Showing results by author "Oliver Sacks" in All Categories

Un giorno, a New York, Oliver Sacks partecipa all'incontro organizzato da un batterista con una trentina di persone affette dalla sindrome di Tourette. Poi il batterista inizia a suonare, e tutti in cerchio lo seguono con i loro tamburi: come per incanto i tic scompaiono, e il gruppo si fonde in una perfetta sincronia ritmica. Presentando questo e molti altri casi con la consueta capacità di immedesimazione, Sacks esplora la "straordinaria forza neurale" della musica e i suoi nessi con le funzioni e disfunzioni del cervello.

An impassioned, tender and joyous memoir by the author of Musicophilia and The Man Who Mistook His Wife for a Hat. When Oliver Sacks was twelve years old, a perceptive schoolmaster wrote in his report: 'Sacks will go far, if he does not go too far'. It is now abundantly clear that Sacks has never stopped going. From its opening pages on his youthful obsession with motorcycles and speed, On the Move is infused with his restless energy.

In The River of Consciousness, Dr. Sacks takes on evolution, botany, chemistry, medicine, neuroscience and the arts and calls upon his great scientific and creative heroes - above all, Darwin, Freud and William James. For Sacks these thinkers were constant companions from an early age; the questions they explored - the meaning of evolution, the roots of creativity and the nature of consciousness - lie at the heart of science and of this audiobook.

Set in the fictional city of Maardam, each story is linked by themes of secrets coming to light, lies being exposed and pasts coming back to haunt the people who thought they had fled them - all told in Håkan Nesser’s signature style of dark, cutting prose that displays a true understanding of human nature. The collection is the basis for a trilogy of international films - Dear Agnes, Death of an Author and Samaria - directed by Daniel Alfredson and starring Ben Kingsley and Gemma Chan.

In The Mind’s Eye, Oliver Sacks tells the stories of people who are able to navigate the world and communicate with others despite losing what many of us consider indispensable senses and abilities: the capacity to recognise faces, the sense of three-dimensional space, the ability to read, the sense of sight. For all of these people, the challenge is to adapt to a radically new way of being in the world - and The Mind’s Eye is testament to the myriad ways that we, as humans, are capable of rising to this challenge.

Oliver Sacks’ compassionate tales of people struggling to adapt to different neurological conditions have fundamentally changed the way we think of our own minds. In Musicophilia, he examines the powers of music through the individual experiences of patients, musicians and everyday people - those struck by affliction, by unusual talent and even, in one case, by lightning - to show not only that music occupies more areas of our brain than language does but also that it can torment, calm, organise and heal.

Have you ever seen something that wasn't really there? Heard someone call your name in an empty house? Sensed someone following you and turned around to find nothing? Dr Oliver Sacks weaves together stories of his patients and of his own mind-altering experiences to illuminate what hallucinations tell us about the organisation and structure of our brains, how they have influenced every culture's folklore and art and why the potential for hallucination is present in us all, a vital part of the human condition.

Bear is walking through the forest, minding his own business, when he comes across another bear. The Other bear is different. The two bears wander along, thinking different thoughts, and looking in different directions. Soon the two bears come across another bear and then another bear and eventually find a bear stuck in a tree. The bears realise that perhaps they aren't that different after all and perhaps they could be friends?

Fra il 1917 e il 1927, una grave epidemia di encefalite letargica (malattia del sonno) colpì quasi cinque milioni di persone. Una minuscola frazione dei malati sopravvisse, in una sorta di perpetuo torpore, fino al 1969, quando un nuovo farmaco, la L-dopa, permise di "risvegliarli". Oliver Sacks, fra il 1969 e il 1972, somministrò questo farmaco a più di duecento malati al Mount Carmel Hospital di New York. "Risvegli" racconta le storie di venti di loro.

Una serie di casi clinici che ha lo stesso fascino delle Mille e una notte. Con straordinaria empatia e umanità, Sacks racconta le strane storie di pazienti neurologici che hanno perduto un pezzo della loro vita o una parte costitutiva del sé. Come il musicista che carezza distrattamente gli idranti credendo che siano teste di bambini. O il marinaio che è convinto di vivere nel 1945. Il viaggio di un nuotatore "in acque sconosciute, dove può accadere di dover capovolgere le solite considerazioni, dove la malattia può essere benessere e la normalità malattia."

Oliver Sacks widmet sich in seinem neuen Werk dem Zusammenhang von visueller Wahrnehmung und Bewusstsein. Es gelingt ihm wieder, komplexe Dinge verständlich zu beschreiben. Das Außergewöhnliche: Sacks schildert, wie er selbst 2005 an einem bösartigen Tumor im Auge erkrankte. Er berichtet vom Leben mit dem Krebs und dem Verlust seiner visuellen Fähigkeiten. Doch er entdeckt auch "positive" Phänomene: milde Illusion, Halluzinationen, Veränderungen in der Wahrnehmung von Farben und Umrissen.

Oliver Sacks siempre se ha sentido atraído por las islas, esos "experimentos de la naturaleza, lugares benditos y malditos por su singularidad geográfica, que albergan formas de vida únicas". En su última obra, esta fascinación le lleva más lejos que nunca, a las remotas islas del Pacífico, donde concilia su afición a explorar el mundo real con su pasión por investigar el mundo de la mente. En esta ocasión abandona transitoriamente a los individuos y con herramientas no sólo de neurólogo sino también de antropólogo...

Considerado uno de los grandes escritores clínicos del siglo, Oliver Sacks nos presenta en su último libro siete casos neurológicos que constituyen una profunda reflexión sobre la esencia de la identidad y los mecanismos del conocimiento. Un pintor que tras un accidente de coche deja de ver el color; un cirujano cuyos continuos tics y compulsiones sólo remiten cuando opera o pilota su aeroplano; un hombre que tras toda una vida de ceguera recupera la vista sólo para darse cuenta de que no sabe ver.