Showing results by author "James Nicholas" in All Categories

Eduardo Paolozzi: Newton Figures features a conversation with the celebrated sculptor Sir Eduardo Paolozzi (1924-2005), recorded at The Royal College of Art in 1990. In it he discusses work in progress of The Newton Figures (Master of the Universe) and commissions for The Royal Jockey Club Kowloon. He reflects on artists from Fragonard to Rodin and points to effects of the machine on the condition of people's lives which drove his work.

Cv/VAR 50 publishes an interview with the artist Helen Chadwick (1953-96), recorded at her Beck Road studio in 1989. It explores the body-action-photographic works distilled in installations such as Ego Geometria Sum and Of Mutability, and the cromalin prints of 1989: Viral Landscapes, prepared for exhibition at the Museum of Modern Art Oxford in 1990.

Dr. Stephen Deuchar, director of the Art Fund, gives an interview to Cv/VAR, first published in Curators and Collections Volume Three 2010. He describes the history of the Art Fund, its foundation, aims and initiatives, and work as a major benefactor, enabling museums and galleries to preserve and develop their collections, including recently discovered treasure troves, and individual works saved for the future.

Cv/VAR 102 documents Leviathan, a commissioned sculpture by Anish Kapoor for the Monumenta series at the Grand Palais, Paris. It records a press presentation at his London studio. The artist describes the project, with reference to scale models, and discusses 120 metre high Orbit in construction for the 2012 London Olympics. It then visits Leviathan installed at the Grand Palais in May 2011.

Pamela Roberts, curator of the Royal Photographic Society, Bath, gives an interview to Cv/VAR in 1994, which charts the development of photography from its primary innovation in the 1840s by Hill & Adamson, Fox Talbot, through Roger Fenton in the Crimea War, leading to Royal Patronage of Prince Albert and development of the society into the 20th century.

Cv/VAR series 146 reviews the work of Damien Hirst (b.Bristol 1965), presented in a retrospective exhibition spanning 20 years, held at Tate Modern, April to September 2012. It explores the development of his art - from the controversial animal vitrines and beautiful butterfly composites, to an extensive series of spot paintings, where the artist engaged in a complex invigilation of coded systems that govern daily existence.

First published as Tracks: Plan of the Professions in 1997, the 15th revised and updated edition is published in 2017. It gives information for over 150 professions, which include pathways in the banking and financial services, catering and hospitality, construction, education, health care, land and sea work, law, government and administration, leisure and tourism, manufacturing crafts, marketing, media, services, and sports and fitness.

The first edition of Curators and Collections, published in 1997, was based on interviews and features published in the quarterly review, Cv Journal of Art and Crafts (1988-1991). These recorded the launch of the Irish Museum of Modern Art in 1991, the construction of Tate Modern in 1997, as well as exploring special collections at the National Gallery, Courtauld Gallery, The British Museum, and Royal Photographic Society.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field, and chartered institutes.

David Rose interviews Declan MacGonagle about his appointment as the primary director of the Irish Museum of Modern Art, Kilmainham. They discuss in detail the director's view of a contemporary museum of art and his ambitions for its program within its local and international context. The dialogue probes previous appointments in Derry and at the ICA London.

A presentation by exhibition curator Catherine David in 1997 describes her plans for Documenta X Kassel; title 'Retroperspective', including works by Joseph Beuys and Walter de Maria. She proposes the ambitions of the projects, in linking strands of modern and progressive art, with aspirations of different nationalities and cultures.

With national coverage of the first edition in 1997 Tracks found an eager audience, including many parents needing information about their children's choices for the future. Over 15 annual editions the title has been revised and updated. It lists pay scales and qualifications to degree level, with advice from professionals in the field, and chartered institutes. The 2017 edition covers over 150 career paths in 14 sections from banking and financial services to sports and fitness.

Tracks guides give information on over 150 professions, such as banking and financial services, catering and hospitality, construction, education, health care, land and sea work, law, government and administration, leisure and tourism, manufacturing crafts, marketing, media, service professions, and sports and fitness.

Artist Recordings 2 brings together leading artists active in the fields of painting, drawing, print, and sculpture. Conversations explore work in progress and the development of their practice. Patterns of personal experience link with a broader continuum of progressive ideas and show how their imaginative interventions bear on the world.

A collection of recordings made between 1988 and 1996 with emerging and established artists, from Anthony Caro and Arman to James Turrell and Rachel Whiteread. In considering their work, often in the context of a current exhibition, they discuss their ideas in formation and factors which informed their development.

Despite his short span of activity, from 1423 to 1428, Masaccio can be placed as the signifier of a radical break with the period of Italian painting known as the Trecento, and, alone among his contemporaries, in his use of dramatic realism points the way to the spectacular creations of the High Renaissance, in which artists such as Michelangelo, Raphael, and Palladio achieved a fusion of classic and humanist ideals in painting, sculpture, and architecture.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions, the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field and chartered institutes.

The fourth volume of the Tracks directory gives information about career pathways in construction, land and sea work, sports, and fitness.

Episodes record incidents and encounters in the streets, the movement of shoppers and travelers, and scenes of social and internal life. As the journal develops, fact and fiction blend into a film-like sequence of events. Reality is colored by a seamless flow of messages of promise and dereliction that gently gather strands of communal imagination into a protective shell. Entries recorded in 2010-11 of encounters and observations; citizens, builders, office workers, young and senior.

With national coverage of the first edition in 1997, Tracks found an eager audience, including many parents needing to inform their children's choices for the future. Over 15 annual editions the title has been revised and updated. The new edition carries work descriptions, listing pay scales and qualifications to degree level, with advice from professionals in the field and chartered institutes.