Shakespeare Elizabethan

Britain's most esteemed scholar of 16th and 17th century literature, Frank Kermode is also a noted author and professor. In this Modern Library Chronicle, he uses the context of the Elizabethan Era to link each of Shakespeare's plays to their probable years of creation. By portraying the bard's England in terms of its society, economy, and arts, Kermode provides an invaluable guide to understanding Shakespeare?s works.

The Life of the Author: William Shakespeare delivers a fresh and exciting new take on the life of William Shakespeare, offering listeners a biography that brings to the foreground his working life as a poet, playwright, and actor. It also explores the nature of his relationships with his friends, colleagues, and family and asks important questions about the stories we tell about Shakespeare based on the evidence we actually have about the man himself.

Jack and Annie are whisked back to Elizabethan England where they meet the Bard of Avon himself, William Shakespeare, and luckily for them, he is desperate for two small actors for his latest play! An exciting adventure and a wonderful introduction to Shakespeare.

In England in the Age of Shakespeare, Jeremy Black takes readers on a tour of life in the streets, homes, farms, churches, and palaces of the Bard’s era. Panning from play to audience and back again, Black shows how Shakespeare's plays would have been experienced and interpreted by those who paid to see them. From the dangers of travel to the indignities of everyday life in teeming London, Black explores the jokes, political and economic references, and small asides that Shakespeare’s audiences would have recognized.

William Shakespeare found dozens of different ways to kill off his characters, and audiences today still enjoy the same reactions - shock, sadness, fear - that they did more than 400 years ago when these plays were first performed. But how realistic are these deaths, and did Shakespeare have the knowledge to back them up? Kathryn Harkup turns her discerning scientific eye to the Bard and the varied and creative ways his characters die.

Part literary mystery, part an examination of what constitutes fiction versus reality, "Ghostwriter" is based on the true story of author Lawrence Wells, then 45, hired by the University of Mississippi in 1987 to ghostwrite a novel for a wealthy, eccentric donor (“Mrs. F,” then 75), who was convinced that Edward de Vere, 17th Earl of Oxford, was William Shakespeare.

These remarkable letters represent a wealth of as-yet-undiscovered knowledge about Shakespeare's relationships, personality, and career as he carved out his place in the chaotic world of 16th-century London. Whether you are a Shakespeare scholar, merely a fan, or even if you have never read any of his works, the stories of the The Lost Letters will enthrall you with their fascinating and true tale.

To Each Their Own is a modern-writ comedy in the style of the Theatre of Elizabeth the First, written with a scholar's research and a modern Shakespearean actor's wit. It includes many of the elements we are used to seeing in Shakespeare (sassy servants, pompous Noblemen, love-at-first-sight, shipwrecks, magic, fights, sacrifice, and slapstick) and language that conveys much more than single emotions.