Showing results by narrator "Hannah Curtis" in All Categories

London, 1952: Forty-six-year-old Elizabeth Dalloway feels she has failed at most everything in life, especially living up to her mother, the elegant Mrs. Dalloway, an ideal socialite and model of perfection until she disappeared in the summer of 1923—and hasn’t been heard from since. When Elizabeth is handed a medal with a mysterious inscription from her mother to a soldier named Septimus Warren Smith, she’s certain it contains a clue from the past.

When Thalia, Kalliope, and Charis set off to Regency London for their first Season, they each have clear goals―few of which include matrimony. Thalia means to make her mark among the intelligentsia and publish her poetry, Charis hopes to earn her place among the scientific elite, and Kalliope aims to take the fashionable ton by storm. But this Season, it doesn’t take long for things to fall apart. Can this roller-coaster Season find its happily ever after?

Grace has a perfect life. Then her husband replaces her with a younger, blonder version. Three years later, Grace’s sixteen-year-old daughter Tara is stabbed to death in a seedy hotel. Grace’s life stops. After a harrowing trial, Tara’s boyfriend is convicted of her murder. At least now it’s over—until someone breaks into Grace’s house and ransacks Tara’s belongings. Now the questions have only just begun. Grace thought she knew her daughter. But Tara had been keeping secrets from her. Very dark secrets.

Eleanor did not come to London to be proper and boring. After the death of her husband and a year of mourning, the seventeen-year-old wants nothing more than her independence and to have a little fun. She’s hardly looking to remarry, despite pressures from her late husband’s nephew, who is keen on obtaining her inheritance. Eleanor quickly devises a plan that includes a fake engagement. What’s not a part of the plan? Falling for a dashing, quiet man outside of her social circle—a man who is not her betrothed. Can she survive the Season with her heart and her fortune intact?

Tourists have sought out the landmarks, streets, and alleys of Charles Dickens's London ever since the death of the world-renowned author. Late Victorians and Edwardians were obsessed with tracking down the locations—dubbed "Dickensland"—that famously featured in his novels. But his fans were faced with a city that was undergoing rapid redevelopment, where literary shrines were far from sacred. Over the following century, sites connected with Dickens were demolished, relocated, and reimagined.

When her best friend dies under mysterious circumstances, Sophie sets off to stay with her cousins on the remote Isle of Skye. It's been years since she last saw them—brooding Cameron with his scarred hand; Piper, who seems too perfect to be real; and peculiar little Lilias with her fear of bones. Still, Sophie never expected the strange new rules the family now lives by: Make no mention of Cameron's accident. Never leave the front gate unlocked. Above all, don't speak of the girl who's no longer there, the sister whose death might have closer ties to Sophie's past.

The ridiculous music. The excessive presents. The stupid Christmas sweaters. Felicity wants nothing more than to escape it all, and she pounces on the chance to work shifts over the holiday season at an animal rescue center. After all, it’s the only place that brings her true happiness. But one day, her evening is disturbed by a stranger named James—dressed as a penguin and cradling a weak kitten. As Felicity and James work together to nurse the sick feline back to health, it gives them the perfect excuse to bond over their mutual dislike of all things festive. And soon, sparks fly.

Caron Rivers appeared to have it all: a lovely home, a loving spouse, and a happy marriage. But behind closed doors, things were not what they seemed. Why did Caron snap and kill her husband? Now she finds herself at the police station, facing questions about exactly what happened and what led to the shocking event. With Bill dead, she is free to tell her story. But the police may not believe it.

You Can Be Yourself Here lays out the deep psychology of our need to belong, its critical impact on workplace performance, and the practical steps any organization can take to make everyone feel welcome and included. Learn how diversity and representation can lead to a greater experience of belonging for everyone. Glean insights from interviews with real employees speaking openly about their workplace experiences. Discover how to facilitate a culture of belonging, with practical tips for creating inclusive workplaces where people can show up as themselves.

Washed-up author Rufus Orton needs money. It's the main reason he takes the gig teaching creative writing to inmates at HMP Holderness - that, and the flattery of Prison Officer Annabeth Harris, who contacted him out of the blue and begged him to take the job. HMP resident Griffin Cox has no black marks against his name. He claims he's been wrongly convicted of the sex offense that put him in prison, but he's lying. He has a plan - and everything hinges on him securing a place in the classroom with Rufus and Annabeth.

Anna was living a normal life. She was ambitious and worked hard; she had just bought an apartment; she was falling in love. But then she started to develop worrying symptoms: Her face felt like it was burning whenever she was in front of the computer. Soon, this progressed to an intolerance of fluorescent light then of sunlight itself. The reaction soon spread to her entire body.

Ida is a self-confessed serial killer of predatory men. She feels no remorse for her victims but has decided she needs psychiatric help...if only to lay the groundwork for an insanity plea if she gets caught. Clarissa is a celebrity psychotherapist, the best in her field, a familiar face on television and in glossy magazines. For her, every patient is special—someone only she can save. When Ida walks into Clarissa's consulting room one day, the therapist doesn't know that they share a dark secret, buried in both their pasts.

The two oldest Dashwood sisters approach romance differently. One impulsively jumps into love while the other is far more prudent. When tragedy strikes they find themselves searching for suitable husbands. Elinor feels ill-equipped to compete with the self-centred, fortune-driven society she finds herself in, whilst Marianne's unshakeable belief in her own feelings makes her susceptible to the designs of unscrupulous men. Can they find true love?

Kim Slade is at work when there's a knock at her office door. Someone is waiting for her in reception. A woman claiming to be her mother. The mother who abandoned her thirty years ago. Monica Slade has been working as a live-in housekeeper for a judge and his wife, she says. But now Judge Hawkes is dead. The last thing Monica says before the police take her in for questioning is: "There are things you should know. About the past."