Modern Dance

Daniel Pell is a contemporary Charles Manson. A petty criminal with a history of anti-social behaviour, he had a group of women living with him in a quasi cult in central California. Eight years ago, he and another man viciously slaughtered a family for no apparent reason, though the three women in his "family" were absolved of any part in the deaths. Now, present day, Pell has escaped and interrogator and analyst Kathryn Dance must find out where he is and why he's staying near the prison he escaped from.

Modern dance was a movement that began at the turn of the 20th century when American dancers Loie Fuller, Isadora Duncan, and Ruth St. Denis broke from formal dance traditions with their own personal vision of movement. Soon, their visions evolved through Martha Graham, Doris Humphrey, and Charles Weidman, who would all go on to teach their methods and present modern dance as a serious art form.

Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

Anthony Powell's universally acclaimed epic encompasses a four-volume panorama of twentieth century London. Hailed by Time as "brilliant literary comedy as well as a brilliant sketch of the times," A Dance to the Music of Time opens just after World War I. Amid the fever of the 1920s and the first chill of the 1930s, Nick Jenkins and his friends confront sex, society, business, and art.

In Matt Scudder's mind, money, power, and position elevate nobody above morality or the law. Now the ex-cop and unlicensed PI has been hired to prove that socialite Richard Thurman orchestrated the brutal murder of his beautiful, pregnant wife. During Scudder's hard-drinking years, he left a piece of his soul on every seedy corner of the Big Apple. But this case is more depraved and more potentially devastating than anything he experienced while floundering in the urban depths.

Former Seattle homicide cop J. P. Beaumont is learning to enjoy the new realities of retirement - doing morning crossword puzzles by a roaring fireplace; playing Frisbee with his new dog; having quiet lunches with his still-working wife. But then his past comes calling.

From the illicit reggae blues dances and acid-rock free festivals of the 1970s, through the ecstasy-fuelled Second Summer of Love in 1988, to the increasingly corporate dance music culture of the post-Covid era, Party Lines is a groundbreaking new history of UK dance music, exploring its pivotal role in the social, political and economic shifts on which modern Britain has been built.

In 1930, dancer and choreographer Martha Graham proclaimed the arrival of "dance as an art of and from America". Dancers such as Doris Humphrey, Ted Shawn, Katherine Dunham, and Helen Tamiris joined Graham in creating a new form of dance, and, like other modernists, they experimented with and argued over their aesthetic innovations, to which they assigned great meaning.Their innovations, however, went beyond aesthetics.

Former anti-gang police unit star Loïc Le Goënec has had a chip on his shoulder ever since he was mysteriously kicked off the force. But when detectives uncover a vile ring of sexual deviance with ties to a city official, the commissioner calls his brilliant but rough-edged protégé back into action.

On the run with the only piece of evidence to his sister’s murder, Chase Bishop heads to the strange town of Dark Hollow Lake, Tennessee, to track down the killer. What Chase discovers isn’t what he expects, and at every dark turn, the truth is even more twisted than the killer’s mind. Nearly running Chase over, Melinda Bradley’s guilt has her helping him search for his sister’s killer and uncover a bigger conspiracy in her hometown.

Bob Fosse is recognized as one of the most significant figures in post-World War II American musical theater. With his first Broadway musical, The Pajama Game, in 1954, the "Fosse style" was already fully developed, with its trademark hunched shoulders, turned-in stance, and stuttering, staccato jazz movements. Fosse moved decisively into the role of director with Redhead in 1959 and was a key figure in the rise of the director-choreographer in the Broadway musical.