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Both a portrait of a love triangle - between Tietjens, his beautiful and reckless wife, Sylvia, and the suffragette Valentine - and a depiction of life on the Western Front, Parade's End is one of the greatest fictional works of the 20th century. Ranging from the drawing rooms of England to the trenches of France, and moving between past and present, it is a haunting exploration of identity, loss and memory.

Ford Madox Ford's Parade's End tetralogy, written in the aftermath of World War I, was originally published in four parts in the 1920s: Some Do Not…; No More Parades; A Man Could Stand Up —; and Last Post. Highlighting the tension between traditional values and a rapidly changing social order in a world embroiled in war, the story details Tietjens' turmoils in both his personal life and on the warfront—and what follows when some of those struggles become one and the same.

The first volume of Parade's End introduces the central characters: Christopher Tietjens, a brilliant, unconventional mathematician; his dazzling but unfaithful wife Sylvia; and the young Suffragette Valentine Wannop. It starts with the cataclysmic meeting of Tietjens and Valentine: a weekend whose violence prefigures the coming war.

What does it mean to be "just good people?" That is how the two couples—one British and one American—in this story are described. But what happens when you look deeper, peeling back the layers of politeness and civility? It is a tale of love, of disappointment, of miscommunication, and missed opportunities.

This is the second novel in the series of four, depicting the meeting, courtship and ultimate fulfilment of two modern heroes, Christopher Tietjens and Valentine Wannop, despite social condemnation, personal travails and World War I.

The Last Post, the fourth and final volume of Parade's End, is set on a single post-war summer's day. Valentine Wannop and Christopher Tietjens share a cottage in Sussex with Tietjens' brother and sister-in-law. Through their differing perspectives, Ford explores the tensions between his characters in a changing world, haunted by the experience of war, facing an insecure future for themselves and for England.

A Man Could Stand Up, the third volume of Parade's End, brings Ford's characters to the 'crack across the table of History', across which lie their uncertain post-war futures. Divided into three parts, the novel is a kaleidoscopic vision of a society at climactic moment.

Handsome, wealthy, and a veteran of service in India, Captain Edward Ashburnham appears to be the ideal "good soldier" and the embodiment of English upper-class virtues. But for his creator, Ford Madox Ford, he also represents the corruption at society's core. Beneath Ashburnham's charming, polished exterior lurks a soul well-versed in the arts of deception, hypocrisy, and betrayal.

This diverse, wide-ranging anthology features readings of 10 of the greatest books in the English language, taken from the BBC's Book at Bedtime and performed by a stellar cast of narrators. Here are nearly 27 hours of sensational stories, from iconic romances and humorous travelogues to pioneering Modernist masterpieces and compelling explorations of the human heart. Comprising much-loved favourites as well as neglected classics, this genre-spanning selection has something for everyone.

The Dowells, a wealthy American couple, have been close friends with the Ashburnhams for years. Edward Ashburnham, a first-rate soldier, seems to be the perfect English gentleman and Leonora his perfect wife, but beneath the surface their marriage seethes with unhappiness and deception. Our only window on the strange tangle of events surrounding Edward is provided by John Dowell, the husband he deceives. Gradually Dowell unfolds a devastating story, in which everyone's honesty is in doubt.

No More Parades is the second of four in Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The novel follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Highlighting the tension between traditional values and the new reality of a world marred by war, the novel details Tietjens' turmoils in both his personal life and on the warfront—and what follows when those struggles become one and the same.

The Parade's End tetralogy privileges not the conflict of World War I itself, but the impact the war had on its participants and upon society writ large. It is often referred to as one of the greatest 20th century novels, and one of the best depictions of war in literature.

The Fifth Queen is Ford Maddox Ford’s masterful trilogy of historical fiction centered on Katharine Howard, a young girl of a proud, noble, and impoverished family who catches the jaded eye of Henry VIII and becomes his controversial fifth Queen.

Last Post is the fourth and final installment of Ford Madox Ford's Parade's End tetralogy, a work that Ford hoped would contribute to the obviating of all future wars. The story follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his wife, Sylvia; and his mistress, Valentine Wannop.

A Man Could Stand Up—is the third of four installments in Ford Madox Ford's Parade's End tetralogy, which follows Christopher Tietjens, a wealthy British landowner and the last British Tory; his unfaithful wife, Sylvia; and his mistress, Valentine Wannop. Opening on Armistice Day (November 11, 1918), A Man Could Stand Up—serves as the climax of the series. Highlighting the tension between traditional values and a rapidly changing social order, the novel details Christopher and Valentine's trials as the post-war world takes shape around them.

Igennem ni år har det amerikanske ægtepar John og Florence tilbragt deres somre på et mondænt kursted i den tyske by Nauheim. Det samme er tilfældet for det engelske par Edward og Leonora. Et venskab er spiret frem mellem ægteparrene i en verden styret af etikette og pli. Ren idyl, tilsyneladende, men krusninger begynder snart at vise sig på den ellers så verdslige overflade.

Two couples, two marriages; both seemingly perfect, both falling apart. Beneath the surface gentility of the American John Dowell with his wife Florence and the landed grace of Edward and Leonora lie fictions and deceit. There are secret desires, hidden power-games, suicides and madness. Everyone is hiding something; even the narrator can’t be trusted. Brilliantly inventive, tragic and ironic, The Good Soldier is one of the great novels of the 20th century.

The Good Soldier is a story about the complex social and sexual relationships between two couples - one English, one American - and the growing awareness of American narrator John Dowell of the intrigues and passions behind their orderly Edwardian façade. It is Dowell’s attitude - his puzzlement, uncertainty, and the seemingly haphazard manner of his narration - that makes the book so powerful and mysterious. In Ford’s brilliantly woven tale, nothing is quite what it seems.

The tragic story of two couples, one American and one English, traveling together through Europe for an extended amount of time told by a seemingly unreliable narrator John Dowell.