Showing results by narrator "Tamala Shelton" in All Categories

For perhaps the first time in novel form, Benevolence presents an important era in Australia’s history from an Aboriginal perspective. Told through the fictional characterisation of Darug woman Muraging (Mary James), Benevolence is a compelling story of first contact. Born around 1813, Muraging is among the earliest Darug generations to experience the impact of British colonisation - a time of cataclysmic change and violence, but also remarkable survival and resistance.

Wisecracking Kerry Salter has spent a lifetime avoiding two things - her hometown and prison. But now her Pop is dying, and she’s an inch away from the lockup, so she heads south on a stolen Harley. Kerry plans to spend 24 hours, tops, over the border. She quickly discovers, though, that Bundjalung country has a funny way of grabbing on to people. Old family wounds open as the Salters fight to stop the development of their beloved river.

Bigambul woman Brynn Wallace dreams of leaving her Brisbane life behind for a fabulous career at a New York City publishing house and acquiring a wardrobe of Louboutin shoes. When her mum passes away from cancer, she leaves Brynn with a plane ticket and instructions to go and chase her dreams. But finding the perfect creative job in New York is never going to be easy and eventually, desperate for income, Brynn accepts work at a TriBeCa doggy daycare. With a boss from hell, feuding staff (and dogs), and jeans and boots instead of dresses and Louboutins, it's far from her fantasy.

In a near future all identity information is encoded in digital language. Nations know where everyone is, all the time. Not everyone agrees with this constant surveillance, and when the system is hijacked and shut down, all global borders are closed. The world is no longer connected, and there is no back-up plan to establish belonging, ownership or trade.

Rosie and Nona are sisters. Yapas. They are also best friends. It doesn’t matter that Rosie is white and Nona is Aboriginal - their family connections tie them together for life. The girls are inseparable until Nona moves away at the age of nine. By the time she returns, they’re in Year 10 and things have changed. Rosie prefers to hang out in the nearby mining town, where she goes to school with the glamorous Selena and her gorgeous older brother, Nick.

A proud Gunai/Kurnai woman, Veronica Gorrie grew up dauntless, full of cheek and a fierce sense of justice. After watching her friends and family suffer under a deeply compromised law-enforcement system, Gorrie signed up for training to become one of a rare few Aboriginal police officers in Australia. In her 10 years in the force, she witnessed appalling institutional racism and sexism and fought past those things to provide courageous and compassionate service to civilians in need, many Aboriginal themselves.

It's funny how quick it happens and without you really noticing. Anton said once that it's like walking out into the sea, and you think everything's fine and the water's warm, but when you turn back you're suddenly miles from shore. I've never been much of a swimmer, but I get what he means. Like being caught in a current or something. A rip.

From the acclaimed author of the Miles Franklin long-listed Madukka: The River Serpent (UWA) and the Barbara Jefferis Award shortlisted Benevolence, Compassion continues Julie Janson's emotional and intense literary exploration of the complex and dangerous lives of Aboriginal women during the 1800s in colonial New South Wales, which she began in Benevolence as a counter narrative to colonial history in Australian literature.

Growing Up in Country Australia is a fresh, modern look at country Australia. There are stories of joy, adventure, nostalgia, connection to nature and freedom, but also more grim tales - of drought, fires, mouse plagues and isolation. From the politics of the country school bus to the class divides between locals, from shooting foxes with Dad to giving up meat as an adult, from working on the family farm to selling up and moving to the city, the picture painted is diverse and unexpected. This is country Australia as you've never seen it before.

Dark as Last Night confirms, once again, that Tony Birch is a master of the short story. These exceptional stories capture the importance of human connection at pivotal moments in our lives, whether those occur because of the loss of a loved one or the uncertainties of childhood. In this collection, we witness a young girl struggling to protect her mother from her father’s violence, two teenagers clumsily getting to know one another by way of a shared love of music, and a man mourning the death of his younger brother, while beset by memories and regrets from their past.

Evie has been raised in the heart of Aboriginal Redfern, by a proud trailblazing Wiradjuri family. She remembers so much about the previous world – the Dreamtime, the ancestors, and the knowing – but she also harbours a dark pain that is becoming almost too much to bear. And then Evie meets James, a young man radiating pure love who fills her life with light. On the cusp of adulthood, with their whole lives ahead of them, they travel to Evie’s beloved country, the central west of New South Wales and the Riverina regions.

As bushfires rage outside the city, three women watch a performance of a Beckett play. Margot is a successful professor, preoccupied by her fraught relationship with her ailing husband. Ivy is a philanthropist with a troubled past, distracted by the snoring man beside her. Summer is a young theatre usher, anxious about the safety of her girlfriend in the fire zone.

Running from a bad relationship, journalist Jo Sharpe heads home to Arthurville, the drought-stricken town she turned her back on years earlier. While some things have changed - her relationship with her ailing, crotchety father, her new job at the community newspaper - Jo finds that her return has rekindled the grief and uncertainty she experienced during her childhood following the inexplicable disappearance of her mother and baby sister.

In a futuristic and dystopian Australia, industrialisation and capitalism have overwhelmed and smothered human rights and sanity. Meet Mirii, a young orphan caught in a system that's hell bent on keeping her down. When she finds unexpected allies, friends and love, will it be enough to see her through this nightmarish world? Or is it only the beginning of the troubles she will have to face?

It’s 1868, and the gold rush is spreading across the wild west of New South Wales, bringing with it a new breed of colonial rogue - bushrangers. A world far removed from hardworking farm girl Annie Bird and her sleepy village on the outskirts of Sydney. But when a cruel stroke of fortune sees Annie orphaned and outcast, she is forced to head for the goldfields in search of her grandfather, a legendary tracker. Determined and dangerously naive, she sets off with little but a swag full of hope - and is promptly robbed of it on the road.

When Alison Strange receives a debt claim she can’t afford to pay from the Australian government’s unemployment office, she’s caught completely off-balance. As she wrestles with a slippery bureaucracy, her history-loving grandfather bolsters her resolve with the story of their ancestor John Strange, an English cobbler who was banished to Australia for his part in a political movement. Drawing inspiration from John’s life, Alison finds her own unique way to demand a future that’s fair for all.

How quickly the ground shifts beneath our feet. We make choices—in the face of love, or violence, or necessity—and the effects ripple outward. In these moving short stories, acclaimed authors examine the foundations of the past, uncovering the irreversible decisions and life-changing encounters that mark the turning point between before and after.