Essay Film

The one and only Zadie Smith, prize-winning, best-selling author of White Teeth, is back with a second unmissable collection of essays. No subject is too fringe or too mainstream for the unstoppable Zadie Smith. From social media to the environment, from Jay-Z to Karl Ove Knausgaard, she has boundless curiosity and the boundless wit to match. In Feel Free, pop culture, high culture, social change and political debate all get the Zadie Smith treatment, dissected with razor-sharp intellect.

Karan Johar is synonymous with success, panache, quick wit, and outspokenness, which sometimes inadvertently creates controversy and makes headlines. KJo, as he is popularly called, has been a much-loved Bollywood film director, producer, actor, and discoverer of new talent. But who is the man behind the icon we all know? Honest, heart-warming and insightful, An Unsuitable Boy is both the story of the life of an exceptional filmmaker at the peak of his powers and of an equally extraordinary human being who shows you how to survive and succeed in life.

Bestselling true-crime master Harold Schechter explores the real-life headline-making psychos, serial murderers, thrill-hungry couples, and lady-killers who inspired a century of classic films.

When Dave Hickey was 12, he rode the surfer's dream: the perfect wave. And, like so many things in life we long for, it didn't quite turn out - he shot the pier and dashed himself against the rocks of Sunset Cliffs in Ocean Beach, which just about killed him. Fortunately, for Hickey and for us, he survived, and continues to battle, decades into a career as one of America's foremost critical iconoclasts, a trusted, even cherished no-nonsense voice commenting on the all-too-often nonsensical worlds of art and culture.

Everyone’s a critic, especially in the digital age—but no one takes on the movies like multiple award-winning author Harlan Ellison. Renowned both for fiction (A Boy and His Dog) and pop-culture commentary (The Glass Teat), Ellison offers in this collection twenty-five years’ worth of essays and film criticism.

A welcome surprise: more than 50 prose pieces, gathered together for the first time, by one of America's most revered and admired novelists and short-story writers, whose articles, essays, and cultural commentary - appearing in the New York Review of Books, the New York Times Book Review, The New Yorker, The Atlantic, The Guardian, Harper's Magazine, and elsewhere - have been parsing the political, artistic, and media idiom for the last three decades.

This eBook contains two essays on film: "On Viewing Hans Richter's Rhythmus 21": the search for cinematic meaning in one of the most famous early German avant-garde films. "The Perfect Filmic Appositiveness of Jack Smith": impressions of the films of one of cinema's most eccentric auteurs.

How do you become a television writer? What does it take to create your own show? Did the writers of Lost really have a plan, or were they making it all up as they went? In a career spanning far longer than he cares to admit, Javier Grillo-Marxuach has not only written for some of your favorite (and not-so-favorite) shows.

Mittels ihrer Religion richten Menschen ihr Leben an Konzepten eines "sinngebenden Ganzen" aus. Diese in sehr langen Traditionen entstandenen Welterklärungen und Anleitungen zur Lebensbewältigung werden in der westlichen Welt aufgrund christlicher und humanistischer Traditionen häufig mit der Kurzformel "Glaube" zusammengefasst...

Kałużyński – z wykształcenia reżyser (wychowanek Leona Schillera), z zawodu krytyk filmowy i publicysta, humanista o lewicowych poglądach. Przez prawie całe swoje zawodowe życie związany był z tygodnikiem „Polityka”, w którym pisał bez ceregieli o filmach – tak mocno, że trzęśli przed nim portkami rodzimi twórcy. Był jedną z pierwszych wielkich gwiazd polskiej telewizji, dzięki niepoddawaniu się regułom, posługiwaniu się soczystym, barwnym i własnym językiem a także wszechstronnej wiedzy.

Hollywood vs. The Author is a collection of non-fiction anecdotes by authors who’ve had the pleasure of experiencing the development room firsthand - some who have successfully managed to straddle the two worlds, seeing their works morph into the kinds of feature films and TV shows that make them proud, and others who stepped blindsided into that room after selling their first or second novels. All the stories in this collection illustrate the great divide between the world of literature and the big or small screen.

As Americans face the ongoing war against terrorists and their state sponsors around the world, Sean Hannity reminds us we must also cope with the continuing scourge of accommodation and cowardice at home. With his trademark blend of passion and hard-hitting commentary, he urges Americans to recognize the dangers of putting our faith in toothless "multilateralism" when the times call for decisive action.

Capturing the beauty of a mother-daughter relationship, Divya Dutta, in this moving memoir, celebrates her mother’s struggles to turn her into the woman she is today. Divya walks us through the most intimate memories of her life, those that strengthened her relationship with her mother. The incredible bond she forged with her mother helped her through tragedies and difficulties, discouragements and failures, and led her to become an award-winning actor of stature, both in the Hindi as well as the Punjabi film industry.

Critical Mass is a treasure trove of sparkling, spiky prose and a fascinating portrait of our lives and cultural times over the past decades. In an age where a great deal of back scratching and softball pitching pass for criticism, James Wolcott’s fearless essays and reviews offer a bracing taste of the real critical thing.

Both men and women enjoy thrillers, mystery, and crime. Yet it may still feel not quite respectable, somehow a guilty (sorry!) pleasure. Do these novels so often categorized as genre offer something the literary novel does not? The market is enormous, perhaps the largest in publishing. It is a cliché which may be true that only the Bible – say - outsells Agatha Christie. And then there are films and television, either original or adapted from novels.

Ya desde el comienzo del siglo XX, Walter Benjamin reflexionaba sobre lo que supondría la masificación del arte que las nuevas técnicas de reproducción hicieron posible, y proponía que en un futuro -sin duda, el que vivimos hoy- las nuevas técnicas tenderían a la politización y ganarían un poder creciente sobre el destino de los pueblos.

#31Days features 65 essays and reviews covering everything from Don Coscarelli's Phantasm series to the anthology horror show Masters of Horror. This nonfiction collection follows the spirit of Sketching Details, Robert's long-running entertainment media criticism website. Horror deserves the same level of respect and analysis as any other genre.

Turner Classic Movies offers an endlessly fascinating look at 52 beloved screen adaptations and the great reads that inspired them. Some films, like Clueless—Amy Heckerling’s interpretation of Jane Austen’s Emma—diverge wildly from the original source material, while others, like One Flew Over the Cuckoo's Nest, shift the point of view to craft a different experience within the same story. Author Kristen Lopez explores just what makes these works classics of both the page and screen, and why each made for an exceptional adaptation.

In this follow-up to his first collection of essays - Shoot This One - television writer and producer Javier Grillo-Marxuach continues to overshare about his misadventures in the small screen to a degree that will make you fear for his future employment. The essays in Shoot That One offer both a tantalizing glimpse into the inner circles of the entertainment industry, as well a management lesson disguised as a juicy tell-all.