Renaissance Italy Fiction

A secret affair. A disfiguring punishment. A burning need for revenge. Kyrra d'Aliente has a bad reputation and an arm made of metal. Cast out of the safe and luxurious world of silk to which she was born, played as a pawn in a game of feuding Houses, Kyrra navigates a dangerous world of mercenaries, spies, and smugglers while disguising herself as a man. War destroyed her family and the man she loved. Vengeance is within her grasp. But is she willing to pay its price?

In Navola, a city-state dominated by a handful of influential families, business is power, and power is everything. For generations, the di Regulai family—merchant bankers with a vast empire—has nurtured tendrils that stretch to the farthest reaches of the known world. And though they claim not to be political, their wealth has bought cities and toppled kingdoms. Soon, Davico di Regulai will be expected to take the reins of power from his father and demonstrate his mastery of the games of Navolese diplomacy. But in Navola, strange and ancient undercurrents lurk behind the gilt and grandeur.

Giulia Tofana longs for more responsibility in her mother’s apothecary business, but Mamma has always been secretive and refuses to tell her the hidden keys to her success. But the day Mamma is arrested for the poisoning of the powerful Duke de Verdi, Giulia is shocked to uncover the darker side of her trade. Giulia must run for her life and escapes to Naples, under the shadow of Mount Vesuvius, to the home of her aunt Isabetta, a famous courtesan.

A secret diary. A forbidden love. A centuries-old mystery to solve. When a rare 16th-century manuscript lands on her desk, courtesy of William, a struggling painter, shy book restorer Rose makes a startling discovery: it is a palimpsest. Beneath the text is a different document, one that's been written over. What they discover is the secret diary of William's ancestor Giovanni Lomazzo, a Venetian painter who has just been commissioned by Venice's most powerful admiral to paint a portrait of his favourite courtesan....

Rome, 1659. Months after the plague has ravaged Rome, men are still dying in unnatural numbers, and rumour has it that their corpses do not decay as they should. The Papal authorities commission prosecutor Stefano Bracchi to investigate, telling him he will need considerable mettle to reach the truth. To the west of the Tiber, Girolama and her female friends are at work, helping other women with childbirths and foretelling their futures. Elsewhere in the city, a young wife, Anna, must find a way to escape her abusive husband. But in a city made by men for men, there are no easy paths out.

Verona, Italy. Seventeen-year-old aspiring artist Romeo dreams of a quiet life with someone who loves him just as he is. But as the heir to the Montague family, he is expected to give up his "womanly" artistic pursuits and uphold the family honor—particularly in their centuries-old blood feud with a rival family, the Capulets. Worse still, he is also expected to marry a well-bred girl approved by his parents and produce heirs. But the more Romeo is forced to mingle with eligible maidens, the harder it is to keep his deepest secret: He only feels attracted to other boys.

Mia Caiozzi is determined to discover her destiny by studying the science of astronomy. But her stepmother Giulia forbids her to engage in this dangerous occupation, fearing it will lead her into trouble. The ideas of Galileo are banned by the Inquisition, so Mia must study in secret.

This is a performance of the very first English translation of Niccolo Machiavelli's The Prince. This translation, published by Edward Dacres, first appeared in 1640. Machiavelli's original Italian edition was printed in 1532, five years after his death. Due to the evil associated with Machiavelli's book, it took 108 years for The Prince to be published in the English language.