Kids Theatre

In 2004, in a small, windowless theater in then-desolate Williamsburg, Brooklyn, an eccentric family of broke art-school survivors staged an experimental, four-hour adaptation of William Faulkner’s novel As I Lay Dying inside an enormous wooden coffin that could barely fit the cast, much less an audience. The production’s cast and crew—including its sweetly monomaniacal director—poured their hearts and paychecks into a messy spectacle doomed to fail by any conventional measure. It ran for only eight performances.

Before he was producing the musical hits of our generation, Jeffrey was just a kid coming to terms with his adoption, trying to understand his sexuality, and determined to escape his dysfunctional household in a poor neighborhood just outside Detroit. We see him find his voice through musical theater and move to New York, where he is determined to shed his past and make a name for himself on Broadway. But moving to the big city is never easy—especially not at the height of the HIV/AIDS crisis—and Jeffrey learns to survive and thrive in the colorful and cutthroat world of commercial theatre.

The mythical legends and historical allure of the old west come galloping onward with The Old West Collection: Amazing Legends and Incredible Tales of the American West. This thundering audio compendium celebrates the epic events of America's frontier, whether rediscovering the California gold rush at Sutter's Mill in '49 or recreating the outsize personalities of John Jacob Astor to Belle Starr and Billy the Kid. From racing on horseback for Oklahoma land in '89 to Dodge and Last Chance Gulch.

Tombstone was one of the most colorful towns in the old west. Here’s the story of the OK Corral gunfight, the Crystal Palace and the Bird Cage Theater, the Earps and Doc Holiday, the ladies of the evening and the men and women who made Tombstone what it was…the town too tough to die.

'Romance in the Roaring Forties' & 'The Lemon Drop Kid' from from The Damon Runyon Theatre Hour. Damon Runyon is acknowledged as one of the great writers to come out of 20th-century America. Runyon's short stories are almost always told in the first person by a narrator who is never named and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; he’s a bystander, an observer, an average street-corner Joe.