Showing results by author "Elizabeth Gaskell" in All Categories

In this classic Victorian novel, Elizabeth Gaskell explores the themes of love and social justice in an industrial age. Set in the north of England, out-of-towner Margaret Hale finds herself simultaneously attracted to mill owner John Thorton, and repulsed by the way he treats his workers. Full of history, romance, and social commentary, North & South will provoke your mind and tug at your heart. This production is read for you actress Jenny Agutter, most famously known for The Railway Children.

There are stark differences between rich and poor in the Manchester of Elizabeth Gaskell’s novel, Mary Barton. Factory owners such as Mr Carson, do not understand the anger of their poverty stricken workers, and care little for their welfare. For the mill-workers, employment means food on the table and being one step away from starvation, but trying to gain any political power means risking a loss of livelihood.

Elizabeth Gaskell, famed author of Cranford, is cherished for her incise social observations and portrayals of the changing nature of English life through the Industrial Revolution of the Victorian era. In Cousin Phillis, Paul Manning has only recently left home to work on the railway line for the dashing Mr Holdsworth. Lodging with an Independent Minister on the outskirts of London, he becomes acquainted with his distant cousins, where he is delighted to meet his genial relations, and not least his cousin Phyllis

1691, Salem, New England: la diciassettenne Lois Barclay sbarca dalla Redemption, il vascello che l'ha portata dal Vecchio al Nuovo Mondo. Dietro di sé, l'Inghilterra, il ricordo dei genitori e un amore; davanti a sé la famiglia dello zio che non ha mai visto e tante incognite. L'America che ci racconta Elizabeth Gaskell (Londra, 1810 - Alton, 1865) è quella della nuova frontiera, di un territorio ostile e selvaggio in cui i continui scontri con le tribù dei Nativi aumentano il senso di precarietà e vulnerabilità.

At some point in our lives we believe that creak, that low moan, that whisper is something unnatural, beyond our comprehension. And in these stories our instincts are right. We are afraid. And we should be. Perhaps even terrified. In this volume our classic authors take different approaches, but the result is inevitably the same. We are hooked by these unknowable forces, our emotions heightened and rattled by the expectation - or shock - of the next few words.

Women, so often referred to as the gentler sex - in this volume at least, this is an unfounded and unlikely description. From their minds and pens comes a series of macabre, twisted tales that are anything but gentle. But as they weave their magic, usually black, and mesh you into their narrative you just know 'sugar and spice and all things nice' are not likely to be what little girls really are made of and certainly not these femme fatales....

Our greatest fears are of the unknown. Usually we think those fears are in front of us...or behind us. But perhaps the human body itself holds the greatest horror. What happens after death? Do our bodies have a new existence either in whole...or part? Will others seek to claim them and do unspeakable things? We don’t know. But our authors do. And they have the talents and wits to make these diabolical stories vehicles for horror, for terror, for the unimaginable....

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. Whatever the reasons given or proffered the reality and known facts are that if you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your listening pleasure.

Almost always when we think of Ghost Stories, we first think of those written by the Victorians. If you want a really good ghost story to bring that edge of chill, that foreboding of dread, that feeling that in an empty house we are not quite alone and that sometimes the sharp, sheer shock of what just happened is upon us then look no further than ‘The Victorian Ghost Story’ for your reading and listening pleasure.

With the talents on display the most difficult task is choosing only ten. Their virtuosity, their craft and ambition scare belie the difficulties that society places upon most women. Their words cannot be denied, their literary heritage is safe forever.

Talent bursts from this decade with astonishing ease. From America across Europe to Russia each and every story is an indelible mark of story-telling flecked with genius that enthralls us all. Whatever their chosen genre their stories break new ground, cover new topics and carry a legacy that cannot be disputed.

Cranford is likely the best known novel of Victorian author Elizabeth Gaskell. Set in a small rural town, inhabited largely by women. This is a community that runs on cooperation and gossip, at the very heart of which are the daughters of the former rector: Miss Deborah Jenkyns and her sister Miss Matty. But domestic peace is constantly threatened in the form of financial disaster, imagined burglaries, tragic accidents, and the reapparance of long-lost relatives

Elizabeth Stevenson was born in Chelsea in London on 29th September 1810. Both parents embedded their strong Unitarian beliefs into Elizabeth who rebelliously was often reluctant to display these religious convictions. The early death of Elizabeth’s mother saw her sent away to be brought up by her maternal aunt in Knutsford, Cheshire. Her father remarried but Elizabeth spent most of her childhood in Cheshire away from her father and his new family. Elizabeth’s aunt encouraged her education and particularly to read and express herself through writing.

Whilst writer Charles Dickens needs no introduction, his Haunted House anthology might, not least because in his role as editor he introduces a formidable array of known and lesser-known literary talents.

Plongez dans l'univers enchanteur de Cranford, une charmante petite ville de l'Angleterre victorienne, où l'élégance et le raffinement se mêlent à la chaleur de la communauté. Dans ce roman captivant d'Elizabeth Cleghorn Gaskell, nous découvrons un monde où les traditions sont profondément ancrées et où les personnalités excentriques des habitants apportent une touche de folie et de mystère.

Discover the enchanting world of 'A House to Let' through this captivating audiobook. A collaborative work by some of the most celebrated authors of the 19th century, including Charles Dickens, Wilkie Collins, Elizabeth Gaskell, and Adelaide Anne Procter, this literary gem offers a collection of interconnected stories that will transport you to the intriguing and mysterious setting of a vacant house. In this audiobook, you'll experience a unique blend of vivid character development, Victorian charm, and suspenseful storytelling.

Escape into the idyllic world of 'The Moorland Cottage' with this enchanting audiobook. Elizabeth Cleghorn Gaskell, celebrated for her rich storytelling, brings to life a tale of love, loss, and the resilience of the human spirit. Set in the picturesque English countryside, this story unfolds against the backdrop of the moorlands, creating a vivid and captivating setting for the characters and their intertwining destinies. Gaskell's impeccable character development and her ability to evoke the rural beauty and its challenges make 'The Moorland Cottage' a timeless classic.

Hamley es un pequeño pueblo donde Edward Wilkins ejerce como abogado, al igual que hizo su padre antes que él. Su habilidad para contar historias y su aguda inteligencia permiten que se gane la simpatía de los nobles locales, aunque por supuesto, nunca lo considerarán como un igual y lo sabe. Conmocionado por la muerte de su esposa y su segunda hija, el señor Wilkins se centra en su hija mayor, Ellinor, cuya vida parece perfecta: está enamorada del joven señor Corbet, un estudiante de derecho brillante y ambicioso.

Elizabeth Gaskell’s Lizzie Leigh is the sad tragedy of a young girl, who, while being away from home for work in Manchester, commits the sin of adultery and becomes pregnant with an illegitimate child. She decides not to return home for fear of her harsh father’s reaction. Not knowing whether her daughter is still alive, her mother decides to take her two sons and go to Manchester to look for her. The narrative then follows Lizzie’s poignant existence, as she tries to purge her soul from sin.

Die Gruselkabinett Box 42 beinhaltet die Hörspiele Die Toten vergeben nichts, Das alte Kindermädchen erzählt, Bisclavret, Flaxman Low - Der Fall Hammersmith.