Showing results by narrator "Mark Meadows" in All Categories

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly, he climbs out the window and into the downstairs apartment, but from one danger to another. In the dark he sees a body lying on the bed. Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all.

Mimi Augello is visiting his lover when the woman's husband unexpectedly returns to the apartment. Hurriedly, he climbs out the window and into the downstairs apartment, but from one danger to another. In the dark he sees a body lying on the bed. Shortly afterwards another body is found and the victim is Carmelo Catalanotti, a director of bourgeois dramas with a harsh reputation for the acting method he developed for his actors: digging into their complexes to unleash their talent, a traumatic experience for all.

In the early 1800s Lehmann Gluckstein and his family escaped the pogroms of Eastern Europe and made their way to Whitechapel in the East End of London. There, starting with nothing, they worked tirelessly to pull themselves out of poverty, creating a small tobacco factory that quickly grew to become the largest catering company in the world: J. Lyons. For over a century, Lyons was everywhere. Its restaurants and corner houses were on every high street, its coffee and tea in every cup, its products in every home. The company transformed the way we eat, drink and are entertained.

This collection of narratives from autistic adults is structured around their decades of experience of life, covering 20s, 30s, 40s, 50s, 60 and 70s+. These are varied and diverse, spanning different continents, genders, sexualities and ethnicities, yet the author highlights the common themes that unite them and skilfully draws out these threads. Each chapter is based on accounts from one age group and includes accounts from people of that age, giving an insight into the history of autism and signifying how gaining a diagnosis (or not) has changed people's lives over time.

Two deaths - the suicide of a recently fired worker and the murder of an unscrupulous businessman - lead Inspector Montalbano to the Halcyon, a mysterious ship that visits Vigàta's port each day. With very few crewmen, no passengers and a stern large enough to land a helicopter, it piques the Inspector's interest straight away. And whilst all this is going on, a rare trip to Genoa to visit Livia ends with the Vigàta police department in disarray, and Inspector Montalbano's position as the head of the commissariat in jeopardy. It will be up to Montalbano to fix the damage done.

When an elderly man is stabbed to death in an elevator and a crewman on an Italian fishing trawler is machine gunned by a Tunisian patrol boat off Sicily's coast, only Inspector Montalbano suspects a link between the two incidents. His investigation leads to the beautiful Karima, an impoverished housecleaner and sometime prostitute, whose young son steals other school children's midmorning snacks. But Karima disappears, and the young snack thief's life - as well as Montalbano's - is endangered.

July 1932. When a drowned man is found in a freight elevator in Haus Vaterland, the giant pleasure palace on Potsdamer Platz, Inspector Gereon Rath is called in to investigate. It’s not that Rath hasn’t problems enough. His hunt for a mysterious contract killer has been stalled for weeks, and his on-off lover, Charlotte Ritter, has just begun her probationary year with Berlin CID.

Hitman Don Drake owes a gambling debt to a demon. Forced to carry out one more assassination to clear his debt, Don unwittingly kills an innocent child and brings the Furies of Greek myth down upon himself. Rescued by an almost fallen angel called Trixie, Don and his magical accomplice - the Burned Man, an imprisoned archdemon - are forced to deal with Lucifer himself whilst battling a powerful evil magician.

Helen Rappaport's masterful telling of the outbreak of the Russian Revolution through eyewitness accounts left by foreign nationals who saw the drama unfold. Between the first revolution in February 1917 and Lenin's Bolshevik coup in October, Petrograd was in turmoil - felt nowhere more keenly than on the fashionable Nevsky Prospekt, where the foreign visitors and diplomats who filled hotels, clubs, bars and embassies were acutely aware of the chaos breaking out.

The Frighteners follows the quest of Peter Laws, a Baptist minister with a penchant for the macabre, to understand why so many people love things that are spooky, morbid and downright repellent. He meets vampires, hunts werewolves in Hull, talks to a man who has slept on a mortuary slab to help him deal with a diagnosis, and is chased by a chainsaw-wielding maniac through a farmhouse full of hanging bodies.

