Literary Memoir

Mary Jumbelic has been obsessed with death since the loss of her father when she was 13. The sudden departure of her dad, the mother left behind, and her position as an only child led her to grow up quickly. Yet the why and how of her father's death plagued her. She chose to view an autopsy at the age of 15 and discovered a science that explained the process. College, medical school and becoming a forensic pathologist wasn't a given. She struggled before ultimately deciding on a career as a medical examiner.

It is not often that an author and his editor strike up a relationship which survives forty years of epistolary exchanges and intellectual sparring. The strangely enduring and occasionally fractious friendship which developed between the famously outspoken historian Ramachandra Guha and his reticent editor Rukun Advani is the subject of this quite eccentric and thoroughly compelling literary memoir.

First published in 1875, General William T. Sherman's memoir was one of the first from the Civil War and was offered to the public because, as Sherman wrote in his dedication, "no satisfactory history" of the war was yet available. Although Memoirs has been revised and corrected many times over the years, Sherman famously never changed the original text of his recollections.

With deftness and skill, journalist Lili Anolik uses Babitz, Babitz's brilliance of observation, Babitz's incisive intelligence and, most of all, Babitz's diary-like letters, as the key to unlocking Didion. Franklin Avenue was the making of one great American writer: Joan Didion, a mystery behind her dark glasses and cool expression, her marriage to John Gregory Dunne as tortured as it was enduring. It was also the breaking and then the remaking - and thus the true making - of another great American writer: Eve Babitz.

Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers' experience, The Art of Memoir lays bare Karr's own process. (Plus all those inside stories about how she dealt with family and friends get told - and the dark spaces in her own skull probed in depth.)

'Any story that starts will also end.' As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth as she explores family, friendship, marriage, failure, success and what it all means. Ranging from the personal to the sublime, each essay transforms the particular into the universal, letting us all see our own worlds anew.

Machado de Assis’ classic novel, the precursor of Latin American fiction, is finally rendered as a stunningly relevant work for 21st-century audiences. In eloquent, contemporary prose, Costa and Patterson breathe new life into the dynamic character of Brás Cubas and reveal the vivid, tempestuous Rio de Janeiro of his time. The recently deceased Cubas narrates his life story, admitting glibly: “I am not so much a writer who has died, as a dead man who has decided to write.”

In this original and trenchant work, Christina Sharpe interrogates literary, visual, cinematic, and quotidian representations of Black life that comprise what she calls the "orthography of the wake". Activating multiple registers of "wake" - the path behind a ship, keeping watch with the dead, coming to consciousness - Sharpe illustrates how Black lives are swept up and animated by the afterlives of slavery, and she delineates what survives despite such insistent violence and negation.

'There are certain women,' Truman Capote wrote, 'who, though perhaps not born rich, are born to be rich.' These women captivated and enchanted Capote - he befriended them, received their deepest confidences, and ingratiated himself into their lives. From Barbara 'Babe' Paley to Lee Radziwill (Jackie Kennedy's sister) they were the toast of mid-century New York, each beautiful and distinguished in her own way. For years, Capote had been trying to write what he believed would be his magnum opus, Answered Prayers.

In Arthur Golden's poised and beautifully written debut novel, Sayuri tells the extraordinary tale of her life, evoking a quarter of a century of Japan's dramatic history, 1929 through to the post-war years.

Inspired by a true story. In 1825, in a remote Irish valley lying between the mountains and Flesk River of Killarney, three women are brought together by strange and troubling events. Nora Leahy, a widow, has lost her daughter and her husband in the same year and is now burdened with the care of her grandson, Michael. The boy cannot walk or speak, and Nora has kept him hidden from neighbours, who might see in his deformity evidence of supernatural interference.

After Unreliable Memoirs, Falling Towards England, and May Week Was in June comes the next instalment in the ongoing saga that is Clive James's life. His fourth volume of autobiography is every bit as eventful, entertaining, engrossing, and honest as the previous three.

Former bookseller, longtime publisher, and author Jon M. Sweeney shows—with history and anecdotes centering around books such as Thoreau's Journal, Tagore's Gitanjali, Martin Buber's Hasidic Tales, and Tolstoy's Twenty-three Tales—what it means to be carried by a book. He explores the discovery that once accompanied finding books, and books finding us. He ponders the smell of an old volume, its heft, and why bibliophiles carry them around even without reading them. He demonstrates how and why there is magic and enchantment that takes place between people and books.

Trying to Save Piggy Sneed contains a dozen short works by John Irving, beginning with three memoirs, including an account of Mr. Irving’s dinner with President Ronald Reagan at the White House. The longest of the memoirs, The Imaginary Girlfriend,” is the core of this collection.

In Las Vegas to cover a motorcycle race, Raoul Duke (Thompson) and his attorney Dr. Gonzo (inspired by a friend of Thompson) are quickly diverted to search for the American dream. Their quest is fueled by nearly every drug imaginable and quickly becomes a surreal experience that blurs the line between reality and fantasy. But there is more to this hilarious tale than reckless behavior, for underneath the hallucinogenic facade is a stinging criticism of American greed and consumerism.

Patrick Radden Keefe’s work has garnered prizes ranging from the National Magazine Award and the National Book Critics Circle Award in the US to the Orwell Prize in the UK for his meticulously reported, hypnotically engaging work on the many ways people behave badly. Rogues brings together a dozen of his most celebrated articles from The New Yorker.

Oscar Wilde's life – like his wit – was alive with paradox. He was both an early exponent and a victim of 'celebrity culture': famous for being famous, he was lauded and ridiculed in equal measure. His achievements were frequently downplayed, his successes resented. He had a genius for comedy but strove to write tragedies. Matthew Sturgis draws on a wealth of new material and fresh research, bringing alive the distinctive mood and characters of the fin de siècle in the richest and most compelling portrait of Oscar Wilde to date.

Norman Mailer's Pulitzer Prize-winning and unforgettable classic about convicted killer Gary Gilmore now in audio. Arguably the greatest book from America's most heroically ambitious writer, The Executioner's Song follows the short, blighted life of Gary Gilmore who became famous after he robbed two men in 1976 and killed them in cold blood. After being tried and convicted, he immediately insisted on being executed for his crime. To do so, he fought a system that seemed intent on keeping him alive long after it had sentenced him to death.

In Russian literary marriages, the wives of some of the most famous authors of all time did not resent taking a "secondary position", although to call their position secondary does not do justice to the vital role these women played in the creation of some of the greatest literary works in history. Living under restrictive regimes, many of these women battled censorship and preserved the writers' illicit archives, often risking their own lives to do so. They established a tradition all their own, unmatched in the West.

In The Position of Spoons, Deborah Levy invites the listener into the interiors of her world, sharing her most intimate thoughts and experiences, as she traces and measures her life against the backdrop of the literary and artistic muses that have shaped her. From Marguerite Duras to Colette and Ballard, and from Lee Miller to Francesca Woodman and Paula Rego, we can relish here the richness of their work and, in turn the richness of the author’s own.