Cultural Identity

For over twenty-five years, actor Jassa Ahluwalia described himself as 'half Indian, half English'. His fluent Punjabi always prompted bewilderment, medical staff questioned the legitimacy of his name, and the world of casting taught him he wasn't 'the right kind of mixed-race'. Feeling caught between two worlds, it wasn't long before Jassa embarked on a call to action: we need to change how we think and talk about mixed identity.

Humanity's diverse nationalities, ethnicities, and races were intended to be a blessing from God. However, due to sin and rebellion, these differences often result in alienation, hatred, and even violence, becoming one of the most urgent problems facing the world. Cultural divisions are unfortunately common in the church, too. How can Christians embrace God's purposes for diversity and experience renewal and unity as his people? Steven Bryan presents a biblical framework for thinking about cultural identity and experiencing cultural diversity as a positive good that God intended.

Naomi and Natalie Evans, founders of Everyday Racism, share their experiences of growing up mixed race in Britain, how they process, understand and learn about their identity and use their privilege to advocate for change, as well as addressing the privileges and complexities of being mixed race in Britain today.

Our names are so mundane that we barely notice them. Yet each contains countless stories of tradition and belonging - be that a legacy of colonialism or persecution, the desire to fit in, or the complex cultural inheritance from one's parents. In What's in a Name?, Sheela Banerjee unravels the personal histories of friends and family through their names. And while tracing their heritage across centuries and continents - from west London to British India, and from 1960s Jamaica to pre-Revolutionary Russia - Sheela also tells the story of twentieth-century immigration to the UK.

Growing up in the USA as a child of South-Asian immigrants, Sahaj straddled multiple cultures. While reading self-help and going to therapy helped her make sense of the world and her psyche, she soon realised that the advice of white western writers didn’t cater to her experience. Unlike the outside world, at home the idea of mental health was feared as a sign of weakness, often met with the question ‘But what will people say?’ Since then, Sahaj has made it her mission to make therapeutic advice accessible and inclusive of the multicultural experience.

Girl is spending the summer at an artist's residency in Scotland. Far from her home in Australia and her tight-knit Malaysian family, she is meant to be writing a postcolonial novel and working on a PhD on the poetry of Sylvia Plath. But she can't stop thinking about her upbringing and the stories of her parents and grandmother who raised her. How can she reconcile their dreams for her with her lived reality?

Khadija is packing up her home of fifty years. In her box of special belongings are the last reminders she has of her son Ahmed, missing for more than twenty years. Her belongings take her back to her village childhood, her marriage and move to Marrakesh, and the birth of Ahmed when she was just thirteen.

In his ground-breaking book, Gary Younge argues that we have recoiled into refuges of race or class, religion or national identity to survive in a state seemingly indifferent to our lives. Ranging from his Stevenage childhood to present day America, from the borders of Europe to division in South Africa, Younge explores the issues that bind the powerful elite and the poor immigrant, the fundamentalist and the conservative.

There is a line on the map: to one side Wales, small, rugged and stubborn; the other England, crucible of the most expansionist culture the world has ever seen. It is a line that has been dug, debated, defined and defended for twenty centuries.

Egyptian-born and London-raised, Alya Mooro grew up between two cultures and felt a pull from both. Where could she turn for advice and inspiration when it seemed there was nobody else like her? Today, Mooro is determined to explore and explode the myth that she must identify either as ‘Western’ or as one of almost 400 million other ‘Arabs’ across the Middle East.

What does it mean to be Jew(ish) in 2020? Caught between tradition and modernity, between a Jewish family and a non-Jewish son, Matt Greene ponders the big questions concerning identity, religion, family and Seinfeld. When his son was born to a non-Jewish mother, Matt began to consider the upbringing he'd put behind him - the sense of not belonging, the forbidden foods, the holidays that felt more like punishments.

With chapters covering sexual and cultural identity, body hair, colourism and mental health, and a particular focus on the suffocating beauty standards South Asian women are expected to adhere to, Sharan Dhaliwal speaks openly about her journey toward loving herself, offering advice, support and comfort to people that are encountering the same issues.

The Danish-Mormon migration to Utah in the 19th century was, relative to population size, one of the largest European religious out-migrations in history. Hundreds of thousands of Americans can trace their ancestry to Danish Mormons, but few know about the social and cultural ramifications of their ancestors’ conversion to Mormonism. This book tells that exciting and complex story for the first time.

De vivir en una camioneta en las calles de San Diego, a cultivar chocolate con las tribus indígenas en Centroamérica, a enseñar en Oriente Medio y a hacer voluntariado en áfrica, el autor de éxitos de ventas Gregory V. Diehl ha seguido un camino mundano y poco convencional. Dejando su casa en California cuando era adolescente, pasó a vivir y trabajar en 45 países en todo el mundo a la edad de 28 años.

In 1960s Alabama, a family secret shatters Mark Lawson's world. Blonde-haired and blue-eyed, 14-year-old Mark discovers he is black, a revelation that changes everything. Kicked out of his segregated school and threatened on his baseball team, Mark must navigate a society where prejudice and race define your fate. This revelation also adversely affects his recent friendship with Eddie, the new black pitcher, who he now sees as a threat to his future.

In I'm Mixed and I'm Me, Snacks and Wiggles are on a journey, snacking and dancing through their day to understand where they came from and why they are different from some of their friends. From Mommy's northern Maine woods to Daddy's Jamaican beaches, they will explore what it means to be from two different cultures. They will learn what sets them apart but also how their differences are exactly what make them special.

Aziz's story is a story that is common to many but one that is rarely told. It is the story of growing up the child of immigrants and trying to progress in a society where the realities of racism and xenophobia are all too obvious. It gives voice to the experience of finding oneself caught between worlds and the concomitant feelings of shame, insecurity and powerlessness that this can engender. As he describes it, he found himself ‘a hyphenated man’ struggling to create an identity that fused East and West.

Whether or not we trace our families from beyond the shores of Britain, we British people deserve a better understanding of our shared past, and opportunities to explore and recognise the complexities and contractions of empire. Careless or wilful amnesia has allowed the British migration narrative to begin in the mid-twentieth century, with migrants from India, Pakistan and the Caribbean forming the foundation of present-day multicultural Britain. For people of colour the questions: Where are you from? No, where are you really from? often imply more than simple curiosity.

Angelina Lee feels like she doesn’t belong. Newly divorced, and completely unmoored by the sudden and tragic death of her mother, she hopes studying Korean will reconnect her to her roots, but nothing about Seoul feels familiar. Further complicating matters is the resurgence of an alluring man from Angelina’s past, and fellow classmate Keisuke Ono, an irritatingly good looking Japanese American journalist who refuses to leave her alone. What she’ll barely admit, however, is the true reason behind her trip. She’s convinced the key to understanding her mother’s suicide lies in Korea.

'Chinese' or 'Any other Asian'. The boxes that people of vastly varied East and South East Asian heritage have to tick when declaring their ethnicity on many forms in the UK. For the first time, author Anna Sulan Masing addresses these issues in a comprehensive way. She explores what it means to be East and South East Asian in Britain today, and celebrates the multiple elements and varied experiences that make up ESEA identity. Powerful, moving and illuminating, this will be a must-read for anyone interested in exploring the make-up of our multicultural society.