It's been raining for days in Vigàta, and the persistent downpours have led to violent floods overtaking the Inspector's beloved hometown, sweeping across the land and leaving only a sea of mud behind. It is on one of these endless grey days that a man - a Mr Giuglù Nicotra - is found dead. His body discovered in a large sewage tunnel, half naked and with a bullet in his back.

Thomas More's Utopia stands out as one of the most striking political works ever written. Composed specifically as a response to Henry VIII's break with Rome, the book meditates on the perfect society while indirectly critiquing the political and social ills of Tudor England. Containing thoughts on religious pluralism, a welfare state, and women's rights, More's book was well ahead of its time, already hinting at later theories on communism and capitalism centuries before Marx, Engels, and Smith.

When a wealthy woman comes to her untimely demise, Lord Peter Wimsey dives into the case—despite his lack of evidence or suspects. Just as Wimsey is getting familiar with the case, the woman's maid becomes the next victim. With two victims and no suspects, Wimsey is at his wit's end trying to prevent the next murder from happening. As senseless crime brings a dark shadow over this beautiful Hampshire village, will Wimsey be able to solve this case in time?

The real '60s began on 5 October 1962. On that remarkable Friday, the Beatles hit the world with their first single, ‘Love Me Do’, and the first James Bond film, Dr No, had its world premiere in London: two icons of the future heralding a social and cultural revolution. Sometimes indignant, sometimes admiring, always empathetic, On the Cusp evokes a world of seaside holidays, of church fetes, of Steptoe and Son - a world still of seemingly settled social and economic certainties, but in fact on the edge of fundamental change.

Florence. Autumn, 1539. Cesare Aldo was once an officer for the city’s most feared criminal court. Following a period of exile, he is back but demoted to night patrol when only the drunk and the dangerous roam the streets. Chasing a suspect in the rain, Aldo discovers a horrifying scene beneath Michelangelo’s statue of David. Lifeless eyes gaze from the face of a man whose body has been posed as if crucified. It’s clear the killer had religious motives. When more bodies appear, Aldo believes an unholy murderer is stalking the citizens of Florence.

On what should be a quiet Sunday morning, Inspector Montalbano is called to a murder scene on the Sicilian coast. A man has discovered his father dead in his Vigàtan beach house: his body slumped on the dining room floor, his morning coffee spilt across the table, and a single gunshot wound at the base of his skull.

In Inspector Montalbano’s coastal town of Vigàta, a surge of migrants have been coming in by boat, and all the town’s hands are on deck to help the arrivals. At the heart of the scene are the police - on the lookout for the people smugglers responsible - and long night shifts are rendering Inspector Montalbano and his officers exhausted. Then one night, while Montalbano is enduring yet another gruelling stint at the port, a separate crime is committed - unexplained, unexpected, and unpleasant. Elena, the dressmaker at the town’s famous tailors, has been found dead....

When Inspector Montalbano receives an early-morning phone call it proves to be the start of a very trying day. For the caller expects Montalbano to arrive imminently at a rendezvous with some friends. But before he can reply, the caller announces himself as someone called Riccardino and hangs up. Later that day, news comes in of a brutal slaying in broad daylight by an unknown assassin who makes his getaway on a motorbike. And when the Inspector learns of the victim’s identity - a man called Riccardino - his troubles are only just beginning.

This box set brings the Bard's timeless tales to life for a younger generation, with wit and panache. Samantha Newman's cleverly reworked text retains many of Shakespeare's own inimitable turns of phrase, while simplifying and clarifying the language and plots to make stories accessible to children. Perfect for children aged 7+.

In the ghetto, the last 50,000 Jews await their fate, but, unlike those who preceded them to the death camps, these Jews are prepared to fight. Jan Kalisz, Kripo investigator and Resistance double-agent, has promised to supply them with weapons. But how will he fulfil his vow? The murder of a German officer appears to provide an opportunity.