublin, which eventually brings them into contact with one another.

Ulysses is regarded by many as the single most important novel of the 20th century. It tells the story of one day in Dublin, 16 June 1904, largely through the eyes of Stephen Dedalus (Joyce's alter ego from Portrait of the Artist as a Young Man) and Leopold Bloom, an advertising salesman. Both begin a normal day, and both set off on a journey around the streets of Dublin, which eventually brings them into contact with one another.

Molly Bloom’s soliloquy, the remarkable climactic conclusion to Ulysses, remains, nearly a century after its first publication, one of the most remarkable chapters in world literature. It is night, the end of a long day (16 June 1904) for Leopold Bloom’s wife, Molly. She lies in bed, muses on the events of the day, her life with her husband, her affair with Blazes Boylan, and drifts towards sleep.

A BBC Radio 4 comedy drama starring James Alexandrou (Martin Fowler, 'EastEnders'), originally broadcast as the 'Afternoon Play' on 7 December 2010. Giant. Upstairs. Ten quid a look. A touchingly real and comically disingenuous story about the awkwardness of being misshapen, and the misery of not fitting in.