Victorian Medicine

In The Butchering Art, historian Lindsey Fitzharris re-creates a critical turning point in the history of medicine, when Joseph Lister transformed surgery from a brutal, harrowing practice to the safe, vaunted profession we know today.

Victorian operating theatres were known as 'gateways of death', Fitzharris reminds us, since half of those who underwent surgery didn't survive the experience. This was an era when a broken leg could lead to amputation, and surgeons were still known to ransack cemeteries to find cadavers.

CSI Told You Lies is a surprisingly moving account of the real forensic pathologists at the frontline of Australia's major crime and disaster investigations. These are the men and women whose post-mortem examinations help the dead to speak. Along with the pathologists, Meshel Laurie, host of the Australian True Crime podcast, also speaks to the homicide detectives, defence barristers and victims' families in this groundbreaking study of the ripple effect of violent crime and largescale natural disaster.

Em Medicina dos horrores, a historiadora Lindsey Fitzharris narra como era o chocante mundo da cirurgia do século XIX, que estava às vésperas de uma profunda transformação. A autora evoca os primeiros anfiteatros de operações—lugares abafados onde os procedimentos eram feitos diante de plateias lotadas—e cirurgiões pioneiros, cujo ofício era saudado não pela precisão, mas pela velocidade e pela força bruta, uma vez que não havia anestesia. Não à toa, os mais célebres cirurgiões da época eram capazes de amputar uma perna em menos de trinta segundos.

Medicine in the early 1800s was a brutal business. Operations were performed without anaesthesia while conventional treatment relied on leeches, cupping and toxic potions. It was said of one surgeon, 'His surgical acquirements were very small, his operations generally very badly performed and accompanied with much bungling, if not worse.' It was lucky, for the doctor at least, that his deafness made him immune to his patients' dying groans. Into this milieu came John Elliotson, the dazzling new hope of the medical world.

The Cancer Problem offers the first medical, cultural, and social history of cancer in 19th-century Britain. It argues that it was in the 19th century that cancer acquired the unique emotional, symbolic, and politicized status it maintains today. Through an interrogation of the construction, deployment, and emotional consequences of the disease's incurability, this book reframes our conceptualization of the relationship between medicine and modern life and reshapes our understanding of chronic and incurable maladies, both past and present.