Japanese Short Story Anthology

In this collection of classic ghost stories from Japan, beautiful princesses turn out to be frogs, paintings come alive, deadly spectral brides haunt the living and a samurai delivers the baby of a Shinto goddess with mystical help. Here are all the phantoms and ghouls of Japanese folklore: 'rokuro-kubi', whose heads separate from their bodies at night; 'jikininki', or flesh-eating goblins; and terrifying faceless 'mujina' who haunt lonely neighbourhoods.

At turns nonchalantly hip and charmingly deranged, Suzuki's singular slant on speculative fiction would be echoed in countless later works, from Margaret Atwood and Harumi Murakami, to Black Mirror and Ex Machina. In these darkly playful and punky stories, the fantastical elements are always earthed by the universal pettiness of strife between the sexes, and the gritty reality of life on the lower rungs, whatever planet that ladder might be on.

From the unique standpoint of an American woman who married into a Japanese family and has lived in Japan for more than 30 years, Rebecca Otowa weaves enchanting tales of her adopted home that portray the perspective of both the Japanese and the foreigner on the universal issues that face us all - love, work, marriage, death, and family conflict.

Originally published in 1922 and translated by Takashi Kojima, this classic short story was the inspiration for Akira Kurosawa's 1950 film Rashomon, about the murder of a samurai. Told from the perspective of multiple witnesses.

A new collection of stories from the cult author of Terminal Boredom: A philandering husband receives a bestial punishment from a wife with her own secrets to keep; a music lover finds herself in a timeline both familiar and as wrong as can be; idle high school students find adventure in another dimension but aren't all that impressed; a misfit band of space pirates discover a mysterious baby among the stars; Emma, the Bovary-like character from one of Suzuki's stories in Terminal Boredom, lands herself in a bizarre romantic pickle.

Patrick Lafcadio Hearn, was an Irish writer known also by the Japanese name Koizumi Yakumo. His book Kwaidan: Stories and Studies of Strange Things, comprises two parts, the first being the "Kwaidan Proper" and the second, "Insect-Studies", which consists of an essay each on ants, butterflies and mosquitos. According to the author, most of the folk tales and ghost stories in the first part were translated from old Japanese texts. The themes encompass resurrection, sacrifice, magic, and the realm of dreams.

人生はあっという間と言うけれど、走馬灯に映し出される色とりどりの絵のごとく、たくさんの喜怒哀楽があり、これまで生きてきた年月は、実は長いのだと、このエッセイは教えてくれる。

Based on Japanese literature and foldlore, Kwaidan contains 17 stories. The story of Loichi, the blind biwa player who was called to perform for the dead; of Muso, the journeying priest who encountered a man eating goblin; of the samurai who outwitted the ghost of a dead man. All these plus 14 other spooly tales are included in this collection.

Ocho escenas de Tokio reúne, por primera vez en castellano, nueve relatos de uno de los escritores con más talento de la literatura nipona del siglo XX.

'The Two Frogs' is the story of two amphibians who live in different cities in Japan. Each desires to see the world, so each sets out on a journey towards the other's home city. When they meet at the top of a mountain, the two frogs make friends and devise a plan to work out whether their journey is worthwhile - with unintended consequences.

Mimei Ogawa, a prolific author of short stories nearly 100 years ago, is considered to be one of the founding figures of modern Japanese children’s literature. He has also been called the Hans Christian Andersen of Japan because of how his works were influenced by Andersen. This collection contains a fresh, modern translation of one of Mimei Ogawa’s most famous works, "The Mermaid and the Red Candles", as well as several other stories that have never been translated and published in English before.

池澤春菜、初の小説集を本人が朗読！遠い未来のスペースコロニーで、亡くなった叔母の弔いを巡る情景を描いた表題作のほか、商業媒体やウェブ媒体で発表した池澤春菜のＳＦ短篇を集成。

ポアロは巨額の財産をもつ老婦人から命の危険を訴える手紙を受け取った。が、それは一介の付き添い婦に財産を残すという問題のある遺言状を残して彼女が死んだ二カ月後のことだった。

おしゃれで、潔癖で、自負心が強く、小柄な体格で風変わりなベルギー人が、“灰色の脳細胞”を駆使して、次々と難事件を解決する…

奥多摩の、太古から神を祀ってきた霊山・御嶽山の上にある村。そこにある神官屋敷は浅田氏の実家である。彼が少年だったころ、美しい伯母から聞かされた怪談めいた夜語り。それは怖いけれど、美しくも哀しく、どれも引き込まれるものばかりだった。

Kenji Miyazawa (1896-1933) is one of Japan's most beloved writers and poets, known particularly for his sensitive and symbolist children's fiction. This volume collects stories which focus on Miyazawa's love of space and his use of the galaxy as a metaphor for the concepts of purity, self-sacrifice and faith which were near and dear to his heart.

В этот сборник вошли как принесшие Акутагаве мировую славу и автоматически ассоциирующиеся с его именем исторические рассказы и новеллы (включая легендарную "В чаще", послужившую основой для сценария бессмертного фильма "Расёмон" Куросавы), так и менее известные западному читателю, но почитающиеся на родине автора еще выше рассказы, действие которых происходит на фоне современной автору реальности Японии начала ХХ века, еще сохраняющей немало черт национального своеобразия, но жадно и стремительно "европеизирующейся".

Jonathan is attracted to the ornate mirror from the first moment he sees it in the antique shop where he works after school. But there is something wrong with the mirror, something evil - as Jonathan will discover after he accidentally gets a trace of his blood on its surface in this disturbing tale of terror.

この人を好きになってよかった――140字で綴られる、出会いと別れ、そして再会。（以下、本文『別れの挨拶』引用）「またね」それが彼とお決まりの挨拶だった。また次の機会にね、そんな意味を込めて。

Her name is Tamika and her story is like broken glass. Shards of glass can easily penetrate skin and tissue. Sex, lust, love, and hatred...a small town in Japan holds these secrets. An inspector, a mother, a father, a client, and a body that fell from nowhere...Sometimes there is no logic to life. Nine stories - or one tale?