Arts In Germany

You're not to disturb, annoy or offend. They're walking on a knife edge out there, anything could tilt the balance.' Missing: one junior diplomat and 43 of the British Embassy's most confidential files. The timing is alarmingly significant: with neo-Nazi riots and radical student demonstrations, the threat to Germany's security is all too apparent. Britain's own Alan Turner is sent in, with instructions to tread carefully at all costs. But will he find the missing man and the files before the political situation erupts?

Benefit from what Paul Bellantoni learned in four years as an American singer in Europe. As a graduate of NYU's School of Journalism, he has the research skills to give you the information you need. He has also left the opera world, so he has the freedom to give you the whole truth.

Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler's enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany's military campaigns.

Als Jean-Paul Sartre mit Simone de Beauvoir im Kranzler-Eck in Berlin Käsekuchen isst, Henry Miller und Anaïs Nin wilde Nächte in Paris erleben, F. Scott Fitzgerald und Frida Kahlo sich in leidenschaftliche Affären stürzen, fliehen Bertolt Brecht und Helene Weigel ins Exil. Genau das ist die Zeit, in der die Nazis die Macht in Deutschland ergreifen, Bücher verbrennen und die Gewalt gegen die Juden beginnt. 1933 enden die "Goldenen Zwanziger" mit einer Vollbremsung.

We are facing an alarming upsurge in the spread of misinformation and attempts by powerful figures to discredit facts so they can seize control of narratives. These are threats American journalist Sigrid Schultz knew all too well. The Chicago Tribune's Berlin bureau chief and primary foreign correspondent for Central Europe from 1925 to January 1941, Schultz witnessed Hitler’s rise to power and was one of the first reporters—male or female—to warn American readers of the growing dangers of Nazism.

Urchin at War is the first volume in the 1517 Publishing's Urchin Series about the extraordinary life story of a kid and high school dropout who became a sought-after newsman, who covered the Kennedy assassination and the Vietnam War, and ended up being a Lutheran lay theologian.

Eine Jugend in Deutschland, voller Hoffnung und voller Enttäuschung: Als Freiwilliger zieht Ernst Toller begeistert in den Ersten Weltkrieg und kehrt, für kriegsuntauglich erklärt, als bekennender Pazifist zurück. In München schlägt er sich im November 1918 auf die Seite der Revolution, wird zum Anführer der Räterepublik und erlebt deren tragisches Scheitern. Er wird geächtet, festgenommen und zu fünf Jahren Festungshaft verurteilt. Als er im Juli 1924 das Gefängnis verlässt, ist Ernst Toller eine internationale Berühmtheit.