Horror Culture

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

Audrey Rose Wadsworth and her partner-in-crime-investigation, Thomas Cresswell, are en route to New York to help solve another blood-soaked mystery. Embarking on a week-long voyage across the Atlantic on the opulent RMS Etruria, they're delighted to discover a traveling troupe of circus performers, fortune tellers, and a certain charismatic young escape artist entertaining the first-class passengers nightly. But then, privileged young women begin to go missing without explanation, and a series of brutal slayings shocks the entire ship.

In American Scary, noted cultural historian and Columbia professor Jeremy Dauber takes the listener to the startling origins of the horror genre in the United States, drawing a surprising through-line between the lingering influence of the European Gothic, the enslaved insurrection tales propagated by slaveholders, and the apocryphal chronicles of colonial settlers kidnapped by Native Americans, among many others.

In the shocking finale to the best-selling series that began with Stalking Jack the Ripper, Audrey Rose and Thomas are on the hunt for the depraved, elusive killer known as the White City Devil. A deadly game of cat-and-mouse has them fighting to stay one step ahead of the brilliant serial killer - or see their fateful romance cut short by unspeakable tragedy.

The award-winning and critically-acclaimed master of horror returns with a pair of chilling tales - both never-before-published in print or audio - that examine the violence and depravity of the human condition. Bringing together his acclaimed novella The Sea Dreams It Is the Sky and an all-new short novel My Heart Struck Sorrow, John Hornor Jacobs turns his fertile imagination to the evil that breeds within the human soul.

After the horrifying explosion that claimed one of their own, the Diviners find themselves wanted by the US government, and on the brink of war with the King of Crows. While Memphis and Isaiah run for their lives from the mysterious Shadow Men, Isaiah receives a startling vision of a girl, Sarah Beth Olson, who could shift the balance in their struggle for peace. Sarah Beth says she knows how to stop the King of Crows - but, she will need the Diviners' help to do it.

In Feeding the Monster, Anna Bogutskaya dispels this notion once and for all by examining how horror responds to and fuels our feelings of fear, anxiety, pain, hunger and power.

Willow is in need of an escape. A former sitcom star, she’s been publicly shamed on the internet after posting something she really shouldn’t have. She checks in to Camp Castaway, an adults-only retreat based at an old campground in the woods. It’s the first night and the campers gather round the fire to tell some ghost stories. That’s when Willow hears the tale of Knock Knock Nancy. A local urban legend about a witch, brutally beheaded in this very woodland. They say her restless spirit knocks on doors late at night. If you answer, she’ll take your head.

A ghostly witch named Bathsheba led the haunting of the Perron family, physically and psychologically tormenting them. This legendary ghost story eventually became the subject of the movie The Conjuring, and continued to haunt the Perron family for years to come.

Seth Grahame-Smith delivers the definitive, essential guide to making it through a horror movie in one piece. As hilarious as it is useful (if you’re trapped in a scary flick, that is), How to Survive a Horror Movie covers all the bases. Trapped in a haunted house? Check. Stalked by an evil doll? Check. Wandering aimlessly through the remains of the old world as a plague of zombies sweeps over the planet? Check.

My life had always been blissfully, wonderfully normal. But it only took one moment to change everything. Suddenly, my sister, Georgia, and I were orphans. We put our lives into storage and moved to Paris to live with my grandparents. And I knew my shattered heart, my shattered life, would never feel normal again. Then I met Vincent. Mysterious, sexy, and unnervingly charming, Vincent Delacroix appeared out of nowhere and swept me off my feet. Just like that, I was in danger of losing my heart all over again. But I was ready to let it happen.

In 17th-century Hungary, Anna Darvulia has just begun working as a scullery maid for the young and glamorous Countess Elizabeth Báthory. When Elizabeth takes a liking to Anna, she’s vaulted to the dream role of chambermaid, a far cry from the filthy servants’ quarters below. She receives wages generous enough to provide for her family, and the Countess begins to groom Anna as her friend and confidante. It’s not long before Anna falls completely under the Countess’s spell - and the Countess takes full advantage.

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The Second World War is regarded as one of the most brutal conflicts of the modern era. This book investigates what war can do to one's identity, character, and culture. The Imperial Japanese soldiers from New Guinea, Chichijima, and other Asia Pacific Islands ate the flesh of prisoners of war and slave laborers, sometimes stripping the meat from live men. Who is to blame? Cannibalism Culture: The Bushido Horror in World War II uncovers the hidden causes of horror in war.

At the end of Maureen Johnson's New York Times bestselling novel, The Madness Underneath, Rory, Callum and Boo are reeling from the sudden and tragic death of their friend and squad leader, Stephen. The Shadow Cabinet picks up where listeners left off, and now Rory is convinced there must be a way to bring Stephen back. Meanwhile, new dangers arise: Rory's classmate Charlotte is missing, and Jane and her nefarious organization are clearly planning something big.

In the early 20th century, World War I was the most devastating event humanity had yet experienced. New machines of war left tens of millions killed or wounded in the most grotesque of ways. The Great War remade the world's map, created new global powers, and brought forth some of the biggest problems still facing us today. But it also birthed a new art form: the horror film, made from the fears of a generation ruined by war. From Nosferatu to Frankenstein's monster and the Wolf Man, the touchstones of horror can all trace their roots to the bloodshed of the First World War.

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The real monsters are men. London 1888, and Jack the Ripper is terrorizing the people of the city. Evelyn, a young woman disfigured by her dangerous work in a matchstick factory, with nowhere to go, does not know what to make of her new position as a maid to the Elephant Man in London Hospital. Evelyn wanted to be locked away from the world like he is, shut away from the filth and dangers of the streets. But in Joseph Merrick, the Elephant Man, she finds a gentle kindred who does not recoil from her and who understands her pain.

Washington Irving was an American author of the early 19th century. He is best known for his short stories, with his two most famous being "The Legend of Sleepy Hollow" and "Rip van Winkle".