Art Horror

The first ever collection of Iain Banks's short fiction, this volume includes the acclaimed novella, The State of the Art. This is a striking addition to the growing body of Culture lore, and adds definition and scale to the previous works by using the Earth of 1977 as contrast. The other stories in the collection range from science fiction to horror, dark-coated fantasy to morality tale. All bear the indefinable stamp of Iain Banks's staggering talent.

From its first publication in 1992, Men, Women, and Chain Saws has offered a groundbreaking perspective on the creativity and influence of horror cinema since the mid-1970s. Investigating the popularity of the low-budget tradition, Carol Clover looks in particular at slasher, occult, and rape-revenge films. Although such movies have been traditionally understood as offering only sadistic pleasures to their mostly male audiences, Clover demonstrates that they align spectators not with the male tormentor, but with the females tormented.

This manual provides a review of the tactical combat advantages enjoyed by zombies and gives the listener a step-by-step guide to adopting them for him or herself. Have you wondered where the great military leaders of modern history have found their collective inspirations? Well look no further. It is the walking dead upon whom the most important tactical infantry innovations of the last three hundred years have been based.

It's been exactly 10 years since the murders at Freddy Fazbear's Pizza, and Charlotte (Charlie for short) has spent those 10 years trying to forget. Her father was the owner of Freddy Fazbear's Pizza and the creator of its four adult-sized animatronic animals, and now Charlie is returning to her hometown to reunite with her childhood friends on the anniversary of the tragedy that ripped their town apart.

Unearth the terrifying and true tales behind some of the scariest Horror movies to ever haunt our screens, including the Enfield poltergeist case that was retold in The Conjuring 2 and the serial killer who inspired Hannibal Lector in The Silence of the Lambs. Behind the Horror dissects these and other bizarre tales to reveal haunting real-life stories of abduction, disappearance, murder and exorcism.

When businessman Thomas Peterson is killed outside a football ground in the Highlands, there are several witnesses. Yet the hunt for the killer is proving as futile as the search for a motive. Possible connections to Russian money and an eerie retirement home are soon thrown into the mix. To further complicate things, DI Westphall's MI6 past is coming back to haunt him. Guilt stalks his dreams, but could there be a message in these nightmares? Westphall is in danger of losing his head just when he needs it the most. He must find answers, and fast, before the murderer strikes again.

A mysterious island. An abandoned orphanage. A strange collection of very curious photographs. As our story opens, a horrific family tragedy sets 16-year-old Jacob journeying to a remote island off the coast of Wales, where he discovers the ruins of Miss Peregrine’s Home for Peculiar Children. As Jacob explores its abandoned bedrooms and hallways, it becomes clear that the children were more than just peculiar. They may have been dangerous. And somehow—impossible though it seems—they may still be alive.

On December 26, 1973, The Exorcist was released. Within days it had become legend. Moviegoers braved hours-long lines in winter weather to see it. Some audience members famously fainted or vomited. Half a century later, the movie that both inspired and transcends the modern horror genre has lost none of its power to terrify and unsettle. The Exorcist Legacy reveals the complete story of this cultural phenomenon, from the real-life exorcism in 1949 Maryland that inspired William Peter Blatty's bestselling novel on which the movie is based, to its many sequels, prequels, TV series, and homages.

Tom Ward is the Spook, the one person who can defend the county from bloodthirsty creatures of the dark. But he's only 17, and his apprenticeship was cut short when his master died in battle. No one trusts Tom's skill, not till he's proven himself. And a 15-year-old girl named Jenny knows more about the three mysterious deaths in the county than Tom does. She is a seventh daughter of a seventh daughter, and she wants to be Tom's first apprentice – even though a female Spook is unheard of.

You don't have to miss out just because you don't like to be frightened! Stop trying to read nonsensical Wikipedia plot summaries (we know you're doing it), and let an expert tell you everything you need to know about the most influential horror films of the past sixty years—without a single jump scare or a drop of gore.

Exploring more than 100 of the world's most important literary works and the literary geniuses that created them, this book is the perfect introduction to the subject of literature and writing. The Literature Book features some of the world's most celebrated books, plays and poetry, including Latin American and African fiction, and best-selling masterpieces from the most renowned authors ever to have lived.

Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart—the eccentric'—the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play.

Daemiana shifts rampantly each night in proportion to the phase of the moon. And during the day, she is on a frantic quest for a cure. Out of nowhere, a brooding and self-loathing loser, Caelin, stumbles into and narrowly survives her situation. Oblivious to what is happening and what he's getting into, a fiery passion for Daemiana and her quest ignites in Caelin. Knowing that she will only devour him, Daemiana refuses to get too attached since Caelin's days are certainly numbered if he remains with her due to her accurst fix.

He draws her close, envelops her as if with wings. She does not resist him or the kisses over her face when he tilts her chin up; she lets him, exposing the flesh of her throat. When she goes home that day she will wear the marks of the devil, the clinging smell of oil, the bruising of her neck.

In July 1890, Vincent van Gogh went into a cornfield and shot himself. Or did he? Why would an artist at the height of his creative powers attempt to take his life... and then walk a mile to a doctor's house for help? Who was the crooked little "color man" Vincent had claimed was stalking him across France? And why had the painter recently become deathly afraid of a certain shade of blue? These are just a few of the questions confronting Vincent's friends who vow to discover the truth of van Gogh's untimely death.

Katherine O'Donnell was born with a disfiguring strawberry birthmark across the bottom of her face. In 1880s London, that was enough to discourage suitors. Love was something for which she yearned, but never found within her reach. Out of necessity, she became adept at hiding inside her home and behind makeups she formulated and applied herself. When tragedy upended her modest life and dumped her out onto the streets, she was bereft of options. She answered an advertisement for a mortuary assistant.

To his neighbors, Anthony Sowell was a friendly and helpful former Marine. But they didn't know about his dark side - or the gruesome secret inside his house. Sowell's secret life was revealed to the nation on October 29, 2009, when a Cleveland Police SWAT team entered his house to arrest him for an alleged rape. They didn't find Sowell, but they encountered a nightmarish scene: two decomposed bodies in his third-floor living room. Eight more bodies were hidden throughout the house and buried in the back yard.

In an average suburban town in Texas, homecoming princess Lindsay barely escaped death at the hands of a brutal, sadistic murderer in a Michael Jackson mask. Up on the cliff, she was rescued by a horse and bravely defeated the killer.

From King Kong to Candyman, the boundary-pushing genre of horror film has always been a site for provocative explorations of race in American popular culture. This book offers a comprehensive chronological survey of Black horror from the 1890s to present day. In this second edition, Robin R. Means Coleman expands upon the history of notable characterizations of Blackness in horror cinema, with new chapters spanning the 1960s, 2000s, and 2010s to the present, and examines key levels of Black participation on screen and behind the camera. The book addresses a full range of Black horror films.

They called him Leonardo - a master skilled in the art of murder. One year ago, Cincinnati was his canvas. A scalpel was his tool. And women were his works-in-progress. FBI profiler Casey McKinley was one of them, a victim of Leonardo's twisted genius. She has the scars - and the nightmares - to prove it. For Casey, a new city means a life far from the one she left behind in Cincinnati. In San Francisco she finally feels safe. Until a series of eerily familiar slayings plunges her back into Leonardo's game.