Showing results by author "Plato Plato" in All Categories

Take a seat in the court of ancient Athens as Socrates goeson trial for his life. Hear the philosopher face his accusers with histrademark wit, his cutting logic, and the courage of his ideals. Consider hisarguments on virtue, justice, politics, civic duty, love of life, and hope indeath, and make your own judgment. Think. Question. Change.

For those looking for "a taste of Plato", this audiobook is ideal. It includes the full text of "Apology" and "Crito" as well as the first two books of Plato's monumental Republic.

In Euthyphro, Socrates is on his way to the court where he must defend himself against serious charges brought by religious and political authorities. On the way, he meets Euthyphro, an expert on religious matters, who has come to prosecute his own father. Socrates questions Euthyphro’s claim that religion serves as the basis for ethics. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Socrates questions Ion, an actor who just won a major prize, about his ability to interpret the epic poetry of Homer. How does an actor, a poet, or any other artist create? Is it by knowing? Is it by inspiration? As the dialogue proceeds, the nature of human creativity emerges as a mysterious process and an unsolved puzzle. Plato lived in Athens, Greece. He wrote approximately two-dozen dialogues that explore core topics that are essential to all human beings.

Laches, a general in the Athenian army, saw Socrates fight bravely in the battle of Delium. When he and Nicias, another general, are asked to explain the idea of courage, they are at a loss and words fail them. How does courage differ from thoughtless and reckless audacity? Can a lion be said to be courageous? What about small children who have little idea of the dangers they face? Should we call people courageous who do not know whether their bravery will produce good or bad consequences?

A dialogue between Socrates and Meno probes the subject of ethics. Can goodness be taught? If it can, then we should be able to find teachers capable of instructing others about what is good and bad, right and wrong, or just and unjust. Socrates and Meno are unable to identify teachers of ethics, and we are left wondering how such knowledge could be acquired. To answer that puzzle, Socrates questions one of Meno’s servants in an attempt to show that we know fundamental ideas by recollecting them.

Hippias of Elis travels throughout the Greek world practicing and teaching the art of making beautiful speeches. On a rare visit to Athens, he meets Socrates who questions him about the nature of his art. Socrates is especially curious about how Hippias would define beauty. They agree that "beauty makes all beautiful things beautiful," but when Socrates presses him to say precisely what he means, Hippias is unable to deliver such a definition. The more Socrates probes, the more absurd the responses from Hippias become.

The Allegory of the Cave appears in Plato’s Republic and compares the effect of education and the lack of it on human nature. It is written as a dialogue between Plato's brother and Socrates, who tells of people that have been chained to the wall of a cave their whole lives. They see shadows projected on the wall from objects passing in front of a fire behind them. Socrates explains that the philosopher is like a prisoner who has escaped the cave and realizes that the shadows on the wall are not the true reality at all.

What’s the big idea? To Socrates, living according to his values was more important than life itself. Plato’s Apology is in three parts: Socrates’ personal defense in his trial for impiety and corrupting the young, his plea before being sentenced, and his address to the jurors after he was condemned to death. This book includes an introduction, telling who Socrates was and how he came to be on trial for his life before his fellow Athenians.

Socrates, perhaps the most famous philosopher of the ancient world, left no writings. The method of philosophical investigation for which he is celebrated has come down to us in the form of dialogues, composed by his student, Plato. The four dialogues in this collection are known by the names of the chief characters in each: Lysis, Charmides, Laches, and Euthyphro. As they fall into a more or less natural group due to the fact that each one deals with a single ethical abstract—friendship, temperance, courage, and piety, respectively—they have been renamed based on their subjects.

Delve into the philosophical dialogue of Plato's "Phaedrus." This podcast explores themes of love, rhetoric, and the nature of the soul through the engaging conversations between Socrates and Phaedrus. Essential for those interested in ancient philosophy and classic literature.

Plato is, by any reckoning, one of the most dazzling writers in the Western literary tradition and one of the most penetrating, wide-ranging, and influential authors in the history of philosophy. This audiobook contains Plato's most notable books. Contents:The Apology; Crito; Charmides; Laches; Lysis; Menexenus; Ion; Meno

Meno is a Socratic dialogue written by Plato. Meno begins the dialogue by asking Socrates whether virtue is taught, acquired by practice, or comes by nature. In order to determine whether virtue is teachable or not, Socrates tells Meno that they first need to determine what virtue is. When the characters speak of virtue, or rather arete, they refer to virtue in general, rather than particular virtues, such as justice or temperance.

Euthyphro by Plato is a Socratic dialogue whose events occur in the weeks before the trial of Socrates (399 BC), between Socrates and Euthyphro. The dialogue covers subjects such as the meaning of piety and justice. As is common with Plato's earliest dialogues, it ends in aporia. In this dialogue, Socrates meets Euthyphro at the porch of the archon basileus (the 'king magistrate') at that time. Socrates tells him that he is preparing to go to court against the charges of Meletus on the grounds of impiety.

The Menexenus is a Socratic dialogue of Plato, traditionally included in the seventh tetralogy along with the Greater and Lesser Hippias and the Ion. The speakers are Socrates and Menexenus, who is not to be confused with Socrates' son Menexenus. The Menexenus of Plato's dialogue appears also in the Lysis, where he is identified as the "son of Demophon", as well as the Phaedo. The Menexenus consists mainly of a lengthy funeral oration, referencing the one given by Pericles in Thucydides' account of the Peloponnesian War.

Lysis is a dialogue of Plato which discusses the nature often translated as friendship, while the word's original content was of a much larger and more intimate bond. It is generally classified as an early dialogue. The main characters are Socrates, the boys Lysis and Menexenus who are friends, as well as Hippothales, who is in unrequited love with Lysis and therefore, after the initial conversation, hides himself behind the surrounding listeners.

The Charmides is a dialogue of Plato, in which Socrates engages a handsome and popular boy named Charmides in a conversation about the meaning of sophrosyne, a Greek word usually translated into English as "temperance," "self-control," or "restraint." When the boy is unable to satisfy him with an answer, he next turns to the boy's mentor Critias. In the dialogue, Charmides and then later Critias champion that Temperance is "doing one's own work" but Socrates derides this as vague.

The Laches is a Socratic dialogue written by Plato. Participants in the discourse present competing definitions of the concept of courage or "manliness".

In Plato's Ion Socrates discusses with the titular character, a professional rhapsode who also lectures on Homer, the question of whether the rhapsode, a performer of poetry, gives his performance on account of his skill and knowledge or by virtue of divine possession. It is one of the shortest of Plato's dialogues.

The Symposium is a Socratic dialogue by Plato, dated c. 385 – 370 BC. It depicts a friendly contest of extemporaneous speeches given by a group of notable Athenian men attending a banquet. The men include the philosopher Socrates, the general and statesman Alcibiades, and the comic playwright Aristophanes. The panegyrics are to be given in praise of Eros, the god of love and sex. In the Symposium, Eros is recognized both as erotic lover and as a phenomenon capable of inspiring courage, valor, great deeds and works, and vanquishing man's natural fear of death.