Showing results by author "E.M. Forster" in All Categories

When Lilia, an English widow, marries a penniless Italian while on vacation, her dead husband's relatives are not amused. That the marriage should fail and Lilia die tragically are to be expected. But that she should have a baby, and that the baby should be raised Italian, of all things, are matters requiring immediate correction. E.M. Forster's first novel addresses cultural collisions and English middle-class sterility.

E.M. Forster's Howards End is a vivid portrait of London's golden age, before World War I forever changed its values and culture. Forster brings the great city's upper classes to life, detailing their grandiose spending habits, popular fads, Monet and Debussy, the rise of feminism, and the beginnings of urbanization. More than a mere idealization of pre-war London, Howards End provides insightful commentary on the rapid societal changes that occurred at the onset of the 20th century. Masterfully blending the stories of three vastly different groups of people - the independently wealthy, educated Schlegels; the nouveau riche Wilcoxes; and the ambitious but struggling Leonard Bast - Forster weaves a wonderfully rich, unforgettably poignant novel.

Die Menschen leben in winzigen sechseckigen Waben tief unter der Erde, genießen jedoch allen Komfort. Ihr Alltag ist durch die "Maschine" perfekt geregelt. Ohne das Bedürfnis nach persönlichen Begegnungen kommunizieren sie über elektronische Hilfsmittel, die maximal miteinander vernetzt sind. Das Handbuch der Maschine ist zu ihrer Bibel geworden, wer nicht maschinenkonform denkt und handelt, wird verstoßen. Als der rebellische Kuno entdeckt, dass die Maschine langsam versagt, wagt er einen folgenschweren Ausbruch.

The most romantic literary lovers in history: Anne Elliot and Captain Wentworth. Lucy Honeychurch and George Emerson. Helen Graham and Gilbert Markham. Now, all three of their classic stories are collected in one volume: the Classic Romance Collection - Volume III featuring Jane Austen's "Persuasion," E.M. Forster's "A Room With a View," and Anne Brontë's "The Tenant of Wildfell Hall."

Long hailed as one of the most brilliant and beloved authors of the Edwardian era, E.M. Forster's works have become among the most critically acclaimed and cherished novels of the past hundred years and have been adapted numerous times for the stage and screen. "A Room With a View" and "Howards End" are presented here in their original and unabridged formats, narrated by renowned audiobook performer Sara Nichols, best known for her readings of Charlotte Bronte's "Jane Eyre" and Willa Cather's Prairie Trilogy.

A Room with a View is a romance that makes use of the convention of the marriage plot, but it is also a comedy parodying British tourism in Italy. Forster had spent one year travelling in Italy between 1901 and 1902, and the people and situations he observed during his visit greatly influenced the novel. Lucy’s visit to Northern Italy references the 18th-century Grand Tour, the trip across southern Europe, which was seen as a necessary way for young gentlemen to complete their education. In Forster’s novel, Lucy and her cousin travel to Florence to see the ‘real Italy’ but stay in a ...

One of E.M. Forster's most beloved and critically-acclaimed works, "A Room With a View" follows the journeys—both abroad and romantically—of young Lucy Honeychurch, a British girl during the Edwardian era with a distinctly independent nature. On a trip to Italy, with her chaperone Miss Charlotte Bartlett in tow, Lucy encounters a Mr. Emerson and his son George.

An introspective novel of manners at once comic and tragic, The Longest Journey tells of a sensitive and intelligent young man with an intense imagination and a certain amount of literary talent. He sets out full of hope to become a writer, but gives up his aspirations for those of the conventional world, gradually sinking into a life of petty conformity and bitter disappointments.

Young, naive Lucy Honeychurch is visiting Italy for the first time, accompanied by her older cousin and chaperone, Charlotte Bartlett. On arrival at the Pension Bertolini, a mix-up over rooms leads to a meeting with the eccentric Mr Emerson and his brooding son, George. Frank, free-spirited and lower-class, the duo are not respectable companions for a lady - but as Lucy tentatively explores Florence and the beautiful Tuscan countryside, she discovers a land of freedom and sensuality, where rigid social barriers are meaningless.

Cambridge philosophy student Rickie Elliot—an orphan, lame in one foot—wants to be a writer. He exists in the intense university environment, influenced by relationships with other students both intellectual and sporty, and faces a growing involvement with the beautiful Agnes Pembroke. But he finds himself ill prepared for the reality of life and work in the outside world, further complicated by the unexpected appearance of a half-brother. His life moves toward compromise shaped by marriage and a teaching post. Where will this ultimately lead?

A dystopian classic, The Eternal Moment is the titular title in Forster's classic collection of short stories, The Eternal Moment and Other Stories. It follows Ms Raby, Colonel Leyland, and Eustace on their journey through the Alps as spirits, animals, and sprites guide the reader on a journey through ideas of nature, freedom, and transformation.

Lucy has her rigid middle-class life mapped out for her, until she visits Florence with her uptight cousin Charlotte, and finds her neatly ordered existence thrown off balance. Her eyes are opened by the unconventional characters she meets at the Pension Bertolini: flamboyant romantic novelist Eleanor Lavish, the Cockney Signora, curious Mr Emerson and, most of all, his passionate son George. Lucy finds herself torn between the intensity of life in Italy and the repressed morals of Edwardian England, personified in her terminally dull fiancé Cecil Vyse.

The Celestial Omnibus and Other Stories is a collection of short-stories which Forster wrote during the prewar years, most of which were symbolic fantasies or fables.