Asian Women Memoir

Connie Chung is a pioneer. In 1969 at the age of 23, this once-shy daughter of Chinese parents took her first job at a local TV station in her hometown of Washington, D.C. and soon thereafter began working at CBS news as a correspondent. Profoundly influenced by her family’s cultural traditions, yet growing up completely Americanized in the United States, Chung describes her career as an Asian woman in a white male-centered world.

Growing up in the friendly suburbs of Richmond, Virginia, Constance Wu thought that girls were supposed to be reserved, graceful, and polite. Everyone around her praised ladylike behaviour while seeming to disapprove of the louder, rougher girls—the kind of girls who made scenes. And while she spent most of her childhood suppressing her bold, emotional nature, Constance found an early outlet in local community theatre. The stage was the one place where big feelings were okay—were good, even.

From the bestselling author and host of the wildly popular Undisclosed podcast, a warm, intimate memoir about food, body image, and growing up in a loving but sometimes oppressively concerned Pakistani immigrant family.

With chapters covering sexual and cultural identity, body hair, colourism and mental health, and a particular focus on the suffocating beauty standards South Asian women are expected to adhere to, Sharan Dhaliwal speaks openly about her journey toward loving herself, offering advice, support and comfort to people that are encountering the same issues.

From victims to victims to victors, this collection of stories contains intricate details of 13 women who went on to leave their permanent mark on the face of the Mumbai Mafiosi.

A harrowing dual memoir that braids the story of a Chinese-American woman’s search for identity with the dramatic tale of her great-aunt, who was born at the turn of the century in tradition-bound China and went on to become Vice President of China’s first women’s bank.

If Crazy Rich Asians and a Greek tragedy had a literary offspring, it would be the spitting image of Why Should Guys Have All the Fun? The true story of resolute immigration lawyer and activist Loida Lewis, Why Should Guys Have All the Fun? begins with Loida's adventure-packed Philippine upbringing. A torrid love affair with brilliant, irascible financier Reginald Lewis follows, as does regal living in Manhattan and Paris, and gut-wrenching loss, all before Loida shockingly commandeers a multibillion-dollar, multinational conglomerate and leads it with aplomb.

Born to Korean immigrant parents, Hyeseung spends her early years in the sugar cane fields of Texas, caught between her father's "get rich quick schemes" and her beautiful, domineering mother who is skeptical of Western idealism. With her parents constantly at odds, Hyeseung learns more Korean words for hatred than for love. When the family's fake Gucci business lands them in bankruptcy, Hyeseung starts at a new school where she's immediately singled out with the question, "Can you speak English?"

A journey back in time, The Golden Mountain is the gripping tale of four generations of Chinese women who live and die under the restrictions of their culture, except for one, the author. Her story tells of growing up in Hong Kong and of her transition to New York City where she struggled to meld the American dream with her ethnic background. Finally, at age 50, she dares to move into the present and understand the true nature of dreams and what it means to live.

Kimi’s Obaachan, her grandmother, had always been a silent presence throughout her youth. Sipping tea by the fire, preparing sushi for the family, or indulgently listening to Ojichan’s (grandfather’s) stories for the thousandth time, Obaachan was a missing link to Kimi’s Japanese heritage, something she had had a mixed relationship with all her life. Growing up in rural Pennsylvania, all Kimi ever wanted to do was fit in, spurning traditional Japanese cuisine and her grandfather’s attempts to teach her the language.

Masuo Yasui arrived in America in 1903 with big dreams and empty pockets. He worked on the railroads, in a cannery, and as a houseboy before settling in Oregon to open a store, raise a large family, and become one of the area's most successful orchardists. But his family's life changed forever on December 7, 1941, when they were forced from their homes into vast inland camps. Although shamed and broken, the Yasui family would yet endure to claim their place as Americans.

Fleeing the aftermath of the Tiananmen Square crackdown in 1989 and fueled by a burning desire for a better life, Apple embarks on a daring journey to pursue her doctoral education in America. With no backup plan, Apple has to make this journey work. But she has no idea that her starting place, Las Cruces, NM, is a quiet desert town—a far cry from the bustling metropolis she envisioned. Anxious, ignorant, broken, lost, and homesick, Apple is also excited, curious, and open-minded. Will she simply survive the fish-out-of-the-water situation many immigrants experience, or will she thrive?

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

Mazie Hirono is one of the most fiercely outspoken Democrats in Congress, but her journey to the U.S. Senate was far from likely. Raised on a rice farm in rural Japan, she was seven years old when her mother, Laura, left her abusive husband and sailed with her two elder children to Hawaii, crossing the Pacific in steerage in search of a better life. Though the girl then known as "Keiko" did not speak or read English when she entered first grade, she would go on to serve as a state representative and as Hawaii's lieutenant governor before winning election to Congress in 2006.

In Our Brave Foremothers, discover an intergenerational, intercultural bouquet of Black, Brown, Asian, and Indigenous women lifted into the significance that they deserve. From Etel Adnan to Mary Jones, Thelma Garcia Buchholdt to Pura Belpré to Zitkála-Šá, here are 100 women of color who left a lasting mark on United States history. Including both famous and little-known names, the thoughtful profiles and detailed portraits of these women herald their achievements and passions.

Pioneering Chinese American actress Anna May Wong made more than 60 films, headlined theater and vaudeville productions, and even starred in her own television show. Her work helped shape racial modernity, as she embodied the dominant image of Chinese, and more generally, “Oriental” women between 1925 and 1940. In Anna May Wong, Shirley Jennifer Lim re-evaluates Wong’s life and work as a consummate artist, and positions the actress as a historical and cultural entrepreneur who rewrote categories of representation.

Forced Out: A Nikkei Woman’s Search for a Home in America offers insight into “voluntary evacuation,” a little-known Japanese American experience during World War II, and the lasting effects of cultural trauma. Of the roughly 120,000 people forced from their homes by Executive Order 9066, around 5,000 were able to escape incarceration beforehand by fleeing inland